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艺术家：乔瓦尼·马佐钦
标题：亨德尔：键盘作品选集
发行年份：2021年
厂牌：OnClassical
流派：古典
音质：分轨弗拉科格式/24位-88.2千赫兹弗拉科格式（分轨）
总时长：01:17:51
总大小：239兆字节/1.20吉字节
网站：专辑预览
曲目列表：
1. F大调阿勒曼德舞曲，HWV 476（5:32）
2. F大调吉格舞曲，HWV 492（0:50）
3. F大调恰空舞曲，HWV 485（3:55）
4. g小调键盘奏鸣曲，HWV 580（1:57）
5. g小调键盘小奏鸣曲，HWV 583（0:33）
6. g小调组曲，HWV 453：第二乐章 入场曲（1:18）
7. g小调咏叹调，HWV 467（2:44）
8. g小调小步舞曲，HWV 434/4（1:38）
9. g小调随想曲，HWV 483（1:24）
10. g小调恰空舞曲，HWV 486（4:09）
11. g小调前奏曲，HWV 572（1:00）
12. g小调赋格曲，HWV 605（2:48）
13. G大调赋格曲，HWV 606（3:22）
14. 降B大调赋格曲，HWV 607（3:35）
15. b小调赋格曲，HWV 608（3:22）
16. a小调前奏曲，HWV 575（1:57）
17. a小调赋格曲，HWV 609（4:47）
18. c小调赋格曲，HWV 610（2:42）
19. F大调前奏曲，HWV 567（1:59）
20. F大调赋格曲，HWV 611（2:24）
21. E大调前奏曲，HWV 566（1:30）
22. E大调赋格曲，HWV 612（1:46）
23. b小调阿勒曼德舞曲，HWV 479（3:13）
24. b小调库朗特舞曲，HWV 489（1:28）
25. a小调阿勒曼德舞曲，HWV 478（2:31）
26. A大调阿勒曼德舞曲，HWV 477（2:49）
27. G大调恰空舞曲，HWV 435（12:51）
格奥尔格·弗里德里希·亨德尔1685年生于德国哈雷，曾在德国、意大利和英国工作。1720年，他成为伦敦皇家音乐学院音乐总监，1727年入籍英国。1759年去世时，他已被公认为其所处时代最重要的作曲家之一，以歌剧和清唱剧（如《弥赛亚》）、大协奏曲与管风琴协奏曲、室内乐及羽管键琴独奏作品闻名。
亨德尔的键盘作品大多创作于1720至1740年间，许多作品在作曲家生前已出版。本专辑收录的作品跨度覆盖亨德尔从汉堡时期至约1750年的创作生涯，但大部分写于1720年前，均为罕见曲目。专辑将作品按调性自由组合成“组曲”，每组均以宏伟的恰空舞曲收尾。其中收录的著名G大调恰空舞曲基于古老的“固定低音”创作，同期约翰·塞巴斯蒂安·巴赫在《哥德堡变奏曲》（BWV 988）中也使用了这一手法[演奏者曾录制该作品]。八首赋格曲（HWV 605-612）均搭配“琶音式”前奏曲呈现。
演奏者乔瓦尼·马佐钦（曾录制贝多芬晚期钢琴奏鸣曲、《迪亚贝利变奏曲》及海顿晚期钢琴奏鸣曲等）特别策划了这张专辑，所选曲目在现代钢琴上鲜少上演，却充分展现了巴洛克装饰音与琶音技巧。录音采用20世纪90年代的布鲁埃尔与克亚尔牌麦克风拾音。
Artist: Giovanni Mazzocchin
Title: Handel: Miscellaneous Keyboard Works
Year Of Release: 2021
Label: OnClassical
Genre: Classical
Quality: FLAC (tracks) / 24bit-88.2kHz FLAC (tracks)
Total Time: 01:17:51
Total Size: 239 MB / 1.20 GB
WebSite: Album Preview
Tracklist:
01. Allemande in F Major, HWV 476 (5:32)
02. Gigue in F Major, HWV 492 (0:50)
03. Chaconne in F Major, HWV 485 (3:55)
04. Keyboard Sonata in G Minor, HWV 580 (1:57)
05. Keyboard Sonatina in G Minor, HWV 583 (0:33)
06. Suite in G Minor, HWV 453: II. Entrée (1:18)
07. Air in G Minor, HWV 467 (2:44)
08. Minuet in G Minor, HWV 434/4 (1:38)
09. Capriccio in G Minor, HWV 483 (1:24)
10. Chaconne in G Minor, HWV 486 (4:09)
11. Prelude in G Minor, HWV 572 (1:00)
12. Fugue in G Minor, HWV 605 (2:48)
13. Fugue in G Major, HWV 606 (3:22)
14. Fugue in B-Flat Major, HWV 607 (3:35)
15. Fugue in B Minor, HWV 608 (3:22)
16. Prelude in A Minor, HWV 575 (1:57)
17. Fugue in A Minor, HWV 609 (4:47)
18. Fugue in C Minor, HWV 610 (2:42)
19. Preludium in F Major, HWV 567 (1:59)
20. Fugue in F Major, HWV 611 (2:24)
21. Prelude in E Major, HWV 566 (1:30)
22. Fugue in E Major, HWV 612 (1:46)
23. Allemande in B Minor, HWV 479 (3:13)
24. Courante in B Minor, HWV 489 (1:28)
25. Allemande in A Minor, HWV 478 (2:31)
26. Allemande in A Major, HWV 477 (2:49)
27. Chaconne in G Major, HWV 435 (12:51)
Georg Friedrich Handel was born 1685 in Halle, Germany, and worked in Germany, Italy and England.
In 1720 Handel became Musical Director of the Royal Academy of Music in London, and in 1727 a naturalized English Citizen. When he died in 1759 he was recognized as one of the most important composers of his time known for his operas and oratorios (among them, The Messiah), for his concerto grossi and his organ concertos, and for his chamber music and solo harpsichord music.
Most of Handel's keyboard works date from the period of 1720–1740, and many of them were printed during the composer's lifetime.
The compositions of this particular album are rare works covering a wide span of Handel’s creative life, from his Hamburg years until about 1750; but most of them were written before 1720.
The album contains a collection of freely assembled pieces into "suites" based on the key. Each suite ends with an magnificent chaconne. The famous Chaconne in G major, also included, was based on the ancient "ground bass" also used by contemporary Johann Sebastian Bach in his Goldberg Variations, BWV 988 [also recorded by the performer]. The eight fugues (HWV 605-612) are here presented with preludes in "arpeggiato" style.
The performer, Giovanni Mazzocchin (Beethoven, L. van: Late Piano Sonatas, Op. 101, 106 'Hammer-Klavier', 109, 110, 111; Beethoven, L. van: Variations 'Diabelli' Op. 120 & Bagatelles Op. 126; Haydn, FJ: Late Piano Sonatas, Nos. 59-62 (Hob.XVI: 49-52)), arranged a special album with music that is rarely heard on the modern piano and, nonetheless, flaunts its skills in baroque embellishments and arpeggios.
The recording was captured using a pair of Brüel & Kjær microphones from the 90s.
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