16-塞巴斯蒂安·曼茨与德国广播爱乐乐团 - 《尼尔森 林德伯格单簧管协奏曲》
艺术家：塞巴斯蒂安·曼茨、德国广播爱乐乐团、马格努斯·林德伯格、多米尼克·贝基希
作品名称：《尼尔森与林德伯格：单簧管协奏曲》
发行年份：2020年
厂牌：柏林古典唱片公司（Berlin Classics）
音乐类型：古典音乐
音质：FLAC无损格式 / FLAC 24比特 - 96.0千赫兹
总时长：01:01:11
总大小：263兆字节 / 998兆字节
网站：专辑预览
曲目列表
01. 《徒劳的小夜曲》
02. 单簧管协奏曲，作品27号 第一乐章. 稍快的小快板
03. 单簧管协奏曲，作品27号 第二乐章. 稍慢的柔板 - 不过分的快板
04. 单簧管协奏曲，作品27号 第三乐章. 活泼的快板
05. 单簧管协奏曲 第一部分
06. 单簧管协奏曲 第二部分
07. 单簧管协奏曲 独奏华彩乐段
08. 单簧管协奏曲 第三部分
塞巴斯蒂安·曼茨、德国广播爱乐乐团、马格努斯·林德伯格与多米尼克·贝基希 - 《尼尔森与林德伯格：单簧管协奏曲》（2020年）[高解析度音频]
在斯堪的纳维亚地区，追求极致自然风光和崎岖海岸线的人们能得到满足，就如同他们在该地区的音乐中也能获得满足一样。在他的新专辑中，塞巴斯蒂安·曼茨演绎了丹麦作曲家卡尔·尼尔森和芬兰作曲家马格努斯·林德伯格的单簧管协奏曲。这两位作曲家都以其极具自然元素、抽象的音乐结构而闻名，他们仿佛在用声音作画，为听众勾勒出他们家乡的自然世界。
我们很快就被斯堪的纳维亚的风景所吸引：山脉与湖泊、瀑布、峡湾和森林，以及开阔天空下漫长的夏夜。北欧地区的伟大作曲家，如挪威的爱德华·格里格或芬兰的让·西贝柳斯，会用音乐来描绘自然，这一点并不令人意外。当代作曲家可能不太倾向于从田野和森林中寻找灵感，然而，1958年出生于赫尔辛基的马格努斯·林德伯格的单簧管协奏曲却处处弥漫着自然的气息。《泰晤士报》将林德伯格描述为21世纪最重要的作曲家之一，他亲自登上指挥台指挥了这张专辑的录制。塞巴斯蒂安·曼茨借此机会与作曲家探讨了作品的细节，从而提升了自己的演奏水平。单簧管协奏曲后半部分的华彩乐段为作为独奏者的他提供了展现全新个人风格和诠释方式的空间。
卡尔·尼尔森1928年创作的单簧管协奏曲让曼茨得以与另一首来自北欧国家的独奏协奏曲相搭配，这首作品被单簧管演奏者视为其核心演奏曲目之一。尼尔森的音调语言可以说是民间文化、勇于创新的精神以及对古老音乐传统的回归的融合。这部作品充满了情绪的变化和强烈的对比，不仅令人叹为观止，还对演奏者的技巧提出了很高的要求。作品中那些自发的、爆发性的乐段与作品中其他体现自然世界的声音形成了鲜明的对比，让人联想到火车车厢车轮的尖啸声和城市的喧嚣声。这部令人印象深刻的作品由多米尼克·贝基希指挥，他被公认为是近年来杰出的新一代作曲家之一。
在这张专辑中，卡尔·尼尔森的一首室内乐作品对这两首单簧管协奏曲起到了补充作用。塞巴斯蒂安·曼茨选择了《徒劳的小夜曲》，这是尼尔森创作的一部迷人的作品。作曲家于1914年为一次丹麦的巡回音乐会创作了这首曲子，之后他便投身于更大型、更重要的创作项目中。在这首五重奏中，首先吸引人们注意的是其不寻常的乐器编配，这是由参与巡回演出的音乐家决定的：单簧管、大管、圆号、大提琴和低音提琴。其结果是产生了一种色调深沉且富有层次的音色，而单簧管作为音高最高的乐器，在其中占据主导地位。
塞巴斯蒂安·曼茨与萨尔布吕肯和凯撒斯劳滕的德国广播爱乐乐团合作，呈现了三部作品。尽管这些作品在音乐上十分复杂，但它们却能将我们带入北欧的风景之中，用声音描绘出一幅幅画面。这不仅是高雅音乐爱好者的必听之作！
Artist: Sebastian Manz, Deutsche Radio Philharmonie, Magnus Lindberg, Dominik Beykirch
Title: Nielsen & Lindberg: Clarinet Concertos
Year Of Release: 2020
Label: Berlin Classics
Genre: Classical
Quality: flac lossless / flac 24bits - 96.0kHz
Total Time: 01:01:11
Total Size: 263 / 998 mb
WebSite: Album Preview
Tracklist
01. Serenata in vano
02. Clarinet Concerto, Op. 27 I. Allegretto un poco
03. Clarinet Concerto, Op. 27 II. Poco adagio - Allegro ma non troppo
04. Clarinet Concerto, Op. 27 III. Allegro vivace
05. Clarinet Concerto Part I
06. Clarinet Concerto Part II
07. Clarinet Concerto Solo Cadenza
08. Clarinet Concerto Part III
Sebastian Manz, Deutsche Radio Philharmonie, Magnus Lindberg & Dominik Beykirch - Nielsen & Lindberg: Clarinet Concertos (2020)
Seekers after extreme landscapes and rugged coastlines are well provided for in Scandinavia – as they are in its music. On his new album, Sebastian Manz engages with the clarinet concertos of the Danish composer Carl Nielsen and Finnish composer Magnus Lindberg. Both are well known for their elemental, abstract sound stuctures, summoning up the natural world of their homelands for listeners as if painting in sound.
We are soon drawn under the spell of the Scandinavian landscape: mountains and lakes, waterfalls, fjords and forests, long summer nights under the open sky. It can scarcely come as a surprise that the great composers of the Nordic lands – such as Edvard Grieg in Norway or Jean Sibelius in Finland – called upon music to portray nature. Contemporary composers may be less inclined to take refuge in the fields and woods, and yet the Clarinet Concerto of Magnus Lindberg, born in Helsinki in 1958, is pervaded by the spirit of Nature. Lindberg, described by The Times as one of the most important voices among 21st-century composers, took the podium in person to conduct this recording. Sebastian Manz took the opportunity to discuss details of the work with the composer and thereby refine his playing. The cadenza in the second half of the Clarinet Concerto offers him as the soloist the scope to indulge in a new, personal style and manner of interpretation.
Carl Nielsen’s Clarinet Concerto of 1928 gives Manz a coupling with another solo concerto from the Nordic nations, one that clarinettists consider to be part of their core repertoire. Nielsen’s tonal language can be described as a mixture of folk culture, courage to experiment and a return to older music traditions. Shot through with changes of mood and sharp contrasts, the work is not only breathtaking but places high demands on the exponent’s technique. The work’s spontaneous, eruptive outbursts represent a polar opposite to the sounds of the natural world that otherwise characterize the piece, recalling the screech of railway-carriage wheels and the roar of the city. This impressive work is conducted by Dominik Beykirch, acknowledged to be one of the outstanding new-generation composers of recent years.
These two clarinet concertos are complemented on the album by a chamber work of Carl Nielsen’s. Sebastian Manz chose the Serenata in vano, a “serenade in vain”, as a charming work from Nielsen’s pen. The composer wrote the piece in 1914 for a concert tour of Denmark, before turning to larger, more important projects. The first thing that captures the attention in the quintet is the unusual scoring, determined by the musicians who were on tour: clarinet, bassoon, horn, cello and double bass. The result is a darkly nuanced timbre in which the clarinet, as the highest-pitched instrument, takes the lead.
Sebastian Manz has joined forces with the Deutsche Radio Philharmonie of Saarbrücken and Kaiserslautern to present three works that spirit us away into Nordic landscapes and paint pictures in sound despite all their musical complexity. Essential listening, not just for devotees of highbrow music!
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