05-艾萨克·斯特恩 - 勃拉姆斯 降E大调第二单簧管奏鸣曲（24B-192kHz）
艺术家：艾萨克·斯特恩
专辑名称：勃拉姆斯：A大调第二小提琴奏鸣曲，作品100号及降E大调第二单簧管奏鸣曲，作品120号之2（重新灌录版）
发行年份：1973年
厂牌：索尼古典唱片公司
音乐类型：古典音乐
音质：FLAC（分轨）/ 24比特-192千赫兹FLAC（分轨）
总时长：40分16秒
总大小：191兆字节 / 1.45吉字节
网站：专辑预览
曲目列表：
01. A大调第二小提琴奏鸣曲，作品100号《图恩》：第一乐章 亲切的快板（8分21秒）
02. A大调第二小提琴奏鸣曲，作品100号《图恩》：第二乐章 平静的行板 - 活泼的（7分08秒）
03. A大调第二小提琴奏鸣曲，作品100号《图恩》：第三乐章 优雅的快板（近似行板）（5分27秒）
04. 降E大调第二单簧管奏鸣曲，作品120号之2：第一乐章 亲切的快板（7分37秒）
05. 降E大调第二单簧管奏鸣曲，作品120号之2：第二乐章 热情的快板（5分28秒）
06. 降E大调第二单簧管奏鸣曲，作品120号之2：第三乐章 稍快的行板（6分22秒）
音乐即生活，生活即音乐。这是对小提琴家艾萨克·斯特恩一生信条的一种诠释。这条信条在他漫长的职业生涯中始终坚定地回响着，从20世纪30年代在旧金山的惊艳首演，一直到新千年的开端，在这期间，艾萨克·斯特恩在国际音乐事业中始终保持着不懈的热情。他自己曾说过：“我们的责任是继续追寻美与人性。这才是永恒的东西。” 对艾萨克·斯特恩而言，音乐是赐予人类的礼物。从历史的开端便是如此，也必将永远如此。这是艺术家的职责，或者，就像斯特恩在这个机器与电脑的时代所说的那样：“论演奏，任何机器都能比人演奏得更好。但只有人才能看着另一个人说，‘我爱你’。”
斯特恩自身的音乐造诣固然重要，而他为全世界年轻人所做出的鼓舞人心的音乐教育成就也同样不可忽视。他认为自己有一项明确的责任，那就是不仅要将自己所掌握的技巧传授给年轻一代，还要把音乐所赋予他的快乐和奉献精神传递给他们。而且，他自然而然地会去引导和帮助那些刚刚开启职业生涯的年轻音乐家，比如小提琴家什洛莫·敏茨、伊扎克·帕尔曼和皮恩卡斯·祖克曼。正是出于斯特恩对年轻一代的个人关注和责任感，促使他参加了在科隆举办的一个研讨会。作为一名犹太人，出于对在大屠杀中遇难的犹太人的尊重，他曾发誓永远不踏入德国。但他后来改变了这个想法，觉得是时候去看看这个诞生了巴赫、贝多芬和门德尔松的国家了。他也想了解和倾听德国年轻音乐家是如何吸收他们的音乐遗产的，同时在为期九天的研讨会上为28名学生授课，将自己的经验传授给他们。
卡内基音乐厅就是他不懈努力维持、革新和发展音乐演出场所的最有力证明，也是他取得的至高成就。如果不是他的亲自干预，卡内基音乐厅在20世纪60年代就会被夷为平地。拯救卡内基音乐厅的这场战斗以及斯特恩在其中的亲身经历，一直以来都是并将继续是全世界音乐推广者、管理者和文化政策制定者的灵感源泉。在过去的35年多里，艾萨克·斯特恩一直担任卡内基音乐厅的主席，在这个职位上，他助力将其打造成了世界上首屈一指的音乐会举办场所之一。
作为艺术家和个人，艾萨克·斯特恩身上始终体现着过去、现在和未来。对他来说，音乐是永恒的，音乐即生活，生活即音乐。
艾萨克·斯特恩，小提琴演奏者
数字重新灌录
Artist: Isaac Stern
Title: Brahms: Violin Sonata No. 2 in A Major, Op. 100 & Clarinet Sonata No. 2, Op. 120 No. 2 (Remastered)
Year Of Release: 1973
Label: Sony Classical
Genre: Classical
Quality: FLAC (tracks) / 24bit-192kHz FLAC (tracks)
Total Time: 40:16
Total Size: 191 MB / 1.45 GB
WebSite: Album Preview
Tracklist:
01. Violin Sonata No. 2 in A Major, Op. 100 "Thun": I. Allegro amabile (8:21)
02. Violin Sonata No. 2 in A Major, Op. 100 "Thun": II. Andante tranquillo - Vivace (7:08)
03. Violin Sonata No. 2 in A Major, Op. 100 "Thun": III. Allegro grazioso (Quasi andante) (5:27)
04. Clarinet Sonata No. 2, Op. 120 No. 2: I. Allegro amabile (7:37)
05. Clarinet Sonata No. 2, Op. 120 No. 2: II. Allegro appassionato (5:28)
06. Clarinet Sonata No. 2, Op. 120 No. 2: III. Andante con moto (6:22)
Music is Life. Life is Music. This is one way of expressing violinist Isaac Stern’s lifetime credo, a credo that has resounded with unflagging strength throughout a long career, all the way from a sensational début in San Francisco during the 1930s to the beginning of the new millennium, which finds Isaac Stern as indefatigable as ever in the cause of international music. He himself has said: “Our responsibility is to continue the search for beauty and humanity. That is what survives.” Music, for Isaac Stern, is a gift to mankind. It has been so from the dawn of history and must forever remain so. This is the artist’s duty, or, as Stern has put it in this age of machinery and computers: “To perform, any machine can play better than a human. But only a human being can look at somebody and say, ‘I love you’.”
No less important than his own musicianship is Stern’s inspiring educational achievement on behalf of young people the world over. He sees an obvious duty in transmitting to the young generation, not only the skills he possesses, but also the joy and dedication with which music inspires him. And he has found it no less natural to guide and assist young musicians at the beginning of their careers, as for example with violinists Schlomo Mintz, Ithzak Perlman and Pinchas Zukerman. It was also Stern’s personal involvement and sense of responsibility for the young generation that led him to take part in a seminar in Cologne. As a Jew he had once vowed, out of respect for the Jews killed in the Holocaust, never to set foot in Germany. But he changed his mind on that score, feeling that it was time for him to see the country of Bach, Beethoven and Mendelssohn. He also wanted to see and hear how young German musicians are absorbing their musical heritage, as well as passing on his own experience by teaching 28 students o a nine-day seminar.
The most palpable proof, and the crowning success, of his untiring endeavour to sustain, renew and develop venues for music is the Carnegie Hall, which but for his personal intervention, would have been razed to the ground in the 1960s. The battle to save the Carnegie Hall, and Stern’s personal experience of it, have been and remain a source of inspiration for promoters, managers and cultural policymakers the world over. For more than 35 years now, Isaac Stern has been President of the Carnegie Hall, in which capacity he has helped to make it one of the world’s foremost concert venues.
Past, present and future are always embodied by Isaac Stern as artist and human being. To him, Music is timeless, Music is Life, and Life is Music.
Isaac Stern, violin
Digitally remastered
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