02-肖松：协奏曲 马蒂厄：三重奏与五重奏 (2011) Hi-Res
艺术家：阿兰·勒费弗
标题：肖松：协奏曲 / 马蒂厄：三重奏与五重奏
发行年份：2011年
厂牌：Analekta
流派：古典音乐
音质：24位-88.2千赫兹FLAC / FLAC（分轨）
总时长：1小时18分04秒
总大小：1.4吉字节 / 379兆字节
网站：专辑预览
曲目列表
安德烈·马蒂厄 / 小提琴、大提琴与钢琴三重奏
1.行板
2.行板，火热的快板
安德烈·马蒂厄 / 钢琴与弦乐四重奏五重奏
3.快板
4.火热的快板
欧内斯特·肖松 / D大调小提琴、钢琴与弦乐四重奏协奏曲，作品21
5.坚定的
6.西西里舞曲
7.庄板
8.终曲
演奏者：
钢琴 – 阿兰·勒费弗
大提琴 – 大卫·埃利斯（曲目1, 2）
弦乐 – 阿尔坎弦乐四重奏（曲目3至8）
小提琴 – 大卫·勒费弗（曲目5至8），劳拉·安德里亚尼（曲目1, 2）
Analekta是一家致力于推广加拿大本土古典音乐家及加拿大音乐厅音乐的唱片公司。这张专辑便是后者的例证，将英年早逝的法裔加拿大作曲家安德烈·马蒂厄（1929-1968）的两首室内乐作品，与欧内斯特·肖松（1855-1899）的《协奏曲》并置——肖松本人也遗憾地早早离开了人世。同样，勒费弗兄弟（阿兰负责钢琴，大卫负责小提琴，在肖松作品中担任独奏）也是法裔加拿大人，阿尔坎四重奏亦然（可能是唯一以跨国企业命名的活跃弦乐四重奏组）。所有演奏者在这张录音中表现出色，音色明亮且富有冲击力。
在和声语言方面，这样的曲目搭配十分恰当，因为安德烈·马蒂厄使用了丰富的浪漫主义音乐语言，即便置于19世纪晚期也毫不违和。他的钢琴三重奏（1952年）和钢琴五重奏（1953年）都极具吸引力且易于理解。不得不说，在这两部作品中，慢速与快速段落的交替让我有一种“走走停停”的感觉，而且它们都打破常规地采用两个乐章的结构，而非老式室内乐更常见的三乐章或四乐章形式。
肖松的作品占据了专辑的大部分时长，因为它比马蒂厄的两部作品加起来还要长（事实上，肖松《协奏曲》的第一乐章就比马蒂厄的钢琴三重奏全曲更长）。奇怪的是，尽管肖松的作品更长，但从某种意义上说，它比马蒂厄的任何一部作品都更紧凑，因为肖松将开头的主题作为整部作品的核心发展素材。你几乎可以说，它以更少的元素创造了更丰富的内容。
Artist: Alain Lefèvre
Title: Chausson: Concert / Mathieu: Trio & Quintette
Year Of Release: 2011
Label: Analekta
Genre: Classical
Quality: FLAC 24bit-88.2kHz / FLAC (tracks)
Total Time: 01:18:04
Total Size: 1.4 Gb / 379 Mb
WebSite: Album Preview
Tracklist:
André Mathieu / Trio For Violin, Cello And Piano
1. Andante
2. Andante, Allegro Con Fuoco
André Mathieu / Quintet For Piano And String Quartet
3. Allegro
4. Allegro Con Fuoco
Ernest Chausson / Concert For Violin, Piano And String Quartet In D Major, Op. 21
5. Décidé
6. Sicilienne
7. Grave
8. Finale
Performers:
Piano – Alain Lefèvre
Cello – David Ellis (tracks: 1, 2)
Strings – Quatuor Alcan (tracks: 3 to 8)
Violin – David Lefèvre (tracks: 5 to 8), Laura Andriani (tracks: 1, 2)
Analekta is a Canadian label that does a good job in promoting homegrown Canadian classical musicians, and where possible, Canadian concert hall music. This CD is one instance of the latter, coupling two chamber works by the sadly short-lived French-Canadian composer Andre Mathieu (1929-1968) with the "Concert" by Ernest Chausson (1855-1899), who sadly himself left the scene much too early. Likewise, the brothers Lefevre, Alain (piano) and David (violin, featured in the Chausson), are French-Canadian, as is the Alcan Quartet (possibly the only active string quartet named for a multinational corporation). All of the performers do a very fine job on this recording, in bright, forward sound.
In terms of harmonic language, this coupling is quite apt, as Andre Mathieu used a lush, romantic musical language that would not have been out of place in the late 19th century. His piano trio (1952) and piano quintet (1953) are both very appealing and very accessible works. I admittedly got a sense of "stopping and starting" in the alternation of slow and fast sections in both works, which are both unconventionally structured in two movements each, rather than the more conventional 3- or 4-movement formats more common to vintage chamber music.
The Chausson takes up the bulk of the CD, as it's longer than the two Mathieu works combined (in fact, the 1st movement of Chausson's "Concert" is longer than the whole of Mathieu's piano trio). Oddly enough, even though the Chausson is longer, in a way, it's more taut than either Mathieu work, since the Chausson uses the opening motif as the seed for the whole work. You could almost say that it does more with less.
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