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艺术家：莎伦·贝扎利
标题：莎伦·贝扎利 从A到Z，第一卷
发行年份：2001年
厂牌：BIS
流派：古典
音质：24位-44.1kHz FLAC/分轨FLAC
总时长：01:07:43
总大小：428兆字节/243兆字节
网站：专辑预览
曲目列表
《独奏III》（卡勒维·阿霍）
1. 第一乐章：四分音符=66 09:03
2. 第二乐章：急板 04:21
A小调长笛奏鸣曲，Wq.132，H.562（卡尔·菲利普·埃马努埃尔·巴赫）
3. 第一乐章：稍柔板 05:08
4. 第二乐章：快板 05:02
5. 第三乐章：快板 05:04
长笛幻想曲，作品89（马尔科姆·阿诺德爵士）
6. 长笛幻想曲，作品89 04:37
《夏日田园曲》（尤里安·安德烈森）
7. 第一乐章：自由速度慢板 02:20
8. 第二乐章：很快的快板 00:57
《意象》，作品38（欧仁·博扎）
9. 《意象》长笛独奏曲，作品38 05:27
A小调长笛 partita，BWV 1013（约翰·塞巴斯蒂安·巴赫）
10. 第一乐章：阿勒曼德舞曲 05:23
11. 第二乐章：库朗特舞曲 04:01
12. 第三乐章：萨拉班德舞曲 05:35
13. 第四乐章：英国布雷舞曲 02:54
《序列I》（卢恰诺·贝里奥）
14. 序列I 07:51
演奏者：
莎伦·贝扎利（长笛）
这是以色列长笛演奏家莎伦·贝扎利计划推出的多达12张CD系列的首张专辑，她将按字母顺序探索长笛独奏曲目。从曲目列表可见，本张专辑内容跨越约三个世纪，但以二十世纪音乐为主，这无疑反映了演奏家对当代作品的偏爱。
以下是对个别曲目的简评：芬兰作曲家阿霍的作品最初是基于四分音符的比赛指定曲目，后来他增加了一个快速的第二乐章。阿霍在专辑内页中提到："当我第一次听到莎伦·贝扎利演奏我的长笛作品《独奏III》时，我感觉目睹了一个奇迹。她是我听过的最非凡的长笛演奏家。" 这确实是高度赞誉！阿霍的音乐演奏难度显然极高，但对贝扎利小姐来说似乎毫无挑战。
卡尔·菲利普·埃马努埃尔·巴赫的奏鸣曲则属于更传统的风格。该作品创作于1747年，当时作曲家在普鲁士腓特烈大帝的宫廷担任乐师。我不知道这位长笛演奏家国王是否曾演奏过这部作品，但如果他演奏过，我相信他会觉得这是一个有趣的挑战。贝扎利的演奏全曲优美，我尤其喜欢她在开头稍柔板中展现的优雅与从容。
马尔科姆·阿诺德的《幻想曲》时长不到五分钟，但在这段时间内包含了丰富的内容。正如这位作曲家的其他作品一样，你能感受到他对长笛这件乐器的完全理解，因此他能够将独奏者推向极限，同时始终保持深厚的音乐性，绝无刻意追求效果之感。
至于卢恰诺·贝里奥的《序列I》（作为专辑终曲），我希望能给出同样积极的评价。当然，比我更专业、更能理解贝里奥音乐的人可能会从这部作品中发现更多内涵。但在我听来，这似乎只是一连串随机的声音和效果，完全无法带来愉悦感，尽管贝扎利小姐显然在这件作品上倾注了她全部的精湛技巧。
在贝里奥作品之前的是巴赫的《partita》。对我而言，这部作品具备贝里奥作品中缺失的一切：秩序、优雅、形式与旋律——简言之，大师之作。贝扎利的演绎堪称绝伦。专辑中佳作颇多，但这一曲无疑是最耀眼的明珠。
专辑还收录了荷兰作曲家尤里安·安德烈森和法国作曲家欧仁·博扎的两首短曲。两者虽未触及深刻主题，但都值得一听，尤其是在贝扎利的诠释下更显魅力。
这张专辑必定会引起长笛演奏者的极大兴趣，但对于拥有探索性聆听习惯的非专业听众同样具有吸引力。CD的曲目编排巧妙，本身就是一场令人愉悦且对比鲜明的独奏会。演奏水准极高，录音效果与之匹配，再加上撰写精良、信息丰富的注释，为这个系列项目开启了极为成功的序幕。——约翰·奎因
Artist: Sharon Bezaly
Title: From A to Z, Vol. 1
Year Of Release: 2001
Label: BIS
Genre: Classical
Quality: FLAC 24bit-44.1kHz / FLAC (tracks)
Total Time: 01:07:43
Total Size: 428 Mb / 243 Mb
WebSite: Album Preview
Tracklist:
Solo III (Kalevi Aho)
1. I. Quarter note = 66 09:03
2. II. Presto 04:21
Flute Sonata in A minor, Wq. 132, H. 562 (Carl Philipp Emanuel Bach)
3. I. Poco adagio 05:08
4. II. Allegro 05:02
5. III. Allegro 05:04
Fantasy for Flute, Op. 89 (Sir Malcolm Arnold)
6. Fantasy for Flute, Op. 89 04:37
Pastorale d'été (Jurriaan Andriessen)
7. I. Lento ad libitum 02:20
8. II. Allegro molto 00:57
Image, Op. 38 (Eugène Bozza)
9. Image for Flute Solo, Op. 38 05:27
Flute Partita in A minor, BWV 1013 (Johann Sebastian Bach)
10. I. Allemande 05:23
11. II. Corrente 04:01
12. III. Sarabande 05:35
13. IV. Bourree Anglaise 02:54
Sequenza I (Luciano Berio)
14. Sequenza I 07:51
Performers:
Sharon Bezaly (flute)
This is the first in a projected series of up to 12 CDs in which the Israeli flautist, Sharon Bezaly plans to explore the repertoire for solo flute on an alphabetical basis. As will be seen from the track listing above, the contents of this disc cover some three centuries though twentieth century music predominates. This no doubt reflects the soloist's penchant for contemporary pieces.
A few comments about the individual items. The work by the Finnish composer, Aho began life as a competition test piece based on quarter-tones. Subsequently he added a second, fast movement. The performance here is clearly authoritative for Aho is quoted in the booklet thus: "When I heard for the first time Sharon Bezaly playing my flute piece, Solo III, I felt that I had experienced the presence of a wonder. Sharon Bezaly is the most extraordinary flautist I have ever heard." Praise indeed! Aho's music is clearly extremely demanding to play but it seems to hold no terrors for Miss Bezaly.
With the Sonata by C.P.E. Bach we are on much more traditional ground. The piece was written in 1747 when the composer was employed as a musician at the court of King Frederick the Great of Prussia. Whether the flautist king ever played this work I do not know but if he did I am sure he would have found it an enjoyable challenge. Bezaly plays the whole piece beautifully but I particularly liked the grace and poise which she brings to the opening Poco adagio.
Malcolm Arnold's Fantasy lasts less than five minutes but packs a great deal of incident into this short time span. As usual with this composer you feel that he has a complete understanding of the instrument for which he is writing and so he is able to push the soloist to the limit without ever being less than thoroughly musical and never giving any impression of striving for mere effect.
I wish I could say the same of Luciano Berio, whose Sequenza closes the disc. I'm sure that others more expert than I and more in tune with Berio's music will find more in this work than I did. To my ears, however, this appears as little more than a succession of random sounds and effects in which I find no enjoyment at all though Miss Bezaly is clearly lavishing all her considerable skill on the piece.
Placed immediately before the Berio is the Partita by Bach. Here we have everything which, to me, is missing from the Berio: order, grace, form and melody. In short, the work of a master. Bezaly performs the piece superbly. There are several fine things on the CD but this is the pick of the bunch.
The collection is completed by two short pieces, one by the Dutch composer, Jurriaan Andriessen, the other by the Frenchman, Eugene Bozza. Neither plumbs great depths but both are well worth hearing, particularly when played with the sort of advocacy they are accorded here.
This is a release which is bound to be of great interest to flautists but which should appeal also to non-specialist listeners possessed of enquiring ears. The programme is intelligently arranged on the CD to present a satisfying and contrasting recital in itself. The performances are of the highest possible order and are given recorded sound to match. Well written, informative notes complete a very successful start to this project. -- John Quinn
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