28-[2025] 贝多芬：第五钢琴协奏曲，作品73“皇帝”与钢琴与管乐五重奏，作品16
艺术家：伊丽莎白·莱昂斯卡娅
标题：贝多芬：第五钢琴协奏曲，作品73“皇帝”与钢琴与管乐五重奏，作品16
发行年份：2025年
厂牌：华纳古典
流派：古典音乐
音质：FLAC（音轨）/24位-96千赫兹FLAC（音轨）
总时长：01:09:42
总大小：235兆字节/1.14吉字节
网站：专辑预览
曲目列表
1. 降E大调第五钢琴协奏曲，作品73“皇帝”：I. 快板（21:18）
2. 降E大调第五钢琴协奏曲，作品73“皇帝”：II. 稍动的柔板（8:28）
3. 降E大调第五钢琴协奏曲，作品73“皇帝”：III. 回旋曲，不太快的快板（10:44）
4. 降E大调钢琴与管乐五重奏，作品16：I. 不太快的快板（14:28）
5. 降E大调钢琴与管乐五重奏，作品16：II. 如歌的行板（8:26）
6. 降E大调钢琴与管乐五重奏，作品16：III. 回旋曲，不太快的快板（6:22）
伊丽莎白·莱昂斯卡娅长期以来被公认为我们这个时代最伟大的钢琴家之一，她与法国青年管弦乐团（成员年龄在16至25岁之间）的乐手们分享了她对贝多芬《第五钢琴协奏曲“皇帝”》的丰富演绎经验。指挥是丹麦出生的迈克尔·舍恩万特，他在2021至2024年期间担任该乐团的音乐总监。“能够传承我们曲目中的伟大作品非常重要，”他说，“我希望乐手们能够掌握每部作品中的知识、热爱、要求和深度。”伊丽莎白·莱昂斯卡娅表示赞同：“我们深感责任重大，而这份责任需要传递给这些年轻人。” 专辑的另一部作品是贝多芬的《钢琴与管乐五重奏》，与《第五钢琴协奏曲》一样同为降E大调。“这确实是至高无上的钢琴协奏曲，”莱昂斯卡娅说，“没有什么能超越它在独奏家、指挥和乐团之间建立的连接。”
Artist: Elisabeth Leonskaja
Title: Beethoven: Piano Concerto No. 5, Op. 73 "Emperor" & Quintet for Piano and Winds, Op. 16
Year Of Release: 2025
Label: Warner Classics
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks)
Total Time: 01:09:42
Total Size: 235 MB / 1.14 GB
WebSite: Album Preview
Tracklist:
1. Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": I. Allegro (21:18)
2. Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco moto (8:28)
3. Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": III. Rondo. Allegro ma non troppo (10:44)
4. Quintet for Piano and Winds in E-Flat Major, Op. 16: I. Allegro ma non troppo (14:28)
5. Quintet for Piano and Winds in E-Flat Major, Op. 16: II. Andante cantabile (8:26)
6. Quintet for Piano and Winds in E-Flat Major, Op. 16: III. Rondo. Allegro ma non troppo (6:22)
Long acknowledged as one of the great pianists of our time, Elisabeth Leonskaja shares her wealth of experience of Beethoven’s Piano Concerto No 5, the ‘Emperor’, with the players of the Orchestre Français des Jeunes, aged between 16 and 25. The conductor is Danish-born Michael Schønwandt, who was the orchestra’s music director from 2021 to 2024. “It is so important to be able to pass on the great works of our repertoire,” he says, “I want the players to be able to take possession of the knowledge, the love, the demands and the depth to be found in each work.” Elisabeth Leonskaja agrees: “We feel a great responsibility, and it is a responsibility to be passed on to these young people.” Completing the album is Beethoven’s Quintet for Piano and Wind Instruments, which, like the Piano Concerto No 5, is in the key of E flat major. “It really is the supreme piano concerto,” says Leonskaja. “Nothing transcends the connection it creates between the soloist, conductor and orchestra.”
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