01-布鲁克纳：E小调第二弥撒曲与感恩赞 2020 Hi-Res 24bits - 96.0kHz
艺术家：根特声乐合唱团，香榭丽舍大街管弦乐团，菲利普·埃雷维赫
作品名称：布鲁克纳：E小调第二弥撒曲与感恩赞
发行年份：2020年
厂牌：Phi
音乐类型：古典乐
音质：flac无损/24位-48.0千赫/24位-96.0千赫flac+小册子
总时长：00:51:37
总大小：229/493/846兆
官网：专辑预览
曲目列表
01. E小调第二弥撒曲，WAB 27（安东·布鲁克纳）：I. 垂怜经
02. E小调第二弥撒曲，WAB 27（安东·布鲁克纳）：II. 荣耀经
03. E小调第二弥撒曲，WAB 27（安东·布鲁克纳）：III. 信经
04. E小调第二弥撒曲，WAB 27（安东·布鲁克纳）：IV. 圣哉经
05. E小调第二弥撒曲，WAB 27（安东·布鲁克纳）：V. 降福经
06. E小调第二弥撒曲，WAB 27（安东·布鲁克纳）：VI. 羔羊经
07. C大调感恩赞，WAB 45（安东·布鲁克纳）：I. 感恩赞
08. C大调感恩赞，WAB 45（安东·布鲁克纳）：II. 因此我祈求
09. C大调感恩赞，WAB 45（安东·布鲁克纳）：III. 使永恒
10. C大调感恩赞，WAB 45（安东·布鲁克纳）：IV. 拯救
11. C大调感恩赞，WAB 45（安东·布鲁克纳）：V. 主啊，我投靠你
根特声乐合唱团，香榭丽舍大街管弦乐团，菲利普·埃雷维赫 - 布鲁克纳：E小调第二弥撒曲与感恩赞（2020）[高解析度]
安东·布鲁克纳的《第二弥撒曲》作于1866年，为林茨大教堂一座还愿礼拜堂的落成而作。这部作品巧妙融合现代性与千年宗教传统，管乐器与受格里高利圣咏启发的合唱段落形成对话。1881年的《感恩赞》虽篇幅较短，但由合唱团、大型管弦乐队与四位独唱家共同演绎，当年即获汉斯·里希特、马勒等杰出同行赞誉。向来严苛自评的作曲家本人则认为，这部作品的总谱会让上帝“仁慈地评判他”。
作为神圣音乐领域的卓越诠释者，菲利普·埃雷维赫以极大的热忱传递了他对这两部19世纪下半叶重要宗教作品的理解。
Artist: Collegium Vocale Gent, Orchestre des Champs-Elysées, Philippe Herreweghe
Title: Bruckner: Mass No. 2 in E Minor & Te Deum
Year Of Release: 2020
Label: Phi
Genre: Classical
Quality: flac lossless / flac 24bits - 48.0kHz / flac 24bits - 96.0kHz +Booklet
Total Time: 00:51:37
Total Size: 229 / 493 / 846 mb
WebSite: Album Preview
Tracklist
01. Mass No. 2 in E minor, WAB 27 (Anton Bruckner): I. Kyrie
02. Mass No. 2 in E minor, WAB 27 (Anton Bruckner): II. Gloria
03. Mass No. 2 in E minor, WAB 27 (Anton Bruckner): III. Credo
04. Mass No. 2 in E minor, WAB 27 (Anton Bruckner): IV Sanctus
05. Mass No. 2 in E minor, WAB 27 (Anton Bruckner): V. Benedictus
06. Mass No. 2 in E minor, WAB 27 (Anton Bruckner): VI. Agnus Dei
07. Te Deum in C Major, WAB 45 (Anton Bruckner): I. Te Deum
08. Te Deum in C Major, WAB 45 (Anton Bruckner): II. Te ergo
09. Te Deum in C Major, WAB 45 (Anton Bruckner): III. Aeterna fac
10. Te Deum in C Major, WAB 45 (Anton Bruckner): IV. Salvum fac
11. Te Deum in C Major, WAB 45 (Anton Bruckner): V. In te domini speravi
Collegium Vocale Gent, Orchestre des Champs-Elysées, Philippe Herreweghe - Bruckner: Mass No. 2 in E Minor & Te Deum (2020)
Composed in 1866 for the inauguration of a votive chapel in Linz Cathedral, Anton Bruckner’s Mass no. 2 is a fine example of modernity blended with a centuries-old religious tradition, in that wind instruments are set in dialogue with choral writing inspired by Gregorian chant. Shorter in duration but scored for chorus and large orchestra with four soloists, his Te Deum of 1881 was acclaimed by such illustrious contemporaries as Hans Richter and Mahler, while the composer, usually very self-critical, opined that the score of this work would make God ‘judge him kindly’.
Like the eminent interpreter of the sacred repertory he is, Philippe Herreweghe here conveys with great fervour his vision of these two major religious works of the second half of the nineteenth century.
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