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Artist: Miroslav Sekera
Title: Smetana & Liszt: Piano Works
Year Of Release: 2020
Label: SUPRAPHON a.s.
Genre: Classical
Quality: flac lossless / flac 24bits - 192.0kHz +Booklet
Total Time: 00:57:38
Total Size: 187 mb / 1.83 gb
WebSite: Album Preview
Tracklist
01. Transcendental Etude No. 12, S. 139/12 "Chasse-neige"
02. Isoldes Liebestod from the opera Tristan und Isolde, S. 447
03. Paraphrase de concert sur Rigoletto, S. 434
04. Lacrimosa from Requiem in D Minor, S. 550/2
05. Freundliche Landschaft from Sketches,, Op. 5
06. On the Seashore in G Minor, Op. 17
07. Bagatelles and Impromptus: Innocence
08. Bagatelles and Impromptus: Dejection
09. Bagatelles and Impromptus: Idyll
10. Bagatelles and Impromptus: Longing
11. Bagatelles and Impromptus: Joy
12. Bagatelles and Impromptus: Fairy Tale
13. Bagatelles and Impromptus: Love
14. Bagatelles and Impromptus: Quarrel
15. Macbeth and the Witches
“I would like to prove that Bedřich Smetana was a composer comparable with Franz Liszt and that his music deserves to be performed at major concert venues worldwide”. Armed with this belief, the pianist Miroslav Sekera plunged into making the present album. He is an extraordinary soloist, as well as an experienced and sought-after chamber musician (regularly performing with the violinist Josef Špaček, the hornist Radek Baborák, and others). Putting together Smetana and Liszt is in a sense logical – both of them were superb pianists, with the piano having played a significant role in their lives and artistic developments, particularly in the first decades of their careers. Liszt was a great model for Smetana, as documented by a note in the Czech composer’s diary: “With God’s grace and help, one day I will be like Liszt in technique and like Mozart in composition”.
The correspondence and several personal encounters between Liszt and Smetana ultimately led to a friendship. Yet whereas Liszt’s piano works have enjoyed great attention, Smetana’s piano music is yet to become widely known and acknowledged. The very first cycle of characteristic pieces, Bagatelles et Impromptus (1844), written by Smetana at the age of 20, featured traits that would be palpable throughout his piano oeuvre. His five-year stay in Gothenburg and conversations with Liszt enhanced Smetana’s penchant for programme music. This inclination of his reflected in several virtuoso piano works dating from that time, including the piano poem Macbeth and the etude On the Seashore. Sekera’s performance reveals to the full Smetana’s genius and singularity, which we know from his symphonic poems, but are only now discovering in his piano music. © Supraphon
艺术家：米罗斯拉夫·塞凯拉
专辑名称：《斯美塔那与李斯特：钢琴作品》
发行年份：2020年
厂牌：苏普拉风唱片公司（SUPRAPHON a.s.）
音乐类型：古典音乐
音质：无损FLAC格式 / 24比特 - 192.0千赫兹FLAC格式 + 小册子
总时长：00小时57分38秒
总大小：187兆字节 / 1.83吉字节
网站：专辑预览
曲目列表
01. 《超技练习曲》第12首，作品编号S. 139/12《雪上狩猎》
02. 歌剧《特里斯坦与伊索尔德》中的《伊索尔德的爱之死》，作品编号S. 447
03. 《〈弄臣〉音乐会改编曲》，作品编号S. 434
04. D小调《安魂曲》中的《落泪之日》，作品编号S. 550/2
05. 《素描集》中的《宜人的风景》，作品5号
06. G小调《在海边》，作品17号
07. 《小品与即兴曲》：《纯真》
08. 《小品与即兴曲》：《沮丧》
09. 《小品与即兴曲》：《田园诗》
10. 《小品与即兴曲》：《渴望》
11. 《小品与即兴曲》：《喜悦》
12. 《小品与即兴曲》：《童话》
13. 《小品与即兴曲》：《爱情》
14. 《小品与即兴曲》：《争吵》
15. 《麦克白与女巫们》
“我想要证明，贝德里赫·斯美塔那是一位可与弗朗茨·李斯特相媲美的作曲家，他的音乐理应在世界各大重要音乐场馆中演奏。” 怀着这样的信念，钢琴家米罗斯拉夫·塞凯拉投入到了这张专辑的录制工作中。他是一位杰出的独奏家，也是一位经验丰富且备受追捧的室内乐音乐家（经常与小提琴家约瑟夫·什帕采克、圆号演奏家拉德克·巴博拉等合作演出）。从某种意义上来说，将斯美塔那和李斯特的作品放在一起是合乎逻辑的——他们二人都是卓越的钢琴家，钢琴在他们的生活和艺术发展历程中，尤其是在他们职业生涯的最初几十年里，都扮演了重要的角色。李斯特是斯美塔那的一个伟大榜样，这位捷克作曲家在日记中的一条记录可以证明这一点：“在上帝的恩典和帮助下，有朝一日我在技巧上能像李斯特一样，在作曲上能像莫扎特一样。”
李斯特和斯美塔那之间的书信往来以及几次私人会面最终使他们建立起了友谊。然而，尽管李斯特的钢琴作品备受关注，斯美塔那的钢琴音乐却仍有待被广泛知晓和认可。斯美塔那在20岁时创作的第一部具有代表性的作品组曲《小品与即兴曲》（1844年），就展现出了一些贯穿他整个钢琴作品创作生涯的显著特点。他在哥德堡的五年生活经历以及与李斯特的交谈，增强了斯美塔那对标题音乐的喜爱。他的这种倾向反映在当时创作的几部技巧精湛的钢琴作品中，包括钢琴诗《麦克白》和练习曲《在海边》。塞凯拉的演奏充分展现了斯美塔那的天赋和独特风格，这些特质我们能从他的交响诗中领略到，但现在才在他的钢琴音乐中得以发现。©苏普拉风唱片公司
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发表于 2025-3-31 08:07:54