11-BBC交响乐团 卢托斯拉夫斯基管弦乐作品IV 2013 Hi-Res 24bits - 96.0kHz
艺术家：迈克尔·柯林斯、塔斯敏·利特尔、BBC交响乐团、爱德华·加德纳
标题：BBC交响乐团 卢托斯拉夫斯基管弦乐作品IV
发行年份：2013年
厂牌：钱德拉
流派：古典
音质：无损FLAC/24位-96.0kHz FLAC（含乐谱）
总时长：01:10:59
总大小：291兆字节/799兆字节
网站：专辑预览
曲目列表
01. 第一交响曲：I. 适当的快板
02. 第一交响曲：II. 稍柔板
03. 第一交响曲：III. 神秘的小快板
04. 第一交响曲：IV. 活泼的快板
05.partita（为小提琴与管弦乐团而作版）：I. 适当的快板
06.partita（为小提琴与管弦乐团而作版）：II. 随意的
07.partita（为小提琴与管弦乐团而作版）：III. 广板
08.partita（为小提琴与管弦乐团而作版）：IV. 随意的
09.partita（为小提琴与管弦乐团而作版）：V. 急板
10. 链II：I. 随意的
11. 链II：II. 有节拍的
12. 链II：III. 随意的
13. 链II：IV. 有节拍的 - 随意的 - 有节拍的
14. 舞蹈前奏曲：第1首，很快的快板
15. 舞蹈前奏曲：第2首，小行板
16. 舞蹈前奏曲：第3首，嬉戏的快板
17. 舞蹈前奏曲：第4首，行板
18. 舞蹈前奏曲：第5首，很快的快板
迈克尔·柯林斯、塔斯敏·利特尔、BBC交响乐团、爱德华·加德纳 - 卢托斯拉夫斯基管弦乐作品IV（2013年高解析度录音）
这是我们波兰作曲家维托尔德·卢托斯拉夫斯基管弦乐作品系列的第五卷，也是最后一卷。《留声机》杂志对该系列前一卷（CHSA5106）评价道：“展现了卢托斯拉夫斯基的创作全貌，爱德华·加德纳指挥的BBC交响乐团以既精致又充满活力的演奏将其呈现，敏锐捕捉到卢托斯拉夫斯基音乐语言和表达方式的独特性。”
卢托斯拉夫斯基的《第一交响曲》创作于1941至1947年间，但有趣的是，它并未明显体现出作曲家试图与本国人民所遭受的苦难达成和解的迹象。事实上恰恰相反，卢托斯拉夫斯基本人将这部交响曲描述为明亮而欢快，“因为这是作品的构思主旨——其萌芽于战前独立时期，却诞生于可怕的战争年代和远非田园诗般的战后岁月。” 当时，一位波兰同行甚至称其为“野兽派”，因其在1948年4月首演时展现出的狂野与活力令观众震撼。
20世纪50年代上半叶，卢托斯拉夫斯基曾精心收集民间音乐素材，但对他而言，《舞蹈前奏曲》是“对民间音乐的告别”，尽管私下里他仍对民间曲调探索了数年之久。在本录音中，管弦乐团与指挥家迎来了钱德拉独家签约艺术家、单簧管演奏家迈克尔·柯林斯的加盟。
随着“社会主义现实主义”时期后环境逐渐开放，卢托斯拉夫斯基的职业生涯迎来新发展，并开始获得国际认可。1984年创作（1988年改编为管弦乐版）的《partita》为小提琴与管弦乐团而作，展现了他新近形成的更为轻松、旋律性更强的创作风格。独奏者为钱德拉独家签约艺术家塔斯敏·利特尔。
《链II》（1984–85）由安妮-索菲·穆特于1986年1月31日与保罗·萨赫尔指挥的协奏团首演，作品题献给萨赫尔。在本录音中，塔斯敏·利特尔引领乐团演绎一系列乐思，正如她在《大提琴协奏曲》“插曲”乐章（CHSA5106，与保罗·沃特金斯合作录制）中所做的那样。
Artist: Michael Collins, Tasmin Little, BBC Symphony Orchestra, Edward Gardner
Title: Lutoslawski Orchestral Works IV
Year Of Release: 2013
Label: Chandos
Genre: Classical
Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
Total Time: 01:10:59
Total Size: 291 / 799 mb
WebSite: Album Preview
Tracklist
01. Symphony No. 1: I. Allegro giusto
02. Symphony No. 1: II. Poco adagio
03. Symphony No. 1: III. Allegretto misterioso
04. Symphony No. 1: IV. Allegro vivace
05. Partita (Version for Violin & Orchestra): I. Allegro giusto
06. Partita (Version for Violin & Orchestra): II. Ad libitum
07. Partita (Version for Violin & Orchestra): III. Largo
08. Partita (Version for Violin & Orchestra): IV. Ad libitum
09. Partita (Version for Violin & Orchestra): V. Presto
10. Chain II: I. Ad libitum
11. Chain II: II. A battuta
12. Chain II: III. Ad libitum
13. Chain II: IV. A battuta - Ad libitum - A battuta
14. Dance Preludes: No. 1, Allegro molto
15. Dance Preludes: No. 2, Andantino
16. Dance Preludes: No. 3, Allegro giocoso
17. Dance Preludes: No. 4, Andante
18. Dance Preludes: No. 5, Allegro molto
Michael Collins, Tasmin Little, BBC Symphony Orchestra, Edward Gardner - Lutoslawski Orchestral Works IV (2013)
This is the fifth and now final volume in our survey of orchestral works by the Polish composer Witold Lutosławski. Gramophone wrote of a previous volume in the series (CHSA5106) that it ‘offers a broad view of Lutosławski’s creative profile, which the BBC Symphony Orchestra under Edward Gardner fleshes out with playing that is as polished as it is animated, and alert to the individuality of Lutosławski’s musical vocabulary and mode of expression’.
Lutosławski wrote his Symphony No. 1 between 1941 and 1947, but interestingly it does not display any obvious signs of his trying to come to terms with the ordeal that befell his people. Quite the opposite, in fact. Lutosławski himself described the symphony as bright and cheerful, ‘because that was the idea of the composition, which was conceived in the period of independence before the war, but brought into being during the terrible wartime and in far from idyllic post-war years’. At the time, one Polish colleague went so far as to call it ‘fauvist’, so wild and vibrant did it appear to the audiences at its first performance in April 1948.
Lutosławski was a meticulous collector of folk materials in the first half of the 1950s, but for him, Dance Preludes was a ‘farewell to folklore’, even though he privately still explored folk tunes for several more years. Here the orchestra and conductor are joined by the clarinettist Michael Collins, an exclusive Chandos artist.
As his career developed in the more open environment that emerged after the ‘socialist-realist’ period, Lutosławski began to receive international recognition, and with the Partita (1984, orchestrated 1988), for violin and orchestra, he presented a newly relaxed, more melodic compositional style to the public. The soloist is the exclusive Chandos artist Tasmin Little.
Chain 2 (1984 – 85) was premiered by Anne-Sophie Mutter on 31 January 1986 with Collegium Musicum, conducted by Paul Sacher to whom it was dedicated. On this recording Tasmin Little leads the orchestra through a succession of ideas, much as the soloist had done in the ‘Episodes’ movement of the Cello Concerto (recorded on CHSA5106 with Paul Watkins).
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