不会打计算机 发表于 2025-4-30 08:16:20

09 - 莎拉·布雷利、体验管弦乐团- 史密斯《监狱》2020-Hi-Res24B - 96.0kHz




艺术家:莎拉·布雷利、达肖恩·伯顿、体验管弦乐团及詹姆斯·布莱克利
专辑名:史密斯:《监狱》
发行年份:2020年
厂牌:钱德斯
流派:古典
音质:FLAC无损格式(镜像文件 +.cue文件、日志文件、封面图 )/ FLAC 24比特 - 96.0千赫兹 + 小册子
总时长:1小时04分01秒
总大小:298兆字节 / 1.09吉字节
网站:专辑预览

曲目单
01. 《监狱》第1首,紧缚自由。囚犯与自己的灵魂对话
02. 《监狱》第2首,声音歌唱着不朽
03. 《监狱》第3首,囚犯询问解脱的秘密
04. 《监狱》第4首,他的灵魂做出回应
05. 《监狱》第5首,他询问解脱会以何种形式到来
06. 《监狱》第6首,声音做出回应
07. 《监狱》第7首,管弦乐间奏曲。黎明的第一缕曙光
08. 《监狱》第8首,囚犯领悟到自己的不朽
09. 《监狱》第9首,解脱。囚犯醒来
10. 《监狱》第10首,他的灵魂告诉他斗争即将结束
11. 《监狱》第11首,他听到他的客人们准备离开
12. 《监狱》第12首,田园曲。日落时的宁静
13. 《监狱》第13首,他摒弃了自我
14. 《监狱》第14首,声音歌唱着人类情感的坚不可摧
15. 《监狱》第15首,死亡召唤他。他满怀荣耀,听从了召唤
16. 《监狱》第16首,他的告别——他的胜利——他的安宁

莎拉·布雷利、达肖恩·伯顿、体验管弦乐团及詹姆斯·布莱克利——史密斯:《监狱》(2020年)[高解析度]

8月18日是美国第19条宪法修正案通过100周年纪念日,该修正案赋予了美国女性投票权。因此,我们发行埃塞尔·史密斯的晚期杰作《监狱》的世界首录版本,恰逢其时。史密斯19岁时离家前往莱比锡学习作曲。在克拉拉·舒曼和她的老师海因里希·冯·赫佐根贝格的陪伴下,她结识了柴可夫斯基、勃拉姆斯、德沃夏克和格里格等作曲家,并赢得了他们的赞赏。1903年,史密斯成为首位有歌剧在大都会歌剧院上演的女性(第二位是凯雅·萨利亚霍,她的《远方的爱》于2016年在大都会歌剧院上演!)。后来,史密斯成为英国妇女参政权运动的核心人物,创作了《妇女进行曲》。她的性别政治观念和性取向曾招致评论家的抨击,而且她还曾因向一位议员的窗户扔石头而自己锒铛入狱,这一事件广为人知。《监狱》创作于1930年,1931年在爱丁堡的阿舍大厅首演,是一部由两部分组成的交响曲,分别为《紧缚自由》和《解脱》,由女高音和男低音 - 男中音独唱、合唱团以及完整的管弦乐队共同演绎。歌词取自亨利·本内特·布鲁斯特的一部哲学著作,讲述的是一名单独监禁的囚犯的内心独白,他对生命的思考以及为死亡所做的准备。

Artist: Sarah Brailey, Dashon Burton, Experiential Orchestra & James Blachly
Title: Smyth: The Prison
Year Of Release: 2020
Label: Chandos
Genre: Classical
Quality: flac lossless (image +.cue, log, artwork) / flac 24bits - 96.0kHz +Booklet
Total Time: 01:04:01
Total Size: 298 mb / 1.09 gb
WebSite: Album Preview

Tracklist

01. The Prison No. 1, Close on Freedom. The Prisoner Communes with His Soul
02. The Prison No. 2, Voices Sing of Immortality
03. The Prison No. 3, The Prisoner Askes the Secret of Emancipation
04. The Prison No. 4, His Soul Replies
05. The Prison No. 5, He Asks In What Shape Emancipation Will Come
06. The Prison No. 6, The Voices Reply
07. The Prison No. 7, Orchestral Interlude. The First Glimmer of Dawn
08. The Prison No. 8, The Prisoner Understands His Own Immortality
09. The Prison No. 9, The Deliverance. The Prisoner Awakes
10. The Prison No. 10, His Soul Tells Him the End of the Struggle Is At Hand
11. The Prison No. 11, He Hears His Guests Moving to Depart
12. The Prison No. 12, Pastoral. Sunset Calm
13. The Prison No. 13, He Disbands His Ego
14. The Prison No. 14, Voices Sing the Indestructibility of Human Passions
15. The Prison No. 15, Death Calls Him. Gloring, He Obeys the Summons
16. The Prison No. 16, His Farewell - His Triumph - His Peace

Sarah Brailey, Dashon Burton, Experiential Orchestra & James Blachly - Smyth: The Prison (2020)

August 18th marks the 100th anniversary of th e 19th Constitutional Amendment, granting women in the US the right to vote. A fitting time then for our release of the World Premier Recording of Ethel Smyths late masterpiece The Prison. Smyth left home at nineteen to study composition in Leipzig. In the company of Clara Schumann and her teacher Heinrich von Herzogenberg, she met and won the admiration of composers such as Tchaikovsky, Brahms, Dvoák, and Grieg. Smyth was the first woman to have an opera performed at the Met, in 1903. (The second was Kaija Saariaho, whose L'Amour de loin appeared there in 2016!) Smyth later became central to the Suffragette movement in England, writing the March of the Women. Her gender politics and sexuality were cause for attacks by critics, and she famously went to prison herself for throwing a stone through an MPs window. Composed in 1930 and premiered in 1931 in Edinburghs Usher Hall, The Prison is a Symphony in two parts, Close on Freedom and The Deliverance, set for soprano and bass-baritone soloists, chorus, and full orchestra. The text is taken from a philosophical work by Henry Bennet Brewster and concerns the writings of a prisoner in solitary confinement, his reflections on life and his preparations for death.

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