05-摩杜斯乐团 梅鲁洛：经文歌 2016 Hi-Res 24bits - 48.0kHz
艺术家：摩杜斯乐团，毛罗·马尔凯蒂
作品名称：摩杜斯乐团 梅鲁洛：经文歌
发行年份：2016年
厂牌：辉煌古典
音乐类型：古典乐
音质：flac无损/24位-48.0千赫flac
总时长：00:45:52
总大小：243/501兆
官网：专辑预览
曲目列表
01. 我们的救主，至爱者
02. 司提反满有恩惠
03. 这是最大的
04. 为基督的无辜者
05. 奇妙的契合
06. 以三大奇迹装饰的日子
07. 我已打那美好的仗
08. 今日蒙福的圣母玛利亚
09. 圣母经
10. 这是耶和华所定的日子
11. 圣徒与义人
12. 当蒙福的福音书作者马可
13. 基督升上高天
14. 今日圣灵
15. 可敬的三位一体
16. 我是生命的粮
17. 新生之子
18. 你是彼得
19. 蒙福的伊丽莎白
20. 马利亚膏耶稣的脚
摩杜斯乐团，毛罗·马尔凯蒂 - 梅鲁洛：经文歌（2016）[高解析度]
克劳迪奥·梅鲁洛是意大利文艺复兴时期为数不多、对16世纪音乐版图变革起到关键作用的作曲家之一。他是一位多产的键盘音乐创作者，标志着音乐从以声乐为基础的形式向专为乐器创作的新体裁转变。此外，他还依照威尼斯文艺复兴鼎盛时期的传统创作了崇高的宗教音乐，其为宗教礼仪而作的经文歌以清晰开阔的旋律线条与大胆的模仿对位法著称。这是他的第五卷经文歌集，展现出创新的形式与成熟的语言自由度，音乐空间与色彩的相互呼应预示了新兴巴洛克时期的协奏风格。
毛罗·马尔凯蒂是意大利杰出的合唱指挥家，曾斩获多项合唱指挥大奖。他在罗马著名的圣切契利亚国家音乐学院深造后，拥有超过20年令人瞩目的指挥生涯，专精早期音乐与当代音乐。他指挥的摩杜斯乐团由意大利青年音乐家组成，曲目跨度从文艺复兴到当代。自2012年成立以来，该乐团已在意大利费尔莫第四届全国比赛中荣获季军。此次录音还邀请了一批使用仿古乐器的专业乐手参与。
克劳迪奥·梅鲁洛（1533-1604）曾担任威尼斯圣马可大教堂首席管风琴师这一显赫职位。尽管他是键盘音乐发展的关键人物，却也创作了大量重要的声乐作品，包括弥撒曲、经文歌与牧歌。梅鲁洛的经文歌虽植根于文艺复兴鼎盛时期的传统，却展现出创新的形式与语言自由度。在其为单一合唱团而作的五声部经文中，最初的模仿对位法发展为对唱段落与利都奈罗乐段，预示了新兴巴洛克时期的“协奏”风格。
意大利摩杜斯乐团在毛罗·马尔凯蒂的指挥下，由古大提琴、低音提琴、西奥伯琴与管风琴伴奏。
Artist: Modus Ensemble, Mauro Marchetti
Title: Merulo: Motets
Year Of Release: 2016
Label: Brilliant Classics
Genre: Classical
Quality: flac lossless / flac 24bits - 48.0kHz
Total Time: 00:45:52
Total Size: 243 / 501 mb
WebSite: Album Preview
Tracklist
01. Salvator noster, dilectissimi
02. Stephanus autem plenus gratia
03. Maximum hoc omnium
04. Innocentes pro Christo
05. O admirabile commercium
06. Tribus miraculis ornatum diem
07. Bonum certamen certavi
08. Hodie beata Virgo Maria
09. Ave Maria
10. Haec est dies
11. Sancti et justi
12. Cumque beatissimus Marcus Evangelista
13. Ascendens Christus in altum
14. Hodie spiritus sanctus
15. O adoranda trinitas
16. Ego sum panis vivus
17. Puer qui natus est
18. Tu es Petrus
19. Beata Elisabeth
20. Maria unxit pedes Jesu
Modus Ensemble, Mauro Marchetti - Merulo: Motets (2016)
Claudio Merulo was one of a small number of Italian Renaissance composers who was instrumental in transforming the musical landscape of the 16th century. He was a hugely prolific writer of keyboard music, marking the change from vocal-based forms to new genres written especially for the instrument. Additionally, he wrote sublime sacred music in the Venetian tradition of the High Renaissance, and his motets, which are intended for the Office, are remarkable for their clear and spacious lines alongside bold imitative counterpoint. This is the fifth book of his motets, which reveal an innovative form and sophisticated linguistic freedom. The interplay of musical spaces and colours anticipate the concertato style of the rising Baroque period.
Mauro Marchetti, a prominent choral conductor in his native Italy, is the winner of several choral conducting prizes. Having studied at the prestigious Accademia Nazionale di Santa Cecilia in Rome, he has had an exciting career in conducting for over 20 years, specialising in both early and contemporary music. He directs the Modus Ensemble, a group of young Italian musicians whose repertoire also spans many musical periods, from Renaissance to contemporary. Since their formation in 2012 the group is proud to have been awarded third prize at the fourth Concorso Nazionale in Fermo, Italy. They are joined by a select group of specialist musicians performing on authentic instruments.
Claudio Merulo (1533-1604) held the prestigious post of first organist of the San Marco in Venice. Although he was a key figure in the development of keyboard music he also wrote a large number of vocal works of great importance: masses, motets and madrigals. Merulo’s Motets, though standing in the tradition of the High Renaissance, reveal an innovative form and linguistic freedom. In his 5-part Motets for single choir the initial imitative counterpoints develops into antiphonal sections and ritornello passages that anticipate the “concertato” style of the emerging Baroque period.
The Italian Modus Ensemble, conducted by Mauro Marchetti, is accompanied by viola da gamba, violone, theorbo and organ.
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