13-多特蒙德合唱学院青年音乐会合唱团 北欧合唱音乐2021 Hi-Res 24bits - 48.0kHz
https://115cdn.com/s/swwsuqz36f5?password=nf71&#
13-多特蒙德合唱学院青年音乐会合唱团 北欧合唱音乐2021 Hi-Res 24bits - 48.0kHz
访问码：nf71
艺术家：多特蒙德合唱学院青年音乐会合唱团，费利克斯·海特曼，科隆西德广播合唱团，斯特凡·帕克曼
标题：多特蒙德合唱学院青年音乐会合唱团 北欧合唱音乐
发行年份：2021年
厂牌：汉斯勒经典
流派：古典
音质：无损FLAC（镜像文件+.cue、日志、封面）//24位-48.0千赫兹FLAC+小册子
总时长：01:12:44
总大小：292兆字节/705兆字节
网站：专辑预览
曲目单
01. 在天堂，在天堂
02. 爱在哪里
03. 夏日诗篇
04. 寂静
05. 向东国（H.帕克曼为女高音与合唱团改编版）
06. 玛利亚IV（此处是你的天堂）
07. 圣哉经（混声合唱团版本）
08. 不朽的巴赫，作品153（基于巴赫BWV 478）
09. 比耶加·卢特
10. 圣母喜乐
11. 三首浪漫合唱曲：第1首，我心爱的山谷
12. 玫瑰如繁花绽放（混声合唱团版本）
13. 我能否将你比作夏日
14. 海难圣歌
15. 第一挽歌
多特蒙德合唱学院青年音乐会合唱团、费利克斯·海特曼、科隆西德广播合唱团、斯特凡·帕克曼 - 北欧合唱音乐（2021）[高解析度]
传奇、神话、广袤疆域，白雪覆盖的山脉、幽暗的森林，以及无处不在的静谧与安宁——斯堪的纳维亚文化始终散发着迷人魅力。人们常认为北欧音乐蕴含神秘的“典型北欧”之声，尽管这种关联不可一概而论，但其中确实存在一些反复出现的特征：尤其在后二战时期，北欧合唱音乐形成了对民间音乐与民歌的强烈倾向，合唱成为中产阶级音乐圈的重要表达媒介。
人类与自然的紧密关系——受斯堪的纳维亚四季更迭对日常生活的深刻影响——以及关于生死的根本追问，始终是这些国家合唱音乐的核心主题。许多作品以现代音乐手法演绎本土风格，艺术歌曲与民歌的界限逐渐模糊。当代潮流迅速演变，人声被赋予前所未有的多元运用：说话、呐喊、咕哝、吹哨等声音，与即兴创作、无意义音节共同构成北欧合唱音乐的平等元素。新颖的音色与独特的乐谱很快成为北欧合唱界的基调，随之而来的专业化浪潮更影响了整个欧洲。
Artist: Jugendkonzertchor der Chorakademie Dortmund, Felix Heitmann, WDR Rundfunkchor Köln, Stefan Parkman
Title: Nordic Choral Music
Year Of Release: 2021
Label: haenssler CLASSIC
Genre: Classical
Quality: flac lossless (image +.cue, log, artwork) / / flac 24bits - 48.0kHz +Booklet
Total Time: 01:12:44
Total Size: 292 / 705 mb
WebSite: Album Preview
Tracklist
01. I himmelen, i himmelen
02. Ubi caritas
03. Sommarpsalm
04. Stillae
05. Till Österland (Arr. H. Parkman for Soprano & Choir)
06. Maria IV (Here Is Thy Heaven)
07. Sanctus (Version for Mixed Choir)
08. Immortal Bach, Op. 153 (After Bach's BWV 478)
09. Biegga luohte
10. Gaudet mater
11. 3 Romantic Chorus Songs: No. 1, Min yndlingsdal
12. Flos ut rosa floruit (Version for Mixed Choir)
13. Shall I Compare Thee to a Summer’s Day
14. Canticum calamitatis maritimae
15. Die erste Elegie
Jugendkonzertchor der Chorakademie Dortmund, Felix Heitmann, WDR Rundfunhttps://115cdn.com/s/swwsuqz36f5?password=nf71&#
13-多特蒙德合唱学院青年音乐会合唱团 北欧合唱音乐2021 Hi-Res 24bits - 48.0kHz
访问码：nf71kchor Köln, Stefan Parkman - Nordic Choral Music (2021)
Sagas, myths, vast realms. Snow-capped mountains, dark forests and an overarching stillness and peace. The cultures of Scandinavia have always exerted a huge fascination over people. Scandinavian music is often purported to possess a mystical and “typically Nordic” sound, and even if such a causal association cannot be applied in too much of a sweeping generalization, there are nevertheless frequently recurring characteristics: in particular, in the post-war generation there developed in Scandinavian choral music a strong orientation towards folk music and folk songs; choral singing became a significant medium of expression in middle-class music circles.
The important relationship between human beings and Nature – as a result of the strong influence in Scandinavia of the changing seasons on people’s everyday lives – along with fundamental questions about life and death were ever-present topics in those countries’ choral music. Using modern-day musical resources, many works emerged in vernacular style and the boundaries between the art song and the folk song became blurred. Contemporary trends developed swiftly, the human voice was deployed in far more diverse ways than ever before: speaking, screaming, clucking, whistling and so on all took on equal weight within Scandinavian choral music together with improvisation and the use of empty syllables. Novel sounds and unusual scores were soon setting the tone and new standards on the Scandinavian choral scene began leading to a continual professionalisation that was to make waves across all of Europe.
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