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艺术家:西罗科协奏曲乐团(Concerto Scirocco)与朱利亚·杰尼尼(Giulia Genini)
作品名称:皮基:可由各种乐器演奏的歌曲
发行年份:2020年
厂牌:阿尔卡纳(Arcana)
音乐类型:古典音乐
音质:FLAC(分轨)/ 24比特 - 88.2千赫兹 FLAC(分轨+小册子)
总时长:1小时11分19秒
总大小:362兆字节 / 1.28吉字节
网站:专辑预览
曲目单:
01. 第一首歌曲(5分00秒)
02. 第二首歌曲(3分43秒)
03. 第三首歌曲(3分19秒)
04. 第四首歌曲(3分25秒)
05. 第五首歌曲(2分57秒)
06. 第六首歌曲(2分57秒)
07. 第七首歌曲(3分33秒)
08. 第八首歌曲(3分59秒)
09. 第九首歌曲(3分45秒)
10. 第十首歌曲(3分41秒)
11. 第十一首歌曲(4分15秒)
12. 第十二首歌曲(3分02秒)
13. 第十三首歌曲(4分38秒)
14. 第十四首歌曲(4分04秒)
15. 第十五首歌曲(4分15秒)
16. 第十六首歌曲(3分38秒)
17. 第十七首歌曲(4分09秒)
18. 第十八首歌曲(3分15秒)
19. 第十九首歌曲(3分55秒)
“弗拉里的瘸子”,这是人们给威尼斯人乔瓦尼·皮基(Giovanni Picchi)起的绰号,他或许是乔瓦尼·克罗齐(Giovanni Croce)的学生。1610年,他因无证在圣灵教堂向修女教授音乐而遭到指控时,就被人这样称呼。1612年,在乔瓦尼·巴蒂斯塔·格里洛(Giovanni Battista Grillo)被任命为管风琴师后,我们发现皮基正忙于对圣洛克大会堂(Scuola Grande di San Rocco)提起上诉。这次上诉成功了,迫使这个有权势的机构重新进行考核。我们还能从他创作的19首《可由各种乐器演奏的歌曲》(1625年于威尼斯出版)中看到他独特且脾气火爆的个性:这一作品集展现了这位至今仍鲜为人知的作曲家的卓越才华。
作者给出的详细乐器配置让我们能够重现典型的威尼斯听觉盛宴,其中有辉煌的长号合唱,还有技艺精湛的小提琴、竖笛、短号和巴松管的演奏。西罗科协奏曲乐团首次完整录制并呈现了这些《可演奏的歌曲》,乔瓦尼·皮基将他的高超技艺融入到充满多样生动色彩和强烈情感的音乐之中,从而在威尼斯乐派的世界里赢得了一席之地。
Artist: Concerto Scirocco & Giulia Genini
Title: Picchi: Canzoni da sonar con ogni sorte d'istromenti
Year Of Release: 2020
Label: Arcana
Genre: Classical
Quality: FLAC (tracks) / 24bit-88.2kHz FLAC (tracks+booklet)
Total Time: 01:11:19
Total Size: 362 MB / 1.28 GB
WebSite: Album Preview
Tracklist:
01. Canzon prima (5:00)
02. Canzon seconda (3:43)
03. Canzon terza (3:19)
04. Canzon quarta (3:25)
05. Canzon quinta (2:57)
06. Canzon sesta (2:57)
07. Canzon settima (3:33)
08. Canzon ottava (3:59)
09. Canzon nona (3:45)
10. Canzon decima (3:41)
11. Canzon undecima (4:15)
12. Canzon duodecima (3:02)
13. Canzon decima terza (4:38)
14. Canzon decima quarta (4:04)
15. Canzon decima quinta (4:15)
16. Canzon decima sesta (3:38)
17. Canzon decima settima (4:09)
18. Canzon decima ottava (3:15)
19. Canzon decima nona (3:55)
El soto dei Frari ,the lame man of the Frari: this was the nickname given to the Venetian Giovanni Picchi, perhaps a pupil of Giovanni Croce, in the charges pressed against him in 1610 for teaching music to the nuns in the Spirito Santo without a licence. In 1612 we find him intent on initiating an appeal against the Scuola Grande di San Rocco, after the appointment of Giovanni Battista Grillo as organist.The appeal is successful, obliging the powerful institution to repeat the examination. We also find this original and hot-tempered personality in his 19 Canzoni da sonar con ogni sorte d istromenti (Venice 1625): a collection which reveals the brilliant flair of this still little-known composer.The detailed instrumentation given by the author allows us to recreate the typically Venetian aural splendour, with glorious sackbut choirs and virtuosic violins, recorders, cornetts and bassoon. With the Canzoni da Sonar, presented by Concerto Scirocco in the first ever complete recording of the work, Giovanni Picchi sculpts his mastery into music with a variety of vivid colours and pulsating affects, earning a place of honour in the world of the Venetian school.
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