15-肖斯塔科维奇：D小调大提琴奏鸣曲Op. 40 2020 Hi-Res 24bits - 48.0kHz

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艺术家：维特·赫滕施泰因、金珉才  
标题：肖斯塔科维奇：D小调大提琴奏鸣曲，作品40 & 中提琴奏鸣曲，作品147  
发行年份：2020年  
厂牌：汉斯勒古典  
类型：古典音乐  
音质：无损FLAC / 24位-48.0千赫兹+小册子  
总时长：1小时01分37秒  
总大小：290兆字节 / 639兆字节  
网站：专辑预览  

曲目列表  
01. D小调大提琴奏鸣曲，作品40（维·赫滕施泰因改编为中提琴与钢琴版）I. 不过分的快板  
02. D小调大提琴奏鸣曲，作品40（维·赫滕施泰因改编为中提琴与钢琴版）II. 快板  
03. D小调大提琴奏鸣曲，作品40（维·赫滕施泰因改编为中提琴与钢琴版）III. 广板  
04. D小调大提琴奏鸣曲，作品40（维·赫滕施泰因改编为中提琴与钢琴版）IV. 快板  
05. 中提琴奏鸣曲，作品147 I. 中板  
06. 中提琴奏鸣曲，作品147 II. 小快板  
07. 中提琴奏鸣曲，作品147 III. 柔板  

维特·赫滕施泰因、金珉才 - 肖斯塔科维奇：D小调大提琴奏鸣曲，作品40 & 中提琴奏鸣曲，作品147（2020年）[高解析度]  

抽象器乐作品（即在“社会主义现实主义”中无“标题”的作品）被视为不受欢迎，或如室内乐般被贴上“西方颓废”的标签。肖斯塔科维奇因这类创作在文化界树敌颇多。1936年《真理报》的两篇文章中，他被指控持有“左倾偏差”和“小资产阶级颓废”倾向。而此时，他早已完成D小调大提琴与钢琴奏鸣曲（作品40）——这部1934年创作的作品同年在莫斯科首演，堪称肖氏早期最具分量的室内乐作品。本次录音中，该奏鸣曲以维特·赫滕施泰因改编的中提琴与钢琴版本呈现。  

在病重之际，肖斯塔科维奇于去世前一个月写下最后一部作品《中提琴与钢琴奏鸣曲》（作品147）。许多人认为，这部作品是他与死神的对话。肖斯塔科维奇深知自己命不久矣，也未能亲眼见证这部遗作的首演。

Artist: Veit Hertenstein, Minze Kim
Title: Shostakovich: Cello Sonata in D Minor, Op. 40 & Viola Sonata, Op. 147
Year Of Release: 2020
Label: haenssler CLASSIC
Genre: Classical
Quality: flac lossless / flac 24bits - 48.0kHz +Booklet
Total Time: 01:01:37
Total Size: 290 / 639 mb
WebSite: Album Preview

Tracklist

01. Cello Sonata in D Minor, Op. 40 (Arr. V. Hertenstein for Viola & Piano) I. Allegro non troppo
02. Cello Sonata in D Minor, Op. 40 (Arr. V. Hertenstein for Viola & Piano) II. Allegro
03. Cello Sonata in D Minor, Op. 40 (Arr. V. Hertenstein for Viola & Piano) III. Largo
04. Cello Sonata in D Minor, Op. 40 (Arr. V. Hertenstein for Viola & Piano) IV. Allegro
05. Viola Sonata, Op. 147 I. Moderato
06. Viola Sonata, Op. 147 II. Allegretto
07. Viola Sonata, Op. 147 III. Adagio

Veit Hertenstein, Minze Kim - Shostakovich: Cello Sonata in D Minor, Op. 40 & Viola Sonata, Op. 147 (2020) [Hi-Res]

Abstract instrumental works (that is to say, those which had no “programme” in „Socialist Realism“.) were considered undesirable or – as in the case of chamber music – tainted by Western decadence. Shostakovich had won no friends within the cultural establishment with compositions of this nature. In two "Pravda" articles of 1936, Shostakovich was accused of “left-deviant” and “petit-bourgeois decadent” attitudes. By that time, he had already composed his Sonata for Violoncello and Piano in D minor Op. 40; written in 1934, this work was premiered in Moscow the same year. It is essentially the commanding chamber work of Shostakovich’s early years. In this recording, the sonata is heard in the version for viola and piano for which the viola part was arranged by Veit Hertenstein. Already seriously ill, he wrote his last work, the Sonata for Viola and Piano Op. 147, one month before his death. It is regarded by many as his own encounter with Death. Shostakovich knew that he was about to die. Nor did he live to see his final work premiered.

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