05-伊丽莎白·莱昂斯卡娅《巴黎》 2013 Hi-Res 24bits - 96.0kHz
艺术家：伊丽莎白·莱昂斯卡娅
标题：伊丽莎白·莱昂斯卡娅《巴黎》
发行年份：2013年
厂牌：eaSonus
流派：古典钢琴
音质：无损弗拉科格式/24位-96.0千赫兹+小册子
总时长：57分46秒
总大小：213兆字节/1.03千兆字节
网站：专辑预览
曲目列表
01. 高贵而感伤的圆舞曲，M.61：I. 中板–极具法兰西风情
02. 高贵而感伤的圆舞曲，M.61：II. 徐缓–充满强烈情感
03. 高贵而感伤的圆舞曲，M.61：III. 中板
04. 高贵而感伤的圆舞曲，M.61：IV. 相当活跃
05. 高贵而感伤的圆舞曲，M.61：V. 近乎徐缓–沉浸于私密情感
06. 高贵而感伤的圆舞曲，M.61：VI. 活泼
07. 高贵而感伤的圆舞曲，M.61：VII. 稍欠活泼
08. 高贵而感伤的圆舞曲，M.61：VIII. 尾声–徐缓
09. 升F小调第一钢琴奏鸣曲，作品24号：I. 极中板且庄严的快板
10. 升F小调第一钢琴奏鸣曲，作品24号：II. 活泼的急板
11. 升F小调第一钢琴奏鸣曲，作品24号：III. 极具表现力的行板
12. 钢琴前奏曲，L.117，第一册：III. 平原之风
13. 钢琴前奏曲，L.117，第一册：VIII. 亚麻色头发的少女
14. 钢琴前奏曲，L.123，第二册：XII. 烟火
15. 最缓板，L.121
从19世纪初到20世纪60年代末，巴黎一直是艺术世界的卓越中心。这座“光之城”是知识分子的摇篮，吸引着来自法国各地及海外的作家、艺术家和音乐家。在巴黎，每个话题都能成为讨论的主题，每次讨论都能成为结社的契机，它是孕育未来150年间所有艺术思潮与运动的温床。当然，传统主义者始终反对这种现代转向，而在这个文化天生崇尚叛逆的国度，辩论的舞台早已搭建完毕：18世纪，法国人曾因音乐该遵循本土趣味还是倾向意大利风格而分裂；随后浪漫主义与瓦格纳主义、帕尔纳斯派、自然主义、象征主义、印象主义等形形色色的风格运动，都融入了表现主义的大熔炉。法国深受多元影响，当时的作曲家以前所未有的方式深受文学、视觉艺术和哲学启发。
数十年来，伊丽莎白·莱昂斯卡娅一直是当代最受赞誉的钢琴家之一。在媒体主导的时代，她始终忠于自我与音乐，追随大卫·奥伊斯特拉赫、斯维亚托斯拉夫·里赫特、埃米尔·吉列尔斯等苏联时期伟大俄罗斯音乐家的足迹——即便身处艰难的政治环境，他们也从未动摇对音乐本质的专注。莱昂斯卡娅近乎传奇的谦逊使她至今仍有些避离媒体，然而一旦登上舞台，观众便能感受到音乐作为她毕生事业的强大力量。
Artist: Elisabeth Leonskaja
Title: Paris
Year Of Release: 2013
Label: eaSonus
Genre: Classical Piano
Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
Total Time: 00:57:46
Total Size: 213 mb / 1.03 gb
WebSite: Album Preview
Tracklist
01. Valses nobles et sentimentales, M. 61: I. Modéré – tres franc
02. Valses nobles et sentimentales, M. 61: II. Assez lent – avec une expession intense
03. Valses nobles et sentimentales, M. 61: III. Modéré
04. Valses nobles et sentimentales, M. 61: IV. Assez animé
05. Valses nobles et sentimentales, M. 61: V. Presque lent – dans un sentiment intime
06. Valses nobles et sentimentales, M. 61: VI. Vif
07. Valses nobles et sentimentales, M. 61: VII. Moins vif
08. Valses nobles et sentimentales, M. 61: VIII. Epilogue – Lent
09. Piano Sonata No. 1 in F-Sharp Minor, Op. 24: I. Allegro molto moderato e grave
10. Piano Sonata No. 1 in F-Sharp Minor, Op. 24: II. Presto vivace
11. Piano Sonata No. 1 in F-Sharp Minor, Op. 24: III. Andante molto espressivo
12. Préludes pour piano, L. 117, Livre 1: III. Le vent dans la plaine
13. Préludes pour piano, L. 117, Livre 1: VIII. La fille aux cheveaux de lin
14. Préludes pour piano, L. 123, Livre 2: XII. Feux d'artifice
15. La Plus Lente, L. 121
From the early 1800s to the end of the 1960s, Paris was the focal city of the arts world par excellence. La Ville Lumière was the city of intellectualism, a place which drew writers, artists and musicians from all over France and overseas. Paris, where every topic became a theme for discussion, and every discussion a reason to form a group, was the nursery from which every tendency and movement was to bud during the following 150 years. But as always, there were traditionalists who opposed this modern turn, and in a country whose culture was innately non-conformist the stage was set for debate. In the eighteenth century, the French were divided over whether music should follow French tastes or be inclined to the Italian. Then came the Romantics and the Wagnerians, Parnassianism, Naturalism, the Symbolists and the Impressionists, and all the diverse stylistic movements that fell into the melting pot of Expressionism.France was awash with influences, and composers of the time were hugely affected in a way never before seen in history: by inspiration from literature, visual arts and philosophy.
For decades now, Elisabeth Leonskaja has been among the most celebrated pianists of our time. In a world dominated by the media, Elisabeth Leonskaja has remained true to herself and to her music, and in doing so, is following in the footsteps of the great Russian musicians of the Soviet era, such as David Oistrakh, Sviatoslav Richter and Emil Gilels, who never wavered in their focus on the quintessence of music despite working in a very difficult political environment. Her almost legendary modesty still makes her somewhat media-shy today. Yet as soon as she walks out on the stage, audiences can sense the force behind the fact that music is and always has been her life’s work.
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