03-奥地利古乐合奏团 古纳尔·莱茨博 - 维瓦尔第《四季》2016年 Hi-Res 24B - 44.1kHz
艺术家：奥地利古乐合奏团、古纳尔·莱茨博
作品名称：维瓦尔第：《四季》
发行年份：2016年
厂牌：挑战古典音乐厂牌（Challenge Classics）
音乐类型：古典音乐
音质：FLAC无损格式 / 24比特 - 44.1千赫兹 + 小册子
总时长：00:59:35
总大小：308 / 590兆字节
网站：专辑预览
曲目列表
01. E大调小提琴协奏曲《春》，RV 269（安东尼奥·维瓦尔第）：第一乐章 快板
02. E大调小提琴协奏曲《春》，RV 269（安东尼奥·维瓦尔第）：第二乐章 广板
03. E大调小提琴协奏曲《春》，RV 269（安东尼奥·维瓦尔第）：第三乐章 田园舞曲
04. G小调小提琴协奏曲《夏》，RV 315（安东尼奥·维瓦尔第）：第一乐章 不太快的快板
05. G小调小提琴协奏曲《夏》，RV 315（安东尼奥·维瓦尔第）：第二乐章 柔板
06. G小调小提琴协奏曲《夏》，RV 315（安东尼奥·维瓦尔第）：第三乐章 急板
07. F大调小提琴协奏曲《秋》，RV 293（安东尼奥·维瓦尔第）：第一乐章 快板I
08. F大调小提琴协奏曲《秋》，RV 293（安东尼奥·维瓦尔第）：第二乐章 甚柔板
09. F大调小提琴协奏曲《秋》，RV 293（安东尼奥·维瓦尔第）：第三乐章 快板II
10. F小调小提琴协奏曲《冬》，RV 297（安东尼奥·维瓦尔第）：第一乐章 不太快的快板
11. F小调小提琴协奏曲《冬》，RV 297（安东尼奥·维瓦尔第）：第二乐章 广板
12. F小调小提琴协奏曲《冬》，RV 297（安东尼奥·维瓦尔第）：第三乐章 快板
13. D小调协奏曲（弗兰季谢克·伊拉内克）：第一乐章 不太快的快板
14. D小调协奏曲（弗兰季谢克·伊拉内克）：第二乐章 庄板
15. D小调协奏曲（弗兰季谢克·伊拉内克）：第三乐章 快板
奥地利古乐合奏团&古纳尔·莱茨博 - 维瓦尔第：《四季》（2016年）[高解析度]
由小提琴家古纳尔·莱茨博指挥并带领的奥地利古乐合奏团挑战了《四季》这部作品。和他们以往的演奏一样，这次对作品的诠释也别具一格：在维瓦尔第的这四部协奏曲中处处都体现出独特的个人风格。
奥地利古乐合奏团的演奏并非是对作品的重新创作，而是一种重新发现：他们所有的音乐选择，尽管新颖且前所未闻，但始终源于对音乐的新鲜感、纯真以及对演奏规范的尊重，绝非随意为之。古纳尔·莱茨博说：“如今，要毫无先入之见地演奏维瓦尔第的音乐几乎是不可能的，即使很少接触他的作品。维瓦尔第的音乐随处可闻。但这也许只是他丰富作品中的几部作品的声音呢？当我第一次用小提琴演奏《和谐的灵感》（La Cetra）时，我发现了一些我实在无法忍受的典型的维瓦尔第风格元素。然而，与此同时，我惊讶地发现还有许多值得探索的新特点。
“我们绝不能轻易地给一切都贴上熟悉的维瓦尔第标签。在此期间，我对维瓦尔第的作品有了更深的喜爱。在他的作品中有许多值得发现的东西，而不仅仅局限于那些主流的音乐风格。为了这次录音，我们安静地练习；尝试各种音色；接受或摒弃一些想法；研读乐谱文本；重新发掘其中的旋律，并且尽可能不去听其他任何维瓦尔第作品的录音版本。”
Artist: Ars Antiqua Austria, Gunar Letzbor
Title: Vivaldi: The Four Seasons
Year Of Release: 2016
Label: Challenge Classics
Genre: Classical
Quality: flac lossless / flac 24bits - 44.1kHz +Booklet
Total Time: 00:59:35
Total Size: 308 / 590 mb
WebSite: Album Preview
Tracklist
01. Violin Concerto in E Major "La Primavera", RV 269 (Antonio Vivaldi): I. Allegro
02. Violin Concerto in E Major "La Primavera", RV 269 (Antonio Vivaldi): II. Largo
03. Violin Concerto in E Major "La Primavera", RV 269 (Antonio Vivaldi): III. Danza Pastorale
04. Violin Concerto in G Minor "Estate“, RV 315 (Antonio Vivaldi): I. Allegro non molto
05. Violin Concerto in G Minor "Estate“, RV 315 (Antonio Vivaldi): II. Adagio
06. Violin Concerto in G Minor "Estate“, RV 315 (Antonio Vivaldi): III. Presto
07. Violin Concerto in F Major "Autumno", RV 293 (Antonio Vivaldi): I. Allegro I
08. Violin Concerto in F Major "Autumno", RV 293 (Antonio Vivaldi): II. Adagio molto
09. Violin Concerto in F Major "Autumno", RV 293 (Antonio Vivaldi): III. Allegro II
10. Violin Concerto in F Minor "L’Inverno", RV 297 (Antonio Vivaldi): I. Allegro non molto
11. Violin Concerto in F Minor "L’Inverno", RV 297 (Antonio Vivaldi): II. Largo
12. Violin Concerto in F Minor "L’Inverno", RV 297 (Antonio Vivaldi): III. Allegro
13. Concerto in D minor (Frantisek Jiranek): I. Allegro non molto
14. Concerto in D minor (Frantisek Jiranek): II. Grave
15. Concerto in D minor (Frantisek Jiranek): III. Allegro
Ars Antiqua Austria & Gunar Letzbor - Vivaldi: The Four Seasons (2016)
Ars Antiqua Austria, the group directed and led by violinist Gunar Letzbor, takes on the ‘Four Seasons’ challenge but, as usual with their performances, their account is unusual: an individual touch is present throughout all four of Vivaldi’s Concertos.
AAA’s account is not a re-invention, it’s a re-discovery: all their musical choices, although original and not heard before, are always the fruit of freshness, innocence and discipline, they are never arbitrary. Gunar Letzbor says: “It is almost impossible nowadays to perform Vivaldi’s music without any preconceptions, even if one engages with it only rarely. Vivaldi’s sound is ubiquitous. Or is that perhaps the sound of only a few works from his rich oeuvre? When I played through “La Cetra” for the first time on the violin, I found some typical Vivaldi-isms which I really cannot stand. At the same time, however, I was surprised to find a remarkable body of new features waiting to be discovered.
“One just must not succumb to the temptation of immediately putting the familiar Vivaldi stamp onto everything. I have, in the meantime, formed an even greater friendship with Vivaldi. There is so much to discover amongst his works, away from mainstream sounds. This recording and its preparation: practising in peace and quiet; trying out sounds; receiving and discarding ideas; taking in the texts; rediscovering melodies and, if possible, never listening to any Vivaldi recordings.”
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