08-云雀声乐合唱团 十字架上的七句话 (2018) [Hi-Res]
艺术家：云雀声乐合唱团
标题：云雀声乐合唱团 十字架上的七句话
发行年份：2018年
厂牌：Sono Luminus
流派：古典，声乐
音质：无损FLAC/24位-192.0千赫兹FLAC/DSD64+小册子
总时长：00:48:49
总大小：222兆字节/1.5千兆字节/1.94千兆字节
网站：专辑预览
曲目单
01. 你在那里吗？
02. 当耶稣哭泣时
03. 奇异恩典
04. 奇妙的爱（A.帕克与R.肖为合唱团改编）
05. 有一片纯净喜乐的土地
06. 宗教合唱音乐，作品12：第5首，我愿在家乡
07. 仁爱丰溢
08. 温柔地告诉我的母亲
09. 大卫的哀歌
10. 四首忏悔时刻的经文歌，FP 97：第2首，我拣选的葡萄园
11. 我常在深处呼求
12. 神圣的十字架
13. 死亡可能消散（基于威廉·比林斯赞美诗的幻想曲）
14. 深河（G.汉考克为合唱团改编）
15. 交在你手中第1首
16. 我本如此
云雀声乐合唱团 - 十字架上的七句话（2018）
主题性的曲目编排是我的热情所在。我坚信无伴奏人声拥有直击人心的力量。然而，编排一个能让听众全神贯注（或坦白说，甚至保持主动聆听！）超过60分钟的节目确实是一项特殊挑战。
这个特定节目的背景相当明确——为“十架苦路”圣周音乐节设计的为期一周的音乐会和半礼仪活动，旨在提供适合四旬期最后一周直至复活节的音乐。演出场地圣约翰史密斯广场既是音乐厅也是教堂，这为创作适合两种场景的节目提供了独特机会，无需受限于某一特定场合的期待。当得知我们可能在受难节当晚演出时，我着手围绕圣经中基督在十字架上的七句临终遗言设计节目。这些经文表达了一系列相当人性化（未必是神性）的情感，我认为基于这些主题的音乐编排可以与所有信仰的听众产生共鸣。
当我们得知可能是唯一一支在英国顶尖合唱团云集的音乐节上演出的国际团体时，我强烈认为应呈现具有独特美国特色的节目。作为一支来自波士顿、代表美国在英国演出的合唱团，重点展示波士顿作曲家威廉·比林斯的作品似乎非常合适。比林斯被广泛认为是美国合唱音乐中第一位具有独特创作风格的作曲家。他的音乐可能被一些人认为简单且有些棱角分明（尤其是与当时欧洲的音乐相比），但其中蕴含的真诚与质朴却极具感染力。我们在专辑中穿插了他的四首作品，形成某种风格脉络，最终以芬兰作曲家亚科·曼蒂亚尔维的《死亡可能消散》首次录音收尾，这是一首基于比林斯赞美诗的幻想曲，包含原始和声编排。
专辑的核心围绕七段圣经经文（或“话语”）展开，所选曲目旨在诠释圣经文本中表达的普遍人类情感。七句“话语”中，有些对应单一作品，有些则有若干对比风格的作品。我们的节目以简单的赞美诗开始和结束——我将它们视为圣经故事展开的会众式首尾呼应。
Artist: Skylark Vocal Ensemble
Title: Seven Words from the Cross
Year Of Release: 2018
Label: Sono Luminus
Genre: Classical, Vocal
Quality: flac lossless / flac 24bits - 192.0kHz / DSD64 +Booklet
Total Time: 00:48:49
Total Size: 222 mb / 1.5 / 1.94 gb
WebSite: Album Preview
Tracklist
01. Were You There?
02. When Jesus Wept
03. Amazing Grace
04. Wondrous Love (Arr. A. Parker & R. Shaw for Choir)
05. There Is a Land of Pure Delight
06. Geistliche Chormusik, Op. 12: No. 5, Ich wollt, dass ich daheime wär
07. Karitas abundat
08. Break It Gently to My Mother
09. David's Lamentation
10. 4 Motets pour un temps de pénitence, FP 97: No. 2, Vinea mea electa
11. In Deep Distress I Oft Have Cried
12. Þann heilaga kross
13. Death May Dissolve (Fantasia on a Hymn by William Billings)
14. Deep River (Arr. G. Hancock for Choir)
15. In manus tuas No. 1
16. Just As I Am
Skylark Vocal Ensemble - Seven Words from the Cross (2018)
Thematic programming is my passion. I truly believe in the power of the unaccompanied human voice to communicate at a visceral level. Yet, I do think it is a peculiar challenge to weave together a program that can keep someone riveted (or, let’s be honest, even actively listening!) for 60-odd minutes.
The context for this particular program is quite specific - the vision for Tenebrae’s Holy Week Festival is a week-long series of concerts and semi-liturgical events that offer music appropriate for the final week of Lent leading up to Easter. The setting, St. John’s Smith Square, is both a concert hall and a church, affording a unique opportunity to create a program that is appropriate for both settings, without the specific expectations of one or the other. When it became clear that we might be able to perform on the evening of Good Friday, I set about to design a program around the scriptural seven last words of Christ from the cross. A diverse set of scriptures expressing a range of quite human (not necessarily God-ly) emotions, I felt that a musical progression based on these ideas could speak to audiences of all faiths.
When we learned that we were likely to be the only international group performing at a festival featuring some of the UK’s top choirs, I felt strongly that we should present a program with a uniquely American character. Being a Boston- based ensemble representing America in the UK, prominently featuring the work of Bostonian William Billings seemed to be highly appropriate. Billings is broadly considered the first unique compositional voice in American choral music. His music, which some might characterize as simple and somewhat angular (especially relative to the music being composed in Europe at the time), has an honest rawness about it that I find quite compelling. We intersperse four of his settings throughout the album, providing somewhat of a stylistic thread, culminating in the debut recording of Finnish composer Jaakko Mäntyjärvi’s Death May Dissolve, a fantasy on a hymn by Billings that includes the original harmonization.
The heart of the album progresses through the seven scriptural passages (or ‘words’), with pieces chosen to illustrate the universal human emotions expressed by the biblical texts. Some of the seven ‘words’ have a single piece of music, others have several pieces of contrasting styles. Our program begins and ends with simple hymns - I think of them as congregational bookends to the scriptural story that unfolds.
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