07-J.S.巴赫：六首大提琴独奏组曲BWV 1007-10122013 Hi-Res 24bits - 88.2kHz
艺术家：罗科·菲利皮尼、米歇尔·坎帕内拉
标题：J.S.巴赫：六首大提琴独奏组曲BWV 1007-1012
发行年份：2013年
厂牌：Fonè唱片
类型：古典音乐
音质：无损FLAC / 24位-88.2千赫兹FLAC
总时长：2小时09分48秒
总大小：607兆字节 / 2.49吉字节
网站：专辑预览
曲目列表
01. G大调第1号大提琴组曲，BWV 1007：I. 前奏曲
02. G大调第1号大提琴组曲，BWV 1007：II. 阿勒曼德舞曲
03. G大调第1号大提琴组曲，BWV 1007：III. 库朗特舞曲
04. G大调第1号大提琴组曲，BWV 1007：IV. 萨拉班德舞曲
05. G大调第1号大提琴组曲，BWV 1007：V. 小步舞曲
06. G大调第1号大提琴组曲，BWV 1007：VI. 吉格舞曲
07. D小调第2号大提琴组曲，BWV 1008：I. 前奏曲
08. D小调第2号大提琴组曲，BWV 1008：II. 阿勒曼德舞曲
09. D小调第2号大提琴组曲，BWV 1008：III. 库朗特舞曲
10. D小调第2号大提琴组曲，BWV 1008：IV. 萨拉班德舞曲
11. D小调第2号大提琴组曲，BWV 1008：V. 小步舞曲
12. D小调第2号大提琴组曲，BWV 1008：VI. 吉格舞曲
13. C大调第3号大提琴组曲，BWV 1009：I. 前奏曲
14. C大调第3号大提琴组曲，BWV 1009：II. 阿勒曼德舞曲
15. C大调第3号大提琴组曲，BWV 1009：III. 库朗特舞曲
16. C大调第3号大提琴组曲，BWV 1009：IV. 萨拉班德舞曲
17. C大调第3号大提琴组曲，BWV 1009：V. 布雷舞曲
18. C大调第3号大提琴组曲，BWV 1009：VI. 吉格舞曲
19. 降E大调第4号大提琴组曲，BWV 1010：I. 前奏曲
20. 降E大调第4号大提琴组曲，BWV 1010：II. 阿勒曼德舞曲
21. 降E大调第4号大提琴组曲，BWV 1010：III. 库朗特舞曲
22. 降E大调第4号大提琴组曲，BWV 1010：IV. 萨拉班德舞曲
23. 降E大调第4号大提琴组曲，BWV 1010：V. 布雷舞曲
24. 降E大调第4号大提琴组曲，BWV 1010：VI. 吉格舞曲
25. C小调第5号大提琴组曲，BWV 1011：I. 前奏曲
26. C小调第5号大提琴组曲，BWV 1011：II. 阿勒曼德舞曲
27. C小调第5号大提琴组曲，BWV 1011：III. 库朗特舞曲
28. C小调第5号大提琴组曲，BWV 1011：IV. 萨拉班德舞曲
29. C小调第5号大提琴组曲，BWV 1011：V. 加沃特舞曲
30. C小调第5号大提琴组曲，BWV 1011：VI. 吉格舞曲
31. D大调第6号大提琴组曲，BWV 1012：I. 前奏曲
32. D大调第6号大提琴组曲，BWV 1012：II. 阿勒曼德舞曲
33. D大调第6号大提琴组曲，BWV 1012：III. 库朗特舞曲
34. D大调第6号大提琴组曲，BWV 1012：IV. 萨拉班德舞曲
35. D大调第6号大提琴组曲，BWV 1012：V. 加沃特舞曲
36. D大调第6号大提琴组曲，BWV 1012：VI. 吉格舞曲
罗科·菲利皮尼、米歇尔·坎帕内拉 - J.S.巴赫：六首大提琴独奏组曲BWV 1007-1012（2013年）[高解析度]
在巴赫于1717年12月至1723年4月工作的克滕，最引人瞩目、出人意料且令人惊喜的作品，是约翰·塞巴斯蒂安创作的无需任何伴奏（无论是数字低音还是以交替“协奏”方式演奏的乐器）的小提琴和大提琴作品。
这两部作品集——每部包含六首按整体架构编排的作品（推测是为出版版本设计）——在内容和形式上均有差异，但在某些方面互为补充。最早编成的可能是无伴奏小提琴作品集，原始手稿的扉页可资证明，其上写着：六首独奏 | 为 | 小提琴 | 无 | 伴奏低音 | 第一册 | 约翰·塞巴斯蒂安·巴赫 | 1720年。这部作品（我们如今见到的还有其他六份不同人手的抄本，其中一份由安娜· Magdalena 巴赫抄写）包括三首奏鸣曲和三首组曲（BWV 1001-1006）。然而，奏鸣曲与组曲的交替排列（后者由一系列舞曲组成，其中一组前有前奏曲）不应被视为六首完全独立的音乐实体（尽管巴赫使用了“六首独奏”这一当时典型的出版术语），而应视为三组作品的呈现，每组中第二首是第一首的延续或推论；换言之，我们看到的是完整的奏鸣曲，以及随之而来的舞曲组曲，这遵循了当时音乐中绝非罕见的传统。
Artist: Rocco Filippini, Michele Campanella
Title: J.S.Bach: Sei Suites per Violincello Solo BWV 1007-1012
Year Of Release: 2013
Label: Fonè Records
Genre: Classical
Quality: flac lossless / flac 24bits - 88.2kHz
Total Time: 02:09:48
Total Size: 607 mb / 2.49 gb
WebSite: Album Preview
Tracklist
01. Cello Suite No. 1 in G Major, BWV 1007: I. Prélude
02. Cello Suite No. 1 in G Major, BWV 1007: II. Allemande
03. Cello Suite No. 1 in G Major, BWV 1007: III. Courante
04. Cello Suite No. 1 in G Major, BWV 1007: IV. Sarabande
05. Cello Suite No. 1 in G Major, BWV 1007: V. Menuet
06. Cello Suite No. 1 in G Major, BWV 1007: VI. Gigue
07. Cello Suite No. 2 in D Minor, BWV 1008: I. Prélude
08. Cello Suite No. 2 in D Minor, BWV 1008: II. Allemande
09. Cello Suite No. 2 in D Minor, BWV 1008: III. Courante
10. Cello Suite No. 2 in D Minor, BWV 1008: IV. Sarabande
11. Cello Suite No. 2 in D Minor, BWV 1008: V. Menuet
12. Cello Suite No. 2 in D Minor, BWV 1008: VI. Gigue
13. Cello Suite No. 3 in C Major, BWV 1009: I. Prélude
14. Cello Suite No. 3 in C Major, BWV 1009: II. Allemande
15. Cello Suite No. 3 in C Major, BWV 1009: III. Courante
16. Cello Suite No. 3 in C Major, BWV 1009: IV. Sarabande
17. Cello Suite No. 3 in C Major, BWV 1009: V. Bourrée
18. Cello Suite No. 3 in C Major, BWV 1009: VI. Gigue
19. Cello Suite No. 4 in E-Flat Major, BWV 1010: I. Prélude
20. Cello Suite No. 4 in E-Flat Major, BWV 1010: II. Allemande
21. Cello Suite No. 4 in E-Flat Major, BWV 1010: III. Courante
22. Cello Suite No. 4 in E-Flat Major, BWV 1010: IV. Sarabande
23. Cello Suite No. 4 in E-Flat Major, BWV 1010: V. Bourrée
24. Cello Suite No. 4 in E-Flat Major, BWV 1010: VI. Gigue
25. Cello Suite No. 5 in C Minor, BWV 1011: I. Prélude
26. Cello Suite No. 5 in C Minor, BWV 1011: II. Allemande
27. Cello Suite No. 5 in C Minor, BWV 1011: III. Courante
28. Cello Suite No. 5 in C Minor, BWV 1011: IV. Sarabande
29. Cello Suite No. 5 in C Minor, BWV 1011: V. Gavotte
30. Cello Suite No. 5 in C Minor, BWV 1011: VI. Gigue
31. Cello Suite No. 6 in D Major, BWV 1012: I. Prélude
32. Cello Suite No. 6 in D Major, BWV 1012: II. Allemande
33. Cello Suite No. 6 in D Major, BWV 1012: III. Courante
34. Cello Suite No. 6 in D Major, BWV 1012: IV. Sarabande
35. Cello Suite No. 6 in D Major, BWV 1012: V. Gavotte
36. Cello Suite No. 6 in D Major, BWV 1012: VI. Gigue
Rocco Filippini, Michele Campanella - J.S.Bach: Sei Suites per Violincello Solo BWV 1007-1012 (2013)
The most remarkable, unexpected, and surprising of the works that came to light in Köthen, where Bach worked from December 1717 to April 1723, are those for violin and cello that Johann Sebastian conceived without the support of any accompaniment, entrusted to either a figured bass or to a cymbal playing in alternating ‘concertante’ manner.
The two collections – each comprising six compositions arranged to an overall scheme presumably with the view to a printed edition – differ both in content and form, but are in some ways complementary. The first collection to be compiled was probably the one with the works for unaccompanied violin, as would be attested by the original manuscript, whose frontispiece reads: Sei Solo. | a | Violino | senza | Baßo | accompagnato. | Libro Primo. | da | Joh: Seb: Bach. | ao. 1720. The work (which has come down to us in six other copies made by different hands, one by Anna Magdalena Bach) includes three sonatas and three suites (BWV 1001-1006). The alternating succession of sonatas and suites (the latter made up of a series of dances, in one case preceded by a prelude) should not however be seen as a succession of six entirely autonomous and independent musical entities (even if Bach speaks of Sei Solo, typical of the editorial custom of the age), but rather as the presentation of three couples of compositions of which the second term or member of the couple is the continuation or corollary of the first; in other words, what we have is integral sonatas, a suite of dances as it were, following a tradition that was by no means rare for the music of the time.
**** Hidden Message *****
页:
[1]