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艺术家：丽贝卡·海勒
标题：丽贝卡·海勒 超巴松管
发行年份：2018年
厂牌：苔原
流派：古典
音质：无损FLAC/24位-96.0千赫兹FLAC+小册子
总时长：00:44:09
总大小：206兆字节/764兆字节
网站：专辑预览
曲目单
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01. 《串联：串联》
02. 《跟随：跟随》
03. 《卡茨基尔本土植物纲要，第二卷：加拿大细辛，“野生姜”》
04. 《超巴松管：超巴松管》
《超巴松管》是巴松管演奏家丽贝卡·海勒在国际当代乐团（ICE）旗下厂牌“苔原”发行的第二张专辑，该专辑通过电子音效、空间化处理和充满力量的旋律创作，探索并颠覆了独奏巴松管的原始音色。唱片收录了四部为该乐器创作的标志性作品，分别由著名作曲家杰森·埃卡德特、费利佩·拉拉、兰德·施泰格和藤仓大介为海勒而作，均为首次录音。关于他为巴松管和现场电子音效处理创作的《串联》，兰德·施泰格写道：“《串联》重新采用了我在之前独奏作品中探索过的一种方法，我称之为‘嵌套练习曲’，即把一组对比性素材（其中任何一个都可以作为练习曲的主题）铺陈开来，并交织成一段连续的对话。在这部作品中，有七种不同的素材，每种素材都有独特的信号处理方式。”在每个“角色”各自的呈示部分被引入后，随着作品的展开，不同种类的素材开始了越来越交织的对话。藤仓大介的《跟随》是他早期作品《呼唤》的后续之作，《呼唤》也是2011年为海勒创作的，富有感染力。这首较新的抒情作品与早期充满紧张感、多音技法丰富的作品形成对比。杰森·埃卡德特的《卡茨基尔本土植物纲要：加拿大细辛，“野生姜”》围绕微分音旋律片段展开，唤起一种仪式性的吟唱。埃卡德特居住在纽约市北部的卡茨基尔山区，这种对他家乡附近植物物种的声音冥想，与他许多作品中对自然和本土事物的关注与敬畏相一致。在同名曲目中，巴西出生的费利佩·拉拉探索了巴松管叠加——总共七支巴松管——如何能创造出一种全新的乐器，即“超巴松管”（在拉拉的母语葡萄牙语中，“fagote”是巴松管的意思）。这四部作品都是巴松管独奏曲目库中的重要且令人兴奋的新增作品，它们是丽贝卡·海勒与每位作曲家通过深入且有意义的合作过程创作而成的。
Artist: Rebekah Heller
Title: Metafagote
Year Of Release: 2018
Label: Tundra
Genre: Classical
Quality: flac lossless / flac 24bits - 96.0kHz +booklet
Total Time: 00:44:09
Total Size: 206 / 764 mb
WebSite: Album Preview
Tracklist
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01. Concatenation: Concatenation
02. Following: Following
03. A Compendium of Catskill Native Botanicals, Book 2: Asarum canadense, "Wild Ginger"
04. Metafagote: Metafagote
„Metafagote“, bassoon virtuoso Rebekah Heller’s second release on the International Contemporary Ensemble’s (ICE) in-house imprint TUNDRA, is an album that explores and inverts the raw sound of the solo bassoon, using electronics, spatialization and powerful melodic writing. The recording features four landmark works for the instrument written for Heller by luminary composers Jason Eckardt, Felipe Lara, Rand Steiger, and Dai Fujikura, all heard here in their premiere recordings. About his work for bassoon and live electronics processing, Concatenation, Rand Steiger writes, “Concatenation revisits an approach I have explored in previous solo pieces that I call “nested etudes,” in which a set of contrasting materials, any one of which could have been the subject of an etude, are laid out and interwoven into a continuous conversation. In this piece, there are seven different kinds of material, each with a unique approach to signal processing.” After each “character” is introduced in its own exposition, as the piece evolves, the different kinds of material begin an increasingly interwoven dialogue with each other. Dai Fujikura’s Following is a follow up work to his earlier piece, the evocative Calling also written for Heller in 2011. This newer lyrical piece stands in contrast to the bracing, multiphonics-heavy earlier work. Jason Eckardt’s A Compendium of Catskill Native Botanicals, Asarum canadense, “Wild Ginger” slithers around microtonal melodic fragments, evoking a ritualistic chant. Eckardt resides in the Catskill Mountain region north of New York City, and this sonic meditation on botanic species found near his home is consistent with his engagement and reverence for the natural and the indigenous in many of his works. On the title track, Brazilian born Felipe Lara explores how layering bassoon upon bassoon - seven bassoons total - can create a new instrument entirely, or, a Metafagote (fagote being the word for bassoon in Felipe's native Portuguese). All four works, major and exciting additions to the solo bassoon repertoire, were written for and with Rebekah Heller through a deep and meaningful collaborative process with each composer.
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