sxmif 发表于 2025-5-5 08:26:49

10-温柔记忆乐团《出神状态:苏菲派的赞美诗与歌曲》(2009年,Hi-Res




艺术家:温柔记忆乐团、德尼·雷森·达德雷
专辑名称:《出神状态——天主教赞美诗与苏菲派歌曲》
发行年份:2009年
厂牌:曲折领地唱片公司(Zig-Zag Territoires)
音乐类型:古典音乐、世界音乐
音质:FLAC 24比特 - 96.0千赫兹 + 小册子
总时长:1小时15分18秒
总大小:1.18吉字节
网站:专辑预览

曲目列表
01. 《我的爱人,我的爱人》(Djânam, djânam)
02. 《因我长久哭泣》(Poiche’l moi largo pianto)
03. 《带着悲伤与怜悯》(Con doglia e con pieta)
04. 《疲惫的灵魂》(Alma che scarca)
05. 《哦,我的爱人,哦,我的爱人,哦,我的爱人》(Biâ biâ deldâreman, ey yâreman, ey yâreman)
06. 《我来到你身边,耶稣》(Io ti vengo, Giesu, drieto)
07. 《哦,天堂的面包》(O Pane del ciel)
08. 《哦,主啊,哦,我的主啊》(Yâ Hou yâ man Hou)
09. 《在坚硬的岩石脚下》(Al pie del duro sasso)
10. 《哭泣吧,忘恩负义的心》(Piangi ingrato core)
11. 《哭泣吧,痛苦的凡人》(Piangete egri mortali)
12. 《告诉我,甜美的玛丽亚》(Dimmi dolce Maria)
13. 《邪恶且充满欺诈的心》(Cor maligno e pien di fraude)

在官方宗教机构的边缘,天主教兄弟会和穆斯林教团提供了一种神秘的体验。音乐在他们的仪式中扮演着重要角色,是一种接近上帝的方式。这种音乐简单、重复且令人难忘,在游行或虔诚的集会中由群体演唱,旨在让众人进入一种欣喜若狂的出神状态。

在这张唱片中,德尼·雷森·达德雷呈现了16世纪意大利兄弟会的音乐曲目与波斯苏菲派教团的音乐之间的对话。在这两种文化中,这种能让信徒陷入神秘沉醉状态的音乐都不被某些正统观念的拥护者所认可。对教会而言,这种由身体的欢腾所产生的狂热,有时与狂欢节太过相似,令人不安!

“这个项目源于一种直觉,当我们着手实现它时,却发现它显然是惊人的。除了文化差异之外,这些歌曲有着完全相同的目的:鼓励信徒进行一种仪式,使他们能够超越自我,从而理解并意识到那些超出他们理解范围的事物。正是这种仪式的普遍性让我们如此着迷。” 德尼·雷森·达德雷

Artist: Doulce Mémoire, Denis Raisin Dadre
Title: L'état de transe - Laudes et Chants Soufis
Year Of Release: 2009
Label: Zig-Zag Territoires
Genre: Classical, World
Quality: flac 24bits - 96.0kHz +Booklet
Total Time: 01:15:18
Total Size: 1.18 gb
WebSite: Album Preview

Tracklist

01. Djânam, djânam
02. Poiche’l moi largo pianto
03. Con doglia e con pieta
04. Alma che scarca
05. Biâ biâ deldâreman, ey yâreman, ey yâreman
06. Io ti vengo, Giesu, drieto
07. O Pane del ciel
08. Yâ Hou yâ man Hou
09. Al pie del duro sasso
10. Piangi ingrato core
11. Piangete egri mortali
12. Dimmi dolce Maria
13. Cor maligno e pien di fraude


In the margin of official religious institutions, Catholic confraternities and Muslim orders offered a mystical experience. Music played an important role in their rituals, as a way of access to God. Simple, repetitive, haunting, this music sung in groups during processions or devotional meetings was intended to place the assembly in a state of ecstatic trance.

In this recording Denis Raisin Dadre presents a dialogue between the repertory of the 16th-century Italian confraternities and that of the Persian Sufi orders. In both cultures, this music which drives believers into a state of mystical intoxication was disapproved of by the upholders of a certain orthodoxy. For the Church, the fervour produced by such bodily jubilation sometimes came uncomfortably close to a bacchanal!

‘This project, born of an intuition, turned out to be astonishingly self-evident when we realised it. Over and above the cultural differences, these songs have exactly the same aim: to encourage believers to practise a ritual that will allow them to stand outside themselves, so as to understand become aware of what lies beyond their understanding. It was this universality of the rites that so fascinated us.’ Denis Raisin Dadre

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