[2025] 管弦乐圣歌第二卷：贝尔斯托
艺术家：牛津莫顿学院合唱团、布里顿交响乐团、本杰明·尼古拉斯
作品名称：管弦乐圣歌第二卷：贝尔斯托 | 埃尔加 | 爱尔兰 | 斯坦福 | 沃尔顿 | 韦斯利
发行年份：2025年
厂牌：德尔菲安唱片公司
音乐类型：古典乐
音质：flac无损（分轨）/ flac 24位 - 96.0kHz + 小册子
总时长：01:00:39
总大小：273 / 1008 mb
网站：专辑预览
曲目列表
01. G大调生命之光，作品29：VI. 黑暗中的光明
02. A大调晨祷、晚祷与圣餐仪式，作品12：XI. 尊主颂
03. A大调晨祷、晚祷与圣餐仪式，作品12：XII. 西面颂
04. 主啊，你曾是我们在A大调的避难所
05. 基于威尔士赞美诗旋律的三首前奏曲：III. 罗斯梅德雷（阿诺德·福斯特改编为管弦乐版）
06. G大调归荣耀于主：I. 归荣耀于主
07. G大调归荣耀于主：II. 当以圣洁的妆饰敬拜主
08. G大调归荣耀于主：III. 至于外邦人的神
09. G大调归荣耀于主：IV. 造它们的必像它们
11. 大爱无过于此
12. 十二
牛津莫顿学院合唱团与布里顿交响乐团再度合作，以全管弦乐的壮丽声响探索备受喜爱的英国圣公会曲目。1880年初次上演的斯坦福《A大调作品》展现了其交响乐般的气质，尤其在精湛且富有表现力的《西面颂》配器中尤为突出。埃尔加与贝尔斯托的圣歌在原始配器中焕发新生，而其他原本为管风琴创作的作品，则通过作曲家的管弦乐改编增添了新的维度。沃尔顿的《十二》将W.H.奥登震撼人心的戏剧化诗歌与充满活力的声乐和器乐写作相结合；爱尔兰的《大爱无过于此》和韦斯利宏伟的《归荣耀于主》为圣歌传统带来了和声的丰富性与管弦乐色彩的绚烂，本杰明·尼古拉斯指挥的联合乐团以充沛的演绎完美诠释了这些作品。
Artist: Choir of Merton College, Oxford, Britten Sinfonia, Benjamin Nicholas
Title: Orchestral Anthems Vol. 2: Bairstow | Elgar | Ireland | Stanford | Walton | Wesley
Year Of Release: 2025
Label: Delphian Records
Genre: Classical
Quality: flac lossless (tracks) / flac 24bits - 96.0kHz +Booklet
Total Time: 01:00:39
Total Size: 273 / 1008 mb
WebSite: Album Preview
Tracklist
01. The Light of Life in G Major, Op. 29: VI. Light out of Darkness
02. Morning, Evening and Communion Service in A Major, Op. 12: XI. Magnificat
03. Morning, Evening and Communion Service in A Major, Op. 12: XII. Nunc Dimittis
04. Lord, thou hast been our Refuge in A Major
05. 3 Preludes Founded on Welsh Hymn Tunes: III. Rhosymedre (Arr. for Orchestra by Arnold Foster)
06. Ascribe unto the Lord in G Major: I. Ascribe unto the Lord
07. Ascribe unto the Lord in G Major: II. O worship the Lord in the beauty of holiness
08. Ascribe unto the Lord in G Major: III. As for for gods of the heathen
09. Ascribe unto the Lord in G major: IV. They that make them are like unto them
11. Greater Love Hath No Man
12. The Twelve
The Choir of Merton College reunites with Britten Sinfonia to explore some much-loved Anglican repertoire in its full orchestral splendour.Stanford in A, as it was originally heard in 1880, reveals its symphonic side, not least in the masterful and eloquently scored Nunc dimittis. Anthems by Elgar and Bairstow gain new life in their original scoring, while others, originally for organ, are given added dimensions by their composers' orchestrations.Walton's The Twelvematches W.H. Auden's striking and dramatic poetry with typically dynamic vocal and instrumental writing; Ireland's Greater love and Wesley's mighty Ascribe unto the Lord bring to the anthem tradition a richness of harmony and orchestral colour to which Benjamin Nicholas's combined forces do full-blooded justice.
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