04-沃恩・威廉斯：基于托马斯・塔利斯主题的幻想曲 - 布里顿：弗兰克・布里奇主题变奏曲
艺术家：伦敦交响乐团弦乐合奏团，罗曼・西莫维奇
标题：沃恩・威廉斯：基于托马斯・塔利斯主题的幻想曲 - 布里顿：弗兰克・布里奇主题变奏曲
发行年份：2016 年
厂牌：LSO Live
流派：古典
音质：无损弗拉科格式 / 24 位 - 96.0 千赫兹弗拉科格式 + 小册子
总时长：00:54:00
总大小：262 兆字节 / 1.09 吉字节
网站：专辑预览
曲目列表
01. 弦乐引子与快板，作品 47
02. 基于托马斯・塔利斯主题的幻想曲
03. 弗兰克・布里奇主题变奏曲，作品 10：引子与主题
04. 弗兰克・布里奇主题变奏曲，作品 10：变奏 I. 柔板
05. 弗兰克・布里奇主题变奏曲，作品 10：变奏 II. 进行曲
06. 弗兰克・布里奇主题变奏曲，作品 10：变奏 III. 浪漫曲
07. 弗兰克・布里奇主题变奏曲，作品 10：变奏 IV. 意大利咏叹调
08. 弗兰克・布里奇主题变奏曲，作品 10：变奏 V. 古典布雷舞曲
09. 弗兰克・布里奇主题变奏曲，作品 10：变奏 VI. 维也纳圆舞曲
10. 弗兰克・布里奇主题变奏曲，作品 10：变奏 VII. 无穷动
11. 弗兰克・布里奇主题变奏曲，作品 10：变奏 VIII. 葬礼进行曲
12. 弗兰克・布里奇主题变奏曲，作品 10：变奏 IX. 圣歌
13. 弗兰克・布里奇主题变奏曲，作品 10：变奏 X. 赋格与终曲
伦敦交响乐团弦乐合奏团，罗曼・西莫维奇 - 沃恩・威廉斯：基于托马斯・塔利斯主题的幻想曲 - 布里顿：弗兰克・布里奇主题变奏曲（2016 年）[高解析度]
伦敦交响乐团（LSO）的成员囊括了最优秀的管弦乐演奏家，许多首席乐手本身就是著名的独奏家。乐团组建了多个新的合奏小组，以不同方式磨砺其卓越的音乐技巧：从 LSO 打击乐组近期录制的赖克作品，到斯特拉文斯基《士兵的故事》和莫扎特《大组曲》的独特室内乐演绎。由乐团首席罗曼・西莫维奇指导的 LSO 弦乐合奏团正是典型代表，展现了伦敦交响乐团的深厚人才储备。
在两张备受好评的专辑之后，LSO 弦乐合奏团通过 LSO Live 继续推出三首英国杰作：沃恩・威廉斯的《基于托马斯・塔利斯主题的幻想曲》—— 一部将民歌与宗教音乐创新性融合的作品；布里顿的《弗兰克・布里奇主题变奏曲》——20 世纪弦乐写作中极富挑战性的里程碑之作，本次演绎充满 virtuosity；以及埃尔加的《引子与快板》—— 这部为 LSO 量身定制并由其首演的作品，至今仍是乐团的挚爱。
《每日电讯报》评价罗曼・西莫维奇的演奏 “拥有令人愉悦的甜美抒情音色与从容优雅的精湛技巧”。作为国际知名独奏家，西莫维奇在全球众多顶级场馆演出，并在多项国际比赛中获奖，跻身当代最杰出小提琴家之列。谈及这些作品时他表示：“与英国乐团合作演绎这套精彩的英国曲目对我而言是巨大的挑战。LSO 拥有真正独特的音色，而在没有指挥的情况下站立演奏更是考验！但我的乐手同伴们都是知识渊博的杰出音乐家，我想人们正越来越期待我们的音乐会，因为这是真正特别的体验 —— 纯粹的室内乐之声。”
Artist: LSO String Ensemble, Roman Simovic
Title: Vaughan Williams: Fantasia on a Theme by Thomas Tallis - Britten: Variations on a Theme of Frank Bridge
Year Of Release: 2016
Label: LSO Live
Genre: Classical
Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
Total Time: 00:54:00
Total Size: 262 mb / 1.09 gb
WebSite: Album Preview
Tracklist
01. Introduction and Allegro for Strings, Op. 47
02. Fantasia on a Theme by Thomas Tallis
03. Variations on a Theme of Frank Bridge, Op. 10: Introduction and Theme
04. Variations on a Theme of Frank Bridge, Op. 10: Var. I. Adagio
05. Variations on a Theme of Frank Bridge, Op. 10: Var. II. March
06. Variations on a Theme of Frank Bridge, Op. 10: Var. III. Romance
07. Variations on a Theme of Frank Bridge, Op. 10: Var. IV. Aria Italiana
08. Variations on a Theme of Frank Bridge, Op. 10: Var. V. Bourée classique
09. Variations on a Theme of Frank Bridge, Op. 10: Var. VI. Wiener Walzer
10. Variations on a Theme of Frank Bridge, Op. 10: Var. VII. Moto perpetuo
11. Variations on a Theme of Frank Bridge, Op. 10: Var. VIII. Funeral March
12. Variations on a Theme of Frank Bridge, Op. 10: Var. IX. Chant
13. Variations on a Theme of Frank Bridge, Op. 10: Var. X. Fugue and Finale
LSO String Ensemble, Roman Simovic - Vaughan Williams: Fantasia on a Theme by Thomas Tallis - Britten: Variations on a Theme of Frank Bridge (2016)
The LSO counts the finest orchestral players among its members and many of its principals are renowned soloists in their own right. They have developed new ensembles within the Orchestra to hone their incredible musicianship in different ways: from recent recordings of Reich by the LSO Percussion Ensemble to unique chamber performances of Stravinsky's 'The Soldier’s Tale' and Mozart's 'Gran Partita'. The LSO String Ensemble, directed by Orchestra Leader Roman Simovic, are a key example of this practice, showcasing the wealth of talent that the London Symphony Orchestra has to offer.
Following two well-received releases, the LSO String Ensemble continues on LSO Live with three English masterpieces: Vaughan Williams' 'Fantasia on a Theme by Thomas Tallis', a visionary fusion of folksong and sacred music; Britten's 'Variations on a Theme of Frank Bridge', a challenging landmark of 20th-century string writing, here in a virtuosic performance; and Elgar's 'Introduction and Allegro', a work beloved of the LSO, having been composed for and premiered by the Orchestra.
"Delightfully sweet-toned lyricism, and an easy, smiling virtuosity". The Daily Telegraph on Roman Simovic. An acclaimed soloist, performing at many of the world’s most prestigious venues, Roman Simovic has awarded prizes at numerous international competitions, placing him among the foremost violinists of his generation. He says of these pieces: "it’s a big challenge for me to perform this wonderful English programme with an English orchestra. The LSO has a really special, unique, sound and to produce this standing up without a conductor, well it’s quite a challenge! But my fellow players are all fantastic musicians with huge knowledge and I think people more and more are looking forward to our concerts, because it’s something really special: real chamber music."
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