14-[2025] 恶魔般的 劳拉·洛滕斯 [24B-192kHz]
艺术家：劳拉·洛滕斯
标题：恶魔般的 劳拉·洛滕斯
发行年份：2025年
唱片公司：Naive
流派：古典吉他
音质：无损FLAC（音轨）/24比特-192.0千赫兹FLAC+手册
总时长：01:09:50
总大小：239兆字节/2.18千兆字节
网站：专辑预览
曲目列表
01. G小调小提琴奏鸣曲，B.g5《魔鬼的颤音》：第一乐章.深情的小广板（罗伯托·扎德拉改编为吉他独奏）
02. 无伴奏小提琴随想变奏曲（埃利奥特·菲斯克改编为吉他独奏）：变奏1.精力充沛的快板
03. 无伴奏小提琴随想变奏曲（埃利奥特·菲斯克改编为吉他独奏）：变奏2.急板
04. 无伴奏小提琴随想变奏曲（埃利奥特·菲斯克改编为吉他独奏）：变奏27.咏叹调
05. 无伴奏小提琴随想变奏曲（埃利奥特·菲斯克改编为吉他独奏）：变奏7（根据贝多芬作品74《谐谑曲》改编）.急板
06. 无伴奏小提琴随想变奏曲（埃利奥特·菲斯克改编为吉他独奏）：变奏5.稍激动但有大量自由速度
07. 无伴奏小提琴随想变奏曲（埃利奥特·菲斯克改编为吉他独奏）：变奏12（根据勃拉姆斯作品35第一册第12首改编）.稍快的行板
08. 无伴奏小提琴随想变奏曲（埃利奥特·菲斯克改编为吉他独奏）：变奏44（根据马勒《第五交响曲》谐谑曲改编）.谐谑曲
09. 无伴奏小提琴随想变奏曲（埃利奥特·菲斯克改编为吉他独奏）：变奏43.小行板
10. 无伴奏小提琴随想变奏曲（埃利奥特·菲斯克改编为吉他独奏）：变奏20.近似华彩段
11. 无伴奏小提琴随想变奏曲（埃利奥特·菲斯克改编为吉他独奏）：变奏22.极富表现力且如歌地
12. 无伴奏小提琴随想变奏曲（埃利奥特·菲斯克改编为吉他独奏）：变奏51.帕格尼尼主题（第24随想曲）.近似急板
13. A大调吉他与小提琴大奏鸣曲，作品39，MS 3（劳拉·洛滕斯改编为吉他独奏）：第一乐章.坚定的快板
14. A大调吉他与小提琴大奏鸣曲，作品39，MS 3（劳拉·洛滕斯改编为吉他独奏）：第二乐章.浪漫曲
15. A大调吉他与小提琴大奏鸣曲，作品39，MS 3（劳拉·洛滕斯改编为吉他独奏）：第三乐章.变奏小行板
16. 《恶魔随想曲》，作品85a（致敬帕格尼尼）
17. 《两首利迪亚歌曲》：第一首.富有表情地
18. 《两首利迪亚歌曲》：第二首.激动地
19. 《祈祷与舞曲》（致敬曼努埃尔·德·法雅）
劳拉·洛滕斯与Naive厂牌的首次合作专辑《恶魔般的》将我们带入一个充满离奇故事、与魔鬼的契约及其他幽灵幻影的世界，而这些实际上构成了一段精彩的声音之旅，涵盖了极为多样的风格。
朱塞佩·塔蒂尼（1692–1770）《魔鬼的颤音奏鸣曲》的开篇乐章以舒缓宁静的引子，为乔治·罗奇伯格（1918–2005）所作、以音乐中魔鬼的至高化身——帕格尼尼最后一首随想曲为基础进行的变奏拉开序幕。
这些《随想变奏曲》构成了一个引人入胜的音乐万花筒，包含五十一首变奏，时而让人想起巴赫、勃拉姆斯，或是帕格尼尼本人狂野的灵光一闪，同时又植根于更现代甚至实验性的理念——这是一场过去与现在之间迷人的对话，劳拉·洛滕斯在此呈现了其中她最喜爱的十一个乐章。
接下来是尼科洛·帕格尼尼（1782–1840）本人的作品——《小提琴与吉他大奏鸣曲》，在此以吉他独奏形式演绎。在这部作品中，作为一个极度刁钻的玩笑，帕格尼尼特意将更难的部分交给了吉他，而小提琴实际上只担任简单的伴奏。
这段旅程的第二部分进入了更现代的领域，包含三首重要的大型吉他作品。马里奥·卡斯泰尔诺沃-泰代斯科（1895–1968）的《恶魔随想曲》以其不连贯的节奏、夸张的力度对比和突然的情绪转变，融合了炽热的能量与色彩细腻的旋律。努乔·达安杰洛（1955年生）的《两首利迪亚歌曲》以其浓烈的诗意，唤起了某个古老、被遗忘但显然充满魔力的世界的两个互补侧面。最后，这位2022年安德烈斯·塞戈维亚比赛金奖得主带来了华金·罗德里戈（1901–1999）不可或缺且令人沉醉的《祈祷与舞曲》，这部双联画受弗拉门戈传统启发，开篇是绝望的祈求（祈祷），随后是强烈而悲怆的节奏爆发（舞曲）。
Artist: Laura Lootens
Title: Diabolico
Year Of Release: 2025
Label: Naive
Genre: Classical Guitar
Quality: flac lossless (tracks) / flac 24bits - 192.0kHz +Booklet
Total Time: 01:09:50
Total Size: 239 mb / 2.18 gb
WebSite: Album Preview
Tracklist
01. Violin Sonata in G Minor, B.g5 Il trillo del diavolo: I. Larghetto affettuoso (Arr. for Solo Guitar by Roberto Zadra)
02. Caprice Variations for Unaccompanied Violin (Transcr. for Solo Guitar by Eliot Fisk): Variation 1. Allegro energico
03. Caprice Variations for Unaccompanied Violin (Transcr. for Solo Guitar by Eliot Fisk): Variation 2. Presto
04. Caprice Variations for Unaccompanied Violin (Transcr. for Solo Guitar by Eliot Fisk): Variation 27. Aria
05. Caprice Variations for Unaccompanied Violin (Transcr. for Solo Guitar by Eliot Fisk): Variation 7 after Beethoven, Op. 74 . Presto
06. Caprice Variations for Unaccompanied Violin (Transcr. for Solo Guitar by Eliot Fisk): Variation 5. Poco agitato ma con molto rubato
07. Caprice Variations for Unaccompanied Violin (Transcr. for Solo Guitar by Eliot Fisk): Variation 12 after Brahms, Op. 35 . Andante con moto
08. Caprice Variations for Unaccompanied Violin (Transcr. for Solo Guitar by Eliot Fisk): Variation 44 after Mahler, Symphony No. 5 . Scherzo
09. Caprice Variations for Unaccompanied Violin (Transcr. for Solo Guitar by Eliot Fisk): Variation 43. Andantino
10. Caprice Variations for Unaccompanied Violin (Transcr. for Solo Guitar by Eliot Fisk): Variation 20. Quasi cadenza
11. Caprice Variations for Unaccompanied Violin (Transcr. for Solo Guitar by Eliot Fisk): Variation 22. Molto espressivo e cantando
12. Caprice Variations for Unaccompanied Violin (Transcr. for Solo Guitar by Eliot Fisk): Variation 51. Paganini's theme . Quasi presto
13. Grand Sonata per chitarra e violino in A Major, Op. 39, MS 3 (Arr. for Solo Guitar by Laura Lootens) in A Major, Op. 39, MS 3: I. Allegro risoluto
14. Grand Sonata per chitarra e violino in A Major, Op. 39, MS 3 (Arr. for Solo Guitar by Laura Lootens) in A Major, Op. 39, MS 3: II. Romanza
15. Grand Sonata per chitarra e violino in A Major, Op. 39, MS 3 (Arr. for Solo Guitar by Laura Lootens) in A Major, Op. 39, MS 3: III. Andantino variato
16. Capriccio diabolico, Op. 85a (Omaggio a Paganini)
17. Due canzoni lidie: I. Espressivo
18. Due canzoni lidie: II. Agitato
19. Invocación y danza. Homenaje a Manuel de Falla
Laura Lootens’s first collaboration with naïve, ‘Diabolico’ leads us into a world of strange tales and pacts with the devil and other ghostly apparitions which actually form the core of a magnificent journey in sound, covering an extremely varied range of styles.
A soothingly tranquil introduction, the opening movement of The Devil’s Trill Sonata of Giuseppe Tartini (1692–1770) here serves as a prelude to the transformations of the last of Paganini's Caprices, the supreme incarnation in music of the devil, composed by George Rochberg (1918–2005).
These Caprice Variations make up an intriguing musical kaleidoscope of fifty-one variations which sometimes remind one of Bach, Brahms, or indeed Paganini's own wild flashes of lightning, yet they are also founded upon more modern, even experimental ideas - a captivating play between past and present which Laura Lootens represents here with eleven of her favourite movements.
Afterwards comes a work by Niccolò Paganini (1782–1840) himself, the Grand Sonata for violin and guitar, played here by guitar alone. In this piece, the fruit of an utterly devilish joke, Paganini made sure that the more difficult part was given to the guitar, with the violin in fact playing only a simple accompaniment.
The second part of this journey occupies more modern terrain, with three important large scale works for guitar. With its disjointed rhythms, its exaggerated dynamic contrasts, and its sudden changes of mood, the Capriccio diabolico by Mario Castelnuovo-Tedesco (1895–1968) combines scorching energy and delicately hued melodies. The Due canzoni lidie by Nuccio D’Angelo (born in 1955), with its heady poetic sensibility, evokes two complementary aspects of some ancient, forgotten, but evidently magical world. Finally, the German guitarist, who won the Premier Prix at the Concours Andrés Segovia in 2022, offers the indispensable and intoxicating Invocación y danza by Joaquín Rodrigo (1901–1999), a diptyque inspired by the flamenco tradition, its initial desperate supplication (Invocación) followed by an explosion of rhythm (Danza) as intense as it is tragic.
**** Hidden Message *****
谢谢分享，很想听一听
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