10小提琴奏鸣曲与小品 (2017) [Hi-Res]
艺术家：拜芭·斯克里德、劳玛·斯克里德
标题：小提琴奏鸣曲与小品
发行年份：2017年
厂牌：Orfeo
流派：古典
音质：FLAC（分轨）
总时长：1小时11分32秒
总大小：704兆字节
网站：专辑预览
曲目单
爱德华·格里格（1843 - 1907）
G大调第二小提琴奏鸣曲，作品13：
01. I. 缓慢忧伤的 - 活泼的快板 9:03
02. II. 安静的小快板 6:13
03. III. 活跃的快板 5:12
卡尔·尼尔森（1865 - 1931）
第二小提琴奏鸣曲，作品35，FS 64：
04. I. 快板 7:40
05. II. 极柔板 7:18
06. III. 愉快的快板 4:33
让·西贝柳斯（1865 - 1957）
小提琴与钢琴小品四首，作品78：
07. 第一首 即兴曲 1:55
08. 第二首 浪漫曲 3:05
09. 第三首 宗教曲 4:21
10. 第四首 里戈东舞曲 2:09
威廉·斯坦哈马尔（1871 - 1927）
A小调小提琴奏鸣曲，作品19：
11. I. 有生气的快板 6:57
12. II. 小行板 6:41
13. III. 快板 6:39
在这张专辑中，拉脱维亚斯克里德姐妹呈现了更多来自波罗的海故乡地区作曲家的作品（其中纳入了挪威作曲家爱德华·格里格，尤其因为他的奏鸣曲创作于当时名为克里斯蒂安尼亚的哥本哈根）。这张CD中作品的共同主线在于“寻找属于自己的声音”——这是每位作曲家最初都需探寻的方向，也是姐妹俩作为演奏者毫不费力便能达成的特质。录音中的四位作曲家都与小提琴有着紧密联系，且都与德国传统保持着复杂的关系。
格里格的奏鸣曲以全新方式将民间音乐元素融入扩展的浪漫主义形式中：并非仅作为引用或“风格点缀”，而是作为各个层面的核心创作要素，从戏剧性爆发的华彩般小提琴独奏到内部动机的发展均是如此。除了威廉·斯坦哈马尔创作的六部弦乐四重奏外，他还将1899年的A小调小提琴奏鸣曲（作品19）留给了后世。这部奏鸣曲在向德国传统致敬的同时，也展现出对未来神秘的“半开放性”，对小提琴演奏提出了极高要求。
让·西贝柳斯与卡尔·尼尔森都创作并演奏过大量室内乐。尼尔森的小提琴独奏作品以三首成熟的钢琴伴奏奏鸣曲为核心，而西贝柳斯则写有许多小提琴与钢琴短曲，常以组曲形式呈现，如这里收录的作品78中的四首。这些小品与他七部著名的大型交响曲形成了极大反差——在小规模体裁中，这位常以变幻莫测著称的交响乐作曲家展现出截然不同却同样出色的创作能力。
相比之下，丹麦作曲家卡尔·尼尔森1912年的第二小提琴奏鸣曲（作品35）则呈现出最“现代”的音乐风格。尼尔森以其标志性手法，避开清晰的传统和声基础，有意识地尝试闪烁的调性，自然地为创造全新的调性景观开辟了空间。同时，在对待历史与音乐姿态及形式概念的方式上，这位作曲家也展现出对时代的敏锐感知与契合。
【乐评摘选】
“在拉脱维亚小提琴家拜芭·斯克里德与钢琴家妹妹劳玛的这场室内乐演奏中，大多数乐迷都会发现新鲜有趣的内容——她们将20世纪初北欧主要作曲家相对鲜为人知的小提琴作品汇集在一起。最具突破性且最能展现拜芭标志性的强烈音色与有力而流畅 phrasing 的作品，是尼尔森1912年的第二奏鸣曲：第一乐章充满沸腾而探索性的情绪波动，终乐章则是看似轻松的圆舞曲，其中一段引人注目的段落预见了两年后开始创作的第四交响曲中某一高潮的缓和。姐妹俩在西贝柳斯的四首小品（作品78，展现出作曲家毫不费力的抒情风格）、格里格受民间音乐启发的1867年第二奏鸣曲，以及斯坦哈马尔1900年悠长而充满遐想的奏鸣曲中，配合堪称完美。为何这些作品不常被演奏呢？”——《卫报》
“（拜芭）是一位拥有罕见智慧与个性的演奏者，她的妹妹亦然——她以格里格第二奏鸣曲开场时对和弦的精妙处理便令人惊叹。”——《留声机》
“在这张录音出色且完全值得推荐的演奏中，斯克里德姐妹自始至终都是默契非凡的组合。《斯特拉德》杂志，2016年12月 /// 格里格的第二奏鸣曲听起来优美而坦诚地流露着忧郁。”——《BBC音乐杂志》
拜芭·斯克里德，小提琴
劳玛·斯克里德，钢琴
Artist: Baiba Skride, Lauma Skride
Title: Violin Sonatas & Pieces
Year Of Release: 2017
Label: Orfeo
Genre: Classical
Quality: FLAC (tracks)
Total Time: 1:11:32
Total Size: 704 MB
WebSite: Album Preview
Tracklist:
Edvard Grieg (1843 - 1907)
Violin Sonata No. 2 in G Major, Op. 13:
01. I. Lento doloroso - Allegro vivace 9:03
02. II. Allegretto tranquillo 6:13
03. III. Allegro animato 5:12
Carl Nielsen (1865 - 1931)
Violin Sonata No. 2, Op. 35, FS 64:
04. I. Allegro 7:40
05. II. Molto adagio 7:18
06. III. Allegro piacevole 4:33
Jean Sibelius (1865 - 1957)
4 Pieces for Violin & Piano, Op. 78:
07. No. 1. Impromptu 1:55
08. No. 2. Romance 3:05
09. No. 3. Religioso 4:21
10. No. 4. Rigaudon 2:09
Wilhelm Stenhammar (1871 - 1927)
Violin Sonata in A Minor, Op. 19:
11. I. Allegro con anima 6:57
12. II. Andantino 6:41
13. III. Allegro 6:39
On their album the Latvian Skride sisters present yet more composers from their extended Baltic homeland region (allowing that they include Norwegian Edvard Grieg, especially since he composed his Sonata in Copenhagen, then called Christiania). The uniting thread of the works on this CD lies in 'finding one's own sound', something which each of the featured composers first had to find, and an element that the sisters effortlessly achieve as performers. All four composers on this recording share a close link with the violin, and all four had an ambivalent relationship with the German tradition. Grieg's Sonata introduces folk music influences into the expanded Romantic form in a completely new manner: not just as a quote or 'tone', but as an integral compositional element on all levels, from the dramatically erupting, cadenza-like violin solo through to the internal motivic work. In addition to the six string quartets that Wilhelm Stenhammar penned, he left this Violin Sonata in A minor Op. 19 of 1899 to posterity. While still paying tribute to the German tradition, the sonata invokes his own mysterious 'semi-frankness' towards the future, which makes considerable demands upon the violin. Jean Sibelius and Carl Nielsen played and composed a great deal of chamber music. While Nielsen's works for solo violin centre on three mature sonatas with piano accompaniment, Sibelius wrote a large number of short pieces for violin and piano, often combined into groups of works, such as the four brought together here as Op. 78. They represent the greatest conceivable contrast to his seven famous, large-scale symphonies. In the smaller scale form, the often erratic symphonist reveals himself as an utterly different, yet no less able composer. In contrast, the Violin Sonata No 2 Op. 35 of 1912 by the Danish individualist Carl Nielsen offers the most 'modern' music. In a manner typical of the composer, Nielsen eschews the foundations of clearly traditional harmony and consciously experiments with shimmering tonality that naturally opens up opportunities for creating his own new tonal landscape. At the same time, the composer proves to be entirely and sensitively in tune with the times with regard to his approach to historical and musical gestures and formal concepts.
„There will be something new and intriguing for most chamber-music fans in this recital by Latvian violinist Baiba Skride and her pianist sister Lauma, which brings together relatively little-known violin pieces by the leading Nordic composers of the early 20th century. The most envelope-pushing work and the one that makes the most of Baiba's characteristic intensity of tone and muscular yet seamless phrasing is the 1912 Sonata No 2 by Nielsen, its first movement a seething, searching bundle of mood-swings, its finale a deceptively relaxed waltz that in one striking passage anticipates the climbdown from one of the climaxes in the Fourth Symphony, begun two years later. The sisters are ideally matched, too, in four miniatures, Op 78, which find Sibelius in effortlessly lyrical mode, plus Grieg s folk-inspired 1867 Sonata No 2 and the long, wistful lines of Stenhammar s Sonata from 1900. Why are these works not played more often?“ (Guardian)
„(Baiba) is a player of rare intelligence and individuality, and so is her sister, who opens proceedings with a magical placing of chords that introduce Grieg's Second Sonata.“ (Gramophone)
„The Skride sisters are a uniquely attuned team throughout this well-recorded and altogether recommendable recital. The Strad, Dec'16 /// Grieg's Second Sonata sounds gorgeously, openly melancholic.“ (BBC Music Magazine)
Baiba Skride, violin
Lauma Skride, piano
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