14-J.S.巴赫：大提琴组曲（埃·宾德曼钢琴改编版） Hi-Res

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艺术家：埃莱奥诺·宾德曼  
曲目：J.S.巴赫：大提琴组曲（埃·宾德曼钢琴改编版）  
发行年份：2020年  
厂牌：大钢琴唱片公司  
音乐类型：古典音乐  
音质：分轨FLAC格式/24比特-96千赫兹FLAC格式（含小册子）  
总时长：2小时07分52秒  
总大小：455兆字节/2.16吉字节  
网站：专辑预览  

曲目列表

CD1
1. G大调第1号大提琴组曲，BWV 1007（埃·宾德曼钢琴改编）：I. 前奏曲（2分20秒）  
2. G大调第1号大提琴组曲，BWV 1007（埃·宾德曼钢琴改编）：II. 阿勒曼德舞曲（5分02秒）  
3. G大调第1号大提琴组曲，BWV 1007（埃·宾德曼钢琴改编）：III. 库朗特舞曲（2分30秒）  
4. G大调第1号大提琴组曲，BWV 1007（埃·宾德曼钢琴改编）：IV. 萨拉班德舞曲（3分30秒）  
5. G大调第1号大提琴组曲，BWV 1007（埃·宾德曼钢琴改编）：V. 小步舞曲I & II（3分34秒）  
6. G大调第1号大提琴组曲，BWV 1007（埃·宾德曼钢琴改编）：VI. 吉格舞曲（1分57秒）  
7. d小调第2号大提琴组曲，BWV 1008（埃·宾德曼钢琴改编）：I. 前奏曲（5分12秒）  
8. d小调第2号大提琴组曲，BWV 1008（埃·宾德曼钢琴改编）：II. 阿勒曼德舞曲（2分53秒）  
9. d小调第2号大提琴组曲，BWV 1008（埃·宾德曼钢琴改编）：III. 库朗特舞曲（2分09秒）  
10. d小调第2号大提琴组曲，BWV 1008（埃·宾德曼钢琴改编）：IV. 萨拉班德舞曲（4分39秒）  
11. d小调第2号大提琴组曲，BWV 1008（埃·宾德曼钢琴改编）：V. 小步舞曲I & II（2分53秒）  
12. d小调第2号大提琴组曲，BWV 1008（埃·宾德曼钢琴改编）：VI. 吉格舞曲（2分04秒）  
13. C大调第3号大提琴组曲，BWV 1009（埃·宾德曼钢琴改编）：I. 前奏曲（2分50秒）  
14. C大调第3号大提琴组曲，BWV 1009（埃·宾德曼钢琴改编）：II. 阿勒曼德舞曲（3分29秒）  
15. C大调第3号大提琴组曲，BWV 1009（埃·宾德曼钢琴改编）：III. 库朗特舞曲（3分10秒）  
16. C大调第3号大提琴组曲，BWV 1009（埃·宾德曼钢琴改编）：IV. 萨拉班德舞曲（3分40秒）  
17. C大调第3号大提琴组曲，BWV 1009（埃·宾德曼钢琴改编）：V. 布雷舞曲I & II（3分54秒）  
18. C大调第3号大提琴组曲，BWV 1009（埃·宾德曼钢琴改编）：VI. 吉格舞曲（3分10秒）  

CD2
1. 降E大调第4号大提琴组曲，BWV 1010（埃·宾德曼钢琴改编）：I. 前奏曲（3分58秒）  
2. 降E大调第4号大提琴组曲，BWV 1010（埃·宾德曼钢琴改编）：II. 阿勒曼德舞曲（3分19秒）  
3. 降E大调第4号大提琴组曲，BWV 1010（埃·宾德曼钢琴改编）：III. 库朗特舞曲（3分28秒）  
4. 降E大调第4号大提琴组曲，BWV 1010（埃·宾德曼钢琴改编）：IV. 萨拉班德舞曲（4分30秒）  
5. 降E大调第4号大提琴组曲，BWV 1010（埃·宾德曼钢琴改编）：V. 布雷舞曲I & II（4分14秒）  
6. 降E大调第4号大提琴组曲，BWV 1010（埃·宾德曼钢琴改编）：VI. 吉格舞曲（2分13秒）  
7. c小调第5号大提琴组曲，BWV 1011（埃·宾德曼钢琴改编）：I. 前奏曲（5分10秒）  
8. c小调第5号大提琴组曲，BWV 1011（埃·宾德曼钢琴改编）：II. 阿勒曼德舞曲（5分01秒）  
9. c小调第5号大提琴组曲，BWV 1011（埃·宾德曼钢琴改编）：III. 库朗特舞曲（2分00秒）  
10. c小调第5号大提琴组曲，BWV 1011（埃·宾德曼钢琴改编）：IV. 萨拉班德舞曲（3分22秒）  
11. c小调第5号大提琴组曲，BWV 1011（埃·宾德曼钢琴改编）：V. 加沃特舞曲I & II（4分10秒）  
12. c小调第5号大提琴组曲，BWV 1011（埃·宾德曼钢琴改编）：VI. 吉格舞曲（2分07秒）  
13. D大调第6号大提琴组曲，BWV 1012（埃·宾德曼钢琴改编）：I. 前奏曲（3分19秒）  
14. D大调第6号大提琴组曲，BWV 1012（埃·宾德曼钢琴改编）：II. 阿勒曼德舞曲（7分31秒）  
15. D大调第6号大提琴组曲，BWV 1012（埃·宾德曼钢琴改编）：III. 库朗特舞曲（3分39秒）  
16. D大调第6号大提琴组曲，BWV 1012（埃·宾德曼钢琴改编）：IV. 萨拉班德舞曲（4分37秒）  
17. D大调第6号大提琴组曲，BWV 1012（埃·宾德曼钢琴改编）：V. 加沃特舞曲I & II（3分01秒）  
18. D大调第6号大提琴组曲，BWV 1012（埃·宾德曼钢琴改编）：VI. 吉格舞曲（3分30秒）  

专辑简介
J.S.巴赫的天才备受音乐爱好者尊崇，其作品中有相当一部分是对自身创作的改编。埃莱奥诺·宾德曼将巴赫六首大提琴独奏组曲改编为钢琴版本，延续了这一传统。宾德曼避免对这些标志性作品进行过多修饰，保留了巴赫和声中隐含的微妙 ambiguity（模糊性/多重意味），并通过出色的贝森朵夫钢琴的男中音音域，充分展现其表现力。这些精准的改编版本揭示了巴赫艺术中神秘的数学美感与结构灵活性，使其作品兼具有机性与永恒性。

Artist: Eleonor Bindman
Title: J.S. Bach: Cello Suites (Arr. E. Bindman for Piano)
Year Of Release: 2020
Label: Grand Piano
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 02:07:52
Total Size: 455 MB / 2.16 GB
WebSite: Album Preview

Tracklist:

CD1
1. Cello Suite No. 1 in G Major, BWV 1007 (Arr. E. Bindman for Piano): I. Prélude (2:20)
2. Cello Suite No. 1 in G Major, BWV 1007 (Arr. E. Bindman for Piano): II. Allemande (5:02)
3. Cello Suite No. 1 in G Major, BWV 1007 (Arr. E. Bindman for Piano): III. Courante (2:30)
4. Cello Suite No. 1 in G Major, BWV 1007 (Arr. E. Bindman for Piano): IV. Sarabande (3:30)
5. Cello Suite No. 1 in G Major, BWV 1007 (Arr. E. Bindman for Piano): V. Menuets I & II (3:34)
6. Cello Suite No. 1 in G Major, BWV 1007 (Arr. E. Bindman for Piano): VI. Gigue (1:57)
7. Cello Suite No. 2 in D Minor, BWV 1008 (Arr. E. Bindman for Piano): I. Prélude (5:12)
8. Cello Suite No. 2 in D Minor, BWV 1008 (Arr. E. Bindman for Piano): II. Allemande (2:53)
9. Cello Suite No. 2 in D Minor, BWV 1008 (Arr. E. Bindman for Piano): III. Courante (2:09)
10. Cello Suite No. 2 in D Minor, BWV 1008 (Arr. E. Bindman for Piano): IV. Sarabande (4:39)
11. Cello Suite No. 2 in D Minor, BWV 1008 (Arr. E. Bindman for Piano): V. Menuets I & II (2:53)
12. Cello Suite No. 2 in D Minor, BWV 1008 (Arr. E. Bindman for Piano): VI. Gigue (2:04)
13. Cello Suite No. 3 in C Major, BWV 1009 (Arr. E. Bindman for Piano): I. Prélude (2:50)
14. Cello Suite No. 3 in C Major, BWV 1009 (Arr. E. Bindman for Piano): II. Allemande (3:29)
15. Cello Suite No. 3 in C Major, BWV 1009 (Arr. E. Bindman for Piano): III. Courante (3:10)
16. Cello Suite No. 3 in C Major, BWV 1009 (Arr. E. Bindman for Piano): IV. Sarabande (3:40)
17. Cello Suite No. 3 in C Major, BWV 1009 (Arr. E. Bindman for Piano): V. Bourrées I & II (3:54)
18. Cello Suite No. 3 in C Major, BWV 1009 (Arr. E. Bindman for Piano): VI. Gigue (3:10)

CD2
1. Cello Suite No. 4 in E-Flat Major, BWV 1010 (Arr. E. Bindman for Piano): I. Prélude (3:58)
2. Cello Suite No. 4 in E-Flat Major, BWV 1010 (Arr. E. Bindman for Piano): II. Allemande (3:19)
3. Cello Suite No. 4 in E-Flat Major, BWV 1010 (Arr. E. Bindman for Piano): III. Courante (3:28)
4. Cello Suite No. 4 in E-Flat Major, BWV 1010 (Arr. E. Bindman for Piano): IV. Sarabande (4:30)
5. Cello Suite No. 4 in E-Flat Major, BWV 1010 (Arr. E. Bindman for Piano): V. Bourrées I & II (4:14)
6. Cello Suite No. 4 in E-Flat Major, BWV 1010 (Arr. E. Bindman for Piano): VI. Gigue (2:13)
7. Cello Suite No. 5 in C Minor, BWV 1011 (Arr. E. Bindman for Piano): I. Prélude (5:10)
8. Cello Suite No. 5 in C Minor, BWV 1011 (Arr. E. Bindman for Piano): II. Allemande (5:01)
9. Cello Suite No. 5 in C Minor, BWV 1011 (Arr. E. Bindman for Piano): III. Courante (2:00)
10. Cello Suite No. 5 in C Minor, BWV 1011 (Arr. E. Bindman for Piano): IV. Sarabande (3:22)
11. Cello Suite No. 5 in C Minor, BWV 1011 (Arr. E. Bindman for Piano): V. Gavottes I & II (4:10)
12. Cello Suite No. 5 in C Minor, BWV 1011 (Arr. E. Bindman for Piano): VI. Gigue (2:07)
13. Cello Suite No. 6 in D Major, BWV 1012 (Arr. E. Bindman for Piano): I. Prélude (3:19)
14. Cello Suite No. 6 in D Major, BWV 1012 (Arr. E. Bindman for Piano): II. Allemande (7:31)
15. Cello Suite No. 6 in D Major, BWV 1012 (Arr. E. Bindman for Piano): III. Courante (3:39)
16. Cello Suite No. 6 in D Major, BWV 1012 (Arr. E. Bindman for Piano): IV. Sarabande (4:37)
17. Cello Suite No. 6 in D Major, BWV 1012 (Arr. E. Bindman for Piano): V. Gavottes I & II (3:01)
18. Cello Suite No. 6 in D Major, BWV 1012 (Arr. E. Bindman for Piano): VI. Gigue (3:30)

J.S. Bach’s genius is universally revered by music lovers, and a significant part of his output was in transcriptions of his own work, a tradition kept alive in Eleonor Bindman’s piano versions of the Six Suites for Solo Cello. Bindman has avoided embellishing these iconic pieces, preserving the intriguing ambiguities in Bach’s implied harmonies and savouring their expressive qualities through the baritone register of a marvellous Bösendorfer piano. These admirably accurate transcriptions reveal the mysterious mathematical grace and flexibility of structure that makes Bach’s art so organic and eternal.

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