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艺术家：斯堪的纳维亚艺术乐团（Scandinavian Art Ensemble）与托马什·斯坦科（Tomasz Stańko）
作品名称：《哥本哈根会话 第一卷》（The Copenhagen Sessions Vol. 1）
发行年份：2025年
厂牌：April Records & Music Co.
音乐类型：爵士乐
音质：FLAC 24位/96000赫兹；16位/44100赫兹
总时长：43分26秒
总大小：233；801兆字节
官网：专辑预览
专辑背景与故事：
多年来，丹麦与波兰爵士乐界流传着一则神秘传闻——传奇波兰小号手托马什·斯坦科（Tomasz Stańko）曾与一群斯堪的纳维亚及波兰音乐家进行过一场“失落的录音”。如今，在这场录音近十年后、斯坦科离世七载之际，这些期待已久的录音终于重见天日。
项目起源于丹麦的瓦勒基尔德进修学院（Vallekilde Højskole），当时斯坦科受邀在丹麦爵士协会（JazzDanmark）的年度夏季课程任教。这一历史悠久的课程曾邀请比尔·弗里斯尔（Bill Frisell）、阿纳特·科恩（Anat Cohen）等大师授课，而这所夏季学校也成为了这支意外组合的诞生地。在这里，斯坦科与一群充满活力的青年音乐家合作，不仅演绎自己的作品，更热情拥抱年轻人的创作——这对于一位以领导个人乐队闻名的艺术家而言实属罕见。
最终诞生的《斯堪的纳维亚艺术乐团与托马什·斯坦科》系列包含两张专辑，其音乐广袤深邃，将波兰爵士乐的忧郁深邃与斯堪的纳维亚音乐的空灵氛围巧妙融合。正如小号手托马什·达布罗夫斯基（Tomasz Dabrowski）回忆的那样，斯坦科不仅是导师，更是平等的合作者，始终充满好奇心并渴望突破边界：“他愿意演奏我们的音乐，总是在倾听，在探索。”
在2016年于“乡村录音室”（The Village Recordings）录制的这两张专辑中，听众将听到斯坦科标志性的音色与乐团成员的创作交织共鸣。《玛莎·赫希的黑眼睛》（The Dark Eyes of Martha Hirsch）和《雨前》（Before the Rain）等作品不仅展现了他标志性的抒情性，更体现了他愿意退居幕后、倾听并让年轻一代塑造声音的胸怀。除了独特的音色，斯坦科的影响力更在于能量——他的存在让周围的音乐家焕发出超越寻常的水准。贝斯手理查德·安德森（Richard Andersson）直言：“他凝聚了所有人的能量，让我们都演奏得比平时更出色。” 这张专辑捕捉到了这种精髓：一位传奇艺术家与新一代音乐家平等对话，共同创造出完全意想不到的艺术结晶。
录音十年后的今天，斯堪的纳维亚艺术乐团的成员已在哥本哈根、马尔默、雷克雅未克等地的爵士乐场景中崭露头角，但斯坦科与他们共度的时光仍影响深远。达布罗夫斯基表示：“发行这些专辑不仅是为了音乐，更是为了保存斯坦科的精神——他的慷慨、好奇心以及凝聚人心的能力。即便多年过去，我们演奏的每个音符中依然能感受到他的存在。”
曲目列表：
1-1 《凌晨一点的 Junk》（One O´clock Junk）[9:07]
1-2 《雨前》（Before the Rain）[8:04]
1-3 《循环》（Circles）[5:38]
1-4 《玛莎·赫希的黑眼睛》（Dark Eyes of Martha Hirsch）[12:22]
1-5 《在蓝色星期一断裂的桥》（The Bridge That Broke on a Blue Monday）[8:15]
音乐风格与亮点：
- **跨代际的即兴对话**：斯坦科的小号线条如波兰琥珀般深沉（如《Dark Eyes of Martha Hirsch》长达12分钟的叙事），与青年乐手的现代爵士编排（如《Circles》的破碎节奏）形成时空对话。
- **地域美学的融合**：波兰爵士的存在主义哲思（继承自科日什托夫·斯科佐夫斯基/Krzysztof Skrzek）与斯堪的纳维亚的“寒冷极简主义”（如《Before the Rain》的空旷钢琴和弦）交织，营造出“北欧森林与东欧平原的声音交界”。
- **集体即兴的力量**：专辑摒弃传统主奏-伴奏模式，如《The Bridge That Broke on a Blue Monday》中，斯坦科的小号与萨克斯、低音提琴形成复调即兴，仿佛一场声音的“圆桌会议”。
- **录音的历史价值**：作为斯坦科晚年罕见的合作项目，专辑保留了他对新兴音乐力量的开放态度，成为研究其艺术生涯晚期演变的重要文献。
这张专辑不仅是爵士乐迷的珍贵礼物，更是对艺术传承的致敬——当传奇的光芒与新星的热忱相遇，时光的河流中便诞生了永恒的声音星座。
Artist: Scandinavian Art Ensemble, Tomasz Stańko
Title: The Copenhagen Sessions Vol. 1
Year Of Release: 2025
Label: April Records & Music Co.
Genre: Jazz
Quality: FLAC 24/96000; 16/44100
Total Time: 00:43:26
Total Size: 233; 801 MB
WebSite: Album Preview
For years, whispers circulated through the jazz scenes of Denmark and Poland - rumours of a lost recording session featuring the legendary Polish trumpeter Tomasz Stanko and a group of Scandinavian and Polish musicians. Now, nearly a decade after the session and seven years after Stanko's passing, these long-awaited recordings are finally seeing the light of day. The project originated at Vallekilde Hojskole in Denmark, where Stanko was invited to teach at JazzDanmark's annual Summer Session. A storied program that has hosted luminaries including Bill Frisell and Anat Cohen, the summer school became the birthplace of this unexpected ensemble. Here, alongside a dynamic ensemble of young musicians, Stanko found renewed inspiration, embracing their compositions as much as his own - a rare occurrence for an artist known for leading his own groups.
Scandinavian Art Ensemble with Tomasz Stanko is the result: two albums of expansive, deeply expressive music that merge the melancholic depth of Polish jazz with the spacious, atmospheric qualities of the Scandinavian sound. As trumpeter Tomasz Dabrowski recalls, Stanko wasn't just a mentor - he was an equal, driven by curiosity and the desire to push boundaries. "He wanted to play our music. He was always listening, always searching." Across these two albums recorded at The Village Recordings in 2016, listeners will hear Stanko's unmistakable tone interwoven with compositions by both himself and the ensemble members. Pieces like 'The Dark Eyes of Martha Hirsch' and 'Before the Rain' showcase not just his signature lyricism, but also his willingness to step back, listen, and let the younger generation shape the sound. Beyond his unmistakable sound, Stanko's influence was about energy - his presence elevated those around him. Bassist Richard Andersson put it simply: "He brings together the energies, and makes us all play better than usual." This project captures that essence: a legendary artist meeting the next generation on equal footing, creating something entirely unexpected.
A decade after the session, the members of the Scandinavian Art Ensemble have forged their own paths, shaping the jazz landscapes of Copenhagen, Malmo, Reykjavik, and beyond. But the impact of their time with Stanko remains profound. "Releasing these albums is about more than just the music," D?browski says. "It's about preserving the spirit of Stanko - his generosity, his curiosity, his way of bringing people together. Even after all these years, his presence can still be felt in every note we played."
Tracklist:
1-1 Scandinavian Art Ensemble;Tomasz Stanko - One O´clock Junk [9:07]
1-2 Scandinavian Art Ensemble;Tomasz Stanko - Before the Rain [8:04]
1-3 Scandinavian Art Ensemble;Tomasz Stanko - Circles [5:38]
1-4 Scandinavian Art Ensemble;Tomasz Stanko - Dark Eyes of Martha Hirsch [12:22]
1-5 Scandinavian Art Ensemble;Tomasz Stanko - The Bridge That Broke on a Blue Monday [8:15]
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发表于 2025-5-19 07:40:10