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15-维莱姆·韦维尔卡,终极W乐队下一个地平线 2020 Hi-Res 24bits - 192.0kHz

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十二生肖之羊

发表于 2025-5-30 07:54:18 | 显示全部楼层 |阅读模式
Vilém Veverka, Ultimate W Band - Next Horizon (2020).jpg



艺术家:维莱姆·韦维尔卡,终极W乐队  
标题:维莱姆·韦维尔卡,终极W乐队下一个地平线  
发行年份:2020年  
厂牌:Supraphon a.s.  
流派:古典音乐  
音质:无损弗拉科格式/24位-192.0千赫兹+小册子  
总时长:1小时09分25秒  
总大小:359兆字节/2.25千兆字节  
网站:专辑预览  

曲目列表  
01. 最佳节奏维瓦尔第:I. 恰如其分的快板  
02. 最佳节奏维瓦尔第:II. 爵士民谣  
03. 最佳节奏维瓦尔第:III. 急板  
04. 《马太受难曲》,BWV 244:I. 主啊,求你怜悯  
05. 《踢踏》,作品47号  
06. D大调第三管弦乐组曲,BWV 1068:I. 咏叹调  
07. 罗马扎街区  
08. D大调协奏曲  
09. 遗忘  
10. 自由探戈  
11. 布鲁斯风  
12. 加百列的双簧管  
13. 克什米尔:I. 克什米尔-引子  
14. 克什米尔:II. 克什米尔  
15. 野鸟叙事曲  

但凡为双簧管迷人音色所倾倒者,无人不晓维莱姆·韦维尔卡(Vilém Veverka)之名。他的 virtuosity(精湛技艺)之路始于国际比赛的赞誉,继而在柏林爱乐乐团积累经验,与柏林-布拉格室内乐团、爱乐八重奏等组合合作演出,并构建了从巴洛克到当代作品的广泛曲目库——其中多部作品由他首演。然而韦维尔卡的视野更为广阔:他致力于将双簧管置于我们所熟知的语境之外。  

在攀登若干“古典”高峰(泰勒曼、布里顿、维瓦尔第、泽伦卡、巴赫等)之后,他以这张跨界专辑实现了又一梦想。突破边界的渴望似乎深植于他的基因。因此,你会看到巴赫、20世纪下半叶的“经典”(莫里康内、皮亚佐拉、日比尔卡等),以及马丁·希布勒为本专辑创作的作品并列呈现。一切皆经精心构思,每个细节都臻于完善。正如韦维尔卡所言,这张录音记录了“表演者不断寻求新路径的冲动”,是“关于新起点的报告,关于所望见的下一个地平线的报告”。

Artist: Vilém Veverka, Ultimate W Band
Title: Next Horizon
Year Of Release: 2020
Label: Supraphon a.s.
Genre: Classical
Quality: flac lossless / flac 24bits - 192.0kHz +Booklet
Total Time: 01:09:25
Total Size: 359 mb / 2.25 gb
WebSite: Album Preview

Tracklist

01. Best Beat Vivaldi: I. Allegro giusto
02. Best Beat Vivaldi: II. Jazz ballad
03. Best Beat Vivaldi: III. Presto
04. Matthäuspassion, BWV 244: I. Erbarme Dich, mein Gott
05. Kickdown, Op. 47
06. Orchestral Suite No. 3 in D Major, BWV 1068: I. Air
07. Romanza Quartiere
08. Concerto in D Major
09. Oblivion
10. Libertango
11. Bluesy
12. Gabriel's Oboe
13. Kashmir: I. Kashmir-Introduction
14. Kashmir: II. Kashmir
15. The Ballad of Field Birds


The name Vilém Veverka is familiar to everyone who has fallen for the enchanting tone of the oboe. His path to virtuosity commenced with accolades at international competitions, and continued with gaining experience with the Berliner Philharmoniker, performances with chamber formations (Ensemble Berlin Prag, PhiHarmonia Octet), and building up an extensive repertoire, ranging from Baroque to contemporary works, a number of which he himself has premiered. Yet Vilém's horizon is even wider - his ambition is to present the oboe in a context different from that which we are accustomed to.
Following several "classical" summits (Telemann, Britten, Vivaldi, Zelenka, Bach, etc.), he has made another of his dreams come true in the form of this crossover album. It would seem that the need to transcend borders is deeply encoded in his DNA. And so you will find side by side Bach, the "classics" of the second half of the 20th century (Morricone, Piazzolla, Žbirka, etc.), and also compositions Martin Hybler wrote for the present album. Everything has been thought through, every single detail refined. As Vilém himself put it, the recording documents "the compulsion of a performer to seek new paths unceasingly", it is "a report on a new beginning, on the next of a series of horizons beheld."

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