11-Ceeys 家庭音乐 2020 Hi-Res 24bits - 44.1kHz
艺术家：Ceeys家庭音乐
标题：家庭音乐
发行年份：2020年
厂牌：新大师
流派：古典钢琴
音质：无损弗拉科格式/24位-44.1千赫兹
总时长：1小时23分45秒
总大小：402兆字节/810兆字节
网站：专辑预览
曲目列表
01. 反之亦然
02. 重聚（扩展版）
03. 在窗边（扩展版）
04. 大约
05. 贝尔卡
06. 斯特雷卡
07. 打开一扇门的内框
08. 坠落（扩展版）
09. 是的，一砖一瓦
10. 第一号
11. 坠落
12. 在窗边
13. 重聚
波茨坦兄弟塞巴斯蒂安和丹尼尔·塞尔克在整个职业生涯中，一直围绕着他们的共产主义时代东德背景为主题进行创作。通过音乐拯救的记忆不仅是历史性的，更首先是对他们在东德最后十年以及90年代国家转折点时期于东柏林成长的情感回忆。从核心上讲，这对组合的音乐可以被视为兄弟姐妹之间关于共同成长和经历的对话，通过塞巴斯蒂安的大提琴和丹尼尔的钢琴键形成的融合，成为了CEEYS。
内在的二元性不仅体现在他们结合两种乐器的方式上。除了古典训练，他们对当代理念的兴趣从早年就开始增长，通过长期合作，他们将这一理念融入到围绕东德成长经历以及塑造他们作为音乐家和个人的建筑与社会景观的持续叙事中。“成长过程中，限制和克服物质匮乏是我们每日的陪伴。记忆、印象和感受，一枚硬币的两面——柏林墙——帮助我们更好地理解当下，”CEEYS表示。
作为之前在新大师厂牌发行的专辑《WÆNDE》和《HIDDENSEE》（同样探索并致敬他们的过去）的续作，《HAUSMUSIK》展现了兄弟俩无需言语的心灵交融。“我们不必扮演角色，从出生起就彼此了解，”丹尼尔说，“私人生活和工作之间没有界限，一切在我们之间自然流动，”塞巴斯蒂安补充道。这张专辑通过放弃使用常用的电子设备、苏联合成器和效果器，仅用主要乐器——大提琴和钢琴——的内在潜力塑造声音，将他们独特的风格提升到新高度。
专辑的第一首曲目《反之亦然》将听众引入这个纯粹的声学世界。从一开始就可以看出即兴创作在专辑中的重要性，这首曲目逐渐让听众适应温和而俏皮的氛围，兄弟俩在曲目中交换乐器的想法进一步凸显了这种青春感。随着专辑的推进，不同的情感浮现——但每种情感的牵引似乎都伴随着同等的推动，形成旋律上的平衡。通过其织体和重复模式，《重聚》一曲证明了CEEYS创造实验性但易于接受的极简主义的能力。这也是专辑中最感伤的曲目，表达了与这对组合迄今为止的历程一致的深切渴望。
到专辑第一部分的最后一首曲目《贝尔卡》时，我们已深入新的先锋领域。松散的旋律交织成另类的打击乐和节奏，以未来主义的方式展示了这两种百年乐器的潜力。《HAUSMUSIK》是对纯粹声学世界的回归，代表着一种宁静而温和的动态氛围。作品有时给人似曾相识的感觉，但仍保持着令人耳目一新、充满活力的独特性，反映了塞巴斯蒂安和丹尼尔一生中接触到的无数声音。早期的影响包括巴赫、贝多芬和德彪西，同时也有几乎被遗忘的东德作品，如托尼·克拉尔的摇滚乐队CITY、弗兰克·费瑟的合成器双人组KEY，以及莱因哈德·拉科米的儿童歌曲《梦幻魔法树》和《秘密生活》。此外，还能听到阿尔沃·帕特、亚瑟·拉塞尔和菲利普·格拉斯的影子，以及格雷格·海恩斯、豪什卡、尼尔斯·弗拉姆、科林·斯特森和莎拉·纽菲尔德等当代艺术家的影响。
兄弟俩重新发现过去的创作过程塑造了他们看待当今世界的方式——看似已解决的冲突以新的伪装重现——新的边界和壁垒、冷战的复兴、与朋友的疏远、对异见者的歧视、新形式的暴政。然而，尽管经历了历史的艰辛和挑战，他们的童年对兄弟俩来说是一个具有精神重要性的时空。尽管其中蕴含着紧张感，《HAUSMUSIK》仍展现了对平衡与和谐的追寻。
Artist: Ceeys
Title: Hausmusik
Year Of Release: 2020
Label: Neue Meister
Genre: Classical Piano
Quality: flac lossless / flac 24bits - 44.1kHz
Total Time: 01:23:45
Total Size: 402 / 810 mb
WebSite: Album Preview
Tracklist
01. Vice Versa
02. Reunion (Extended Version)
03. Im Fenster (Extended Version)
04. Circa
05. Belka
06. Strelka
07. To Open a Door's Inner Frame
08. Fallen (Extended Version)
09. Yes, Brick by Brick
10. No. Eins
11. Fallen
12. Im Fenster
13. Reunion
The Potsdam-based brothers Sebastian and Daniel Selke have, throughout their career, been employing themes surrounding their Communistera, East German heritage. The memories rescued through their music aren’t only historical, they are first and foremost emotional recollections of their past growing up in East Berlin in the final decade of the GDR and the country’s turning point in the 90s. At its core, the duo’s music can be heard as a dialogue between siblings about their shared upbringings and experiences, a conversation given form through Sebastian’s cello and Daniel’s piano keys, in the fusion that becomes CEEYS.
The inherent dualism is not limited to the manner in which they combine their two instruments. Along with their classical training, their interest in contemporary ideas started to grow from an early age, and through their long-term collaboration they have established this idea into a continuing narrative around their GDR upbringing, and the architectural and societal landscape that has shaped them as musicians and individuals, "Growing up, restrictions and the overcoming of
material lack were our daily companions. The memories, impressions and feelings, the two sides of one medal – the Wall – help us to understand the present time a little better," says CEEYS.
A follow-up to their albums WÆNDE and HIDDENSEE previously released on Neue Meister , which also explored and paid tribute to their past, HAUSMUSIK plays on the brothers’ unspoken, communicative melding of minds. “We do not have to slip into roles, we've known each other since the first breath,” says Daniel, “There are no limits between private and work. Between us, everything flows,” complements Sebastian.
The album lifts their unmistakable style to new grounds by forgoing the use of the usual electronics, soviet synthesisers, and effects, and moulding the sound using only the inherent potential of their main instruments: cello and piano.
The album’s first track, Vice Versa, teases listeners into this sound world of pure acoustics. From the outset it is clear how improvisation plays an essential role in the album, with the track gradually tuning the listener's ears to a mood that is gentle and playful, a youthfulness further highlighted by the brother’s idea to swap instruments for the track. As the album progresses, different feelings surface – but every emotional pull seems to be accompanied by an equal push, in a melodic balance. Through its textures and repetitive patterns, the track Reunion is testament to CEEYS abilities to create an experimental yet accessible minimalism. It’s also the album’s most sentimental track, expressing a deep longing that is coherent to the duo's trajectory so far.
By the album’s first part’s last track, Belka we are deep into new and avant-garde territories. Loose melodies weave themselves into alternative percussion and rhythms, in a futuristic showcase of the centenary instruments.
HAUSMUSIK is a retreat into a pure acoustic world and stands for a serene yet modest dynamic mood. Compositions at times feel familiar, but remain refreshingly, invigoratingly unique, mirroring the myriad sounds to which Sebastian and Daniel have been exposed to throughout their lives. Early influences, including Bach, Beethoven and Debussy, can be heard alongside the almostforgotten compositions of East German based acts like Toni Krahl’s rock group CITY, Frank Fehse’s synthesiser duo KEY, and Reinhard Lakomy’s children’s songs, Der Traumzauberbaum (Songs for Children), and Das Geheime Leben (The Secret Life). There are reminders, too, of Arvo Pärt, Arthur Russell and Philip Glass, as well as contemporary acts such as Greg Haines, Hauschka, Nils Frahm, Colin Stetson and Sarah Neufeld.
The brothers’ creative process of rediscovering the past shapes the way in which they see the world today – a renaissance of supposed resolved conflicts in a new disguise – new borders and walls, the revival of the Cold War, turning away from
friends, discriminating against dissidents, new forms of tyranny. Yet, despite the historical hardships and challenges, their childhood was a place and time of spiritual importance for the brothers.
Despite the tensions therein contained, HAUSMUSIK brings forth the search for balance and harmony.
**** Hidden Message *****
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