05-约书亚·贝尔 - 《与音乐相伴在家》2020年现场版Hi-Res，24B - 48.0kHz
艺术家：约书亚·贝尔
标题：《在家中的音乐时光（现场版）》
发行年份：2020年
厂牌：索尼古典
音乐类型：古典音乐
音质：FLAC无损格式 / FLAC 24比特 - 48.0千赫兹
总时长：00小时45分02秒
总大小：226兆字节 / 470兆字节
网站：专辑预览
曲目列表：
01. F大调第五小提琴奏鸣曲，作品24：第一乐章 快板
02. B小调斯拉夫幻想曲
03. 《啊，归来吧，黄金时代》（选自《不幸者》）
04. D大调音乐会波兰舞曲，作品4
05. 降E大调夜曲，作品9，第二首
06. 《漫步街头》（穆塞塔的咏叹调）（选自《波希米亚人》）
07. 《夏日时光》（选自《波吉与贝丝》）
08. 《西区故事》组曲
这张专辑于2020年年中发行，当时新冠疫情仍在持续，即便对于那些最耀眼的明星而言，在家中进行音乐创作也开始变得频繁起来。无论如何，这张专辑肯定会吸引大量听众，因为小提琴家约书亚·贝尔录制这张专辑是为了在美国公共电视网（PBS）进行特别播出，而这些无疑是商业成功的明显标志。然而，即便抛开这些因素，这张专辑本身也很可能会大获成功。
在这张专辑中，贝尔的状态轻松自在，演奏着他十分熟悉的19世纪经典曲目和返场曲。他的朋友们（其中包括不太常见的贝多芬作品专家杰里米·登克担任钢琴伴奏）也加入其中进行二重奏表演。专辑的最后是由女高音拉里萨·马丁内斯演唱的《西区故事》组曲。她的演唱契合了专辑温馨私密的氛围，而整个专辑也充分展示了贝尔的专长：一场融入了些许现代元素（选用百老汇音乐剧选段而非维也纳流行曲调）的现代版老式炫技独奏会。他演奏维尼亚夫斯基的《D大调音乐会波兰舞曲》（作品4）时可谓驾轻就熟，在这种情境下，这不仅不会让人感到乏味，反而让整个节目充满了吸引力，能让所有人都乐在其中。这张约书亚·贝尔的专辑完全可以作为人们了解他音乐艺术的绝佳入门之作。
Artist: Joshua Bell
Title: At Home With Music (Live)
Year Of Release: 2020
Label: Sony Classical
Genre: Classical
Quality: flac lossless / flac 24bits - 48.0kHz
Total Time: 00:45:02
Total Size: 226 / 470 mb
WebSite: Album Preview
Tracklist
01. Violin Sonata No. 5 in F Major, Op. 24: I. Allegro
02. Slavonic Fantasy in B minor
03. "Ah, ritorna, età dell'oro" (from Infelice)
04. Polonaise de Concert in D Major, Op. 4
05. Nocturne in E-flat Major, Op. 9, No. 2
06. "Quando m'en vo" (Musetta's aria) (from La Bohème)
07. "Summertime" (from Porgy and Bess)
08. West Side Story Medley
This release appeared in mid-2020 as the coronavirus epidemic dragged on, and home music-making began to ramp up for even the biggest stars. It would have been guaranteed a strong listenership in any event, for violinist Joshua Bell made the recording for a special broadcast on the U.S. PBS network, and these are clear indicators of commercial success. However, it would likely succeed purely on its own merits. The album offers Bell in a relaxed mood, playing 19th century showpieces and encores that he knows well, with friends (including, unusually, Beethoven specialist Jeremy Denk on piano) dropping in for duets, including a West Side Story medley to close by soprano Larisa Martinez. Her singing fits the intimate mood, and the whole program offers an excellent example of Bell's specialty: the old-fashioned virtuoso recital brought up to date with a few modern touches (Broadway musicals instead of Viennese popular tunes). He can do the likes of Wieniawski's Polonaise de Concert, Op. 4, in his sleep, which in this setting results not in boredom but in a program that invites one and all to enjoy. The result is a Joshua Bell album that could serve very well as an introduction to his art.
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