|
|
艺术家：亚纳切克爱乐乐团、伊日·彼得尔迪克
作品名称：《哨兵》
发行年份：2020年
厂牌：纳沃纳唱片公司（Navona）
音乐类型：古典音乐
音质：FLAC无损格式 / FLAC 24比特 - 96.0千赫兹
总时长：1小时06分47秒
总大小：308兆字节 / 1.11吉字节
网站：专辑预览
曲目列表：
01. 《B-A-C-H交响曲》：第一乐章，巴赫遇见埃舍尔
02. 《B-A-C-H交响曲》：第二乐章，精神分裂的谐谑曲
03. 《B-A-C-H交响曲》：第三乐章，冥想众赞歌
04. 《B-A-C-H交响曲》：第四乐章，派对礼物
05. 《五十年庆典》：第一乐章，宽广地，强度渐增
06. 《五十年庆典》：第二乐章，精确、明快且俏皮
07. 《五十年庆典》：第三乐章，宁静，但富有动感
08. 《五十年庆典》：第四乐章，高贵且有力
09. 《五十年庆典》：第五乐章，活泼且充满活力
10. 《舞蹈的哨兵》：第一乐章，尖锐而突然，带着尖刻的棱角
11. 《舞蹈的哨兵》：第二乐章，平静、安详且令人着迷
12. 《舞蹈的哨兵》：第三乐章，富有弹性的张力
13. 《皆为黄金比例》
蒂莫西·克莱默已与纳沃纳唱片公司录制并发行了一张他的管弦乐作品专辑。其成果就是《哨兵》，这张专辑富有感染力地展现了克莱默几十年来的创作，其作品所受的影响从巴洛克风格到摇滚风格都有涉及。
专辑名称《哨兵》指的是巨石阵中的那些立石，专辑封面也以此为特色。《巴赫遇见埃舍尔》中大胆而醒目的圆号开场，为专辑营造出一种神秘的氛围。这是《B-A-C-H交响曲》的第一乐章，也是这张唱片中篇幅最长的作品。克莱默凭借他作为音乐学者、理论家和作曲家所接受的训练，选择以一种总体的音乐织体为基础来创作这部交响曲的每个乐章：第一乐章专注于复调音乐，然后依次是单音音乐、主调音乐，最后是不和谐音。一切都是经过深思熟虑的选择：甚至克莱默在某些部分所选择的单个音符都可以 “解码” 出 “巴赫” 和 “埃舍尔” 的名字。
接下来是《五十年庆典》，这是一部由华盛顿州肯特市委托创作的作品，用于该市的百年庆典。这部作品由四首前奏曲和一首回旋曲组成，充满了坚定的精神，仿佛让人看到这座城市历经几代人，向着未来的希望大步迈进。《舞蹈的哨兵》打破了前一部作品的传统风格，定音鼓和其他乐器组以自发的切分节奏相互交织、相互碰撞。最后是《皆为黄金比例》，这是另一部委托创作的作品，这次是为了庆祝杰克逊维尔交响乐团协会成立50周年。恰如其分的是，克莱默选择将黄金比例融入到这部作品的结构中。在这里，克莱默对节奏和音色的敏锐感知使他能够勾勒出火车呼啸着穿过杰克逊维尔的画面、蝉鸣的嘶嘶声，以及从赛马场传来的在夏日空气中回荡的令人兴奋的电流般的氛围。
在《哨兵》这张专辑中，蒂莫西·克莱默既展示了他对传统管弦乐创作的精通，也体现了他大胆偏离这些传统的勇气。这张专辑呈现了丰富多样的音乐，尽管风格各异，但都可被恰当地归类为 “管弦乐” 作品。就像一部伟大的小说或电影一样，这张专辑吸引着听众再次聆听，或许能发现一些克莱默隐藏其中、第一次听时被错过的创作珍宝。
Artist: Janáček Philharmonic Orchestra, Jiří Petrdlík
Title: Sentinels
Year Of Release: 2020
Label: Navona
Genre: Classical
Quality: flac lossless / flac 24bits - 96.0kHz
Total Time: 01:06:47
Total Size: 308 mb / 1.11 gb
WebSite: Album Preview
Tracklist
01. Symphony B-A-C-H I. Bach Meets Escher
02. Symphony B-A-C-H II. Schizo Scherzo
03. Symphony B-A-C-H III. Meditation Chorale
04. Symphony B-A-C-H IV. Party Favors
05. A Fivescore Festival I. Expansive, with Growing Intensity
06. A Fivescore Festival II. Precise, Crisp & Playful
07. A Fivescore Festival III. Tranquil, but with Motion
08. A Fivescore Festival IV. Noble, with Strength
09. A Fivescore Festival V. Lively, with Energy
10. Sentinels of the Dance I. Sharp and Sudden, with Caustic Angularity
11. Sentinels of the Dance II. Calm, Serene, Hypnotic
12. Sentinels of the Dance III. With Elastic Tensity
13. All in Golden Measure
Timothy Kramer has recorded and released a full album of his orchestral works with Navona Records. The result: SENTINELS, an evocative representation of Kramer’s compositions that span several decades, with influences ranging from Baroque to rock.
The title SENTINELS refers to the standing stones found in Stonehenge, featured in the album art. The bold, prominent horn introduction of BACH meets EsCHeR opens the album with a sense of mystery. This is the first movement of Symphony B-A-C-H, the largest work on the recording. Drawing from his training as a music scholar and theorist as well as a composer, Kramer chose to base each movement of this symphony on an overarching musical texture: the first focuses on polyphony, then monophony, homophony, and finally, cacophony. Everything is a deliberate choice: even the individual notes chosen by Kramer in certain sections can be “decoded” to reveal the names “Bach” and “Escher.”
Next comes A Fivescore Festival, a work commissioned by the City of Kent WA for their Centennial celebration. The piece, a series of four preludes and a rondo, has a spirit of resoluteness which imagines the city marching through successive generations toward the promise of the future. Sentinels of the Dance breaks from the traditionalism of the preceding piece, with the timpani and other instrument sections snarling and biting at each other with spontaneous, syncopated rhythms. Finally comes All in Golden Measure, another commissioned piece—this time for the Jacksonville Symphony Society celebrating the 50th anniversary of their Symphony Orchestra. Appropriately, Kramer chose to integrate the golden ratio into the fabric of this composition. Here, Kramer’s sensitivity to rhythm and timbre allows him to conjure up images of the train whistling through Jacksonville, the hissing of cicadas, and the electric excitement resonating through the summer air from the racetrack.
In SENTINELS, Timothy Kramer demonstrates both his mastery of traditional orchestral composition and his willingness to deviate boldly from those traditions. The album offers an impressive breadth of music that all may still, somehow, be rightly classified together as “orchestral.” Like a great novel or film, this collection invites the listener to listen again, and perhaps pick up a few more compositional gems hidden by Kramer that they had missed the first time.
|
|
发表于 2025-4-8 08:38:48