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Artist: Bach Collegium Japan & Masato Suzuki
Title: Bach: Concertos for Harpsichord & Strings, Vol. 1
Year Of Release: 2020
Label: BIS
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 66:28
Total Size: 405 MB / 1.41 GB
WebSite: Album Preview
Tracklist:
01. Harpsichord Concerto No. 1 in D Minor, BWV 1052: I. Allegro (7:23)
02. Harpsichord Concerto No. 1 in D Minor, BWV 1052: II. Adagio (6:21)
03. Harpsichord Concerto No. 1 in D Minor, BWV 1052: III. Allegro (7:58)
04. Harpsichord Concerto No. 5 in F Minor, BWV 1056: I. Allegro (3:11)
05. Harpsichord Concerto No. 5 in F Minor, BWV 1056: II. Largo (2:33)
06. Harpsichord Concerto No. 5 in F Minor, BWV 1056: III. Presto (3:42)
07. Harpsichord Concerto No. 8 in D Minor, BWV 1059 (Reconstr. M. Suzuki): I. Allegro (6:18)
08. Harpsichord Concerto No. 8 in D Minor, BWV 1059 (Reconstr. M. Suzuki): II. Siciliano (6:05)
09. Harpsichord Concerto No. 8 in D Minor, BWV 1059 (Reconstr. M. Suzuki): III. Presto (3:32)
10. Harpsichord Concerto No. 2 in E Major, BWV 1053: I. Allegro (8:04)
11. Harpsichord Concerto No. 2 in E Major, BWV 1053: II. Siciliano (4:31)
12. Harpsichord Concerto No. 2 in E Major, BWV 1053: III. Allegro (6:55)
The extant concertos by Johann Sebastian Bach for one harpsichord and strings were all composed before 1738, which makes them some of the first, if not the first keyboard concertos – a genre destined to become one of the most popular within classical music. In all likelihood Bach wrote them for his own use (or that of his talented sons) – probably to be performed with Leipzig’s Collegium Musicum of which he had taken over as director in 1729. The fresh and exuberant character one finds in the concertos seems to reflect how much Bach enjoyed the opportunity to engage with his fellow musicians. But much of the music itself was in fact not new – despite how idiomatic they may sound, many of Bach’s harpsichord concertos are almost certainly transcriptions of earlier works written for other instruments. Some of these original works are no longer extant, but it is nevertheless possible to trace the ancestry of BWV 1052 and the outer movements of BWV 1056 to lost violin concertos, while BWV 1053 is a reworking of three cantata movements which in turn probably hailed from a lost organ concerto. A similar case is BWV 1059, which is known to us in a nine-bar fragment in Bach’s original score. But an earlier version of the piece – a concerto for organ – has survived in the form of three movements of Cantata No. 35, Geist und Seele wird verwirret, and these have served as basis for Masato Suzuki's reconstruction of the work included on the present album. It is also Masato Suzuki who performs the solo parts, while directing his colleagues in Bach Collegium Japan.
艺术家：日本巴赫学院与铃木雅人
标题：《巴赫：羽管键琴与弦乐协奏曲，第一卷》
发行年份：2020年
厂牌：BIS
音乐类型：古典
音质：FLAC（单曲） / 24比特 - 96千赫兹FLAC（单曲 + 小册子）
总时长：66分28秒
总大小：405兆字节 / 1.41吉字节
网站：专辑预览
曲目列表：
01. 《D小调第一羽管键琴协奏曲》，BWV 1052：第一乐章：快板（7分23秒）
02. 《D小调第一羽管键琴协奏曲》，BWV 1052：第二乐章：柔板（6分21秒）
03. 《D小调第一羽管键琴协奏曲》，BWV 1052：第三乐章：快板（7分58秒）
04. 《F小调第五羽管键琴协奏曲》，BWV 1056：第一乐章：快板（3分11秒）
05. 《F小调第五羽管键琴协奏曲》，BWV 1056：第二乐章：广板（2分33秒）
06. 《F小调第五羽管键琴协奏曲》，BWV 1056：第三乐章：急板（3分42秒）
07. 《D小调第八羽管键琴协奏曲》，BWV 1059（铃木雅人重构版）：第一乐章：快板（6分18秒）
08. 《D小调第八羽管键琴协奏曲》，BWV 1059（铃木雅人重构版）：第二乐章：西西里舞曲（6分05秒）
09. 《D小调第八羽管键琴协奏曲》，BWV 1059（铃木雅人重构版）：第三乐章：急板（3分32秒）
10. 《E大调第二羽管键琴协奏曲》，BWV 1053：第一乐章：快板（8分04秒）
11. 《E大调第二羽管键琴协奏曲》，BWV 1053：第二乐章：西西里舞曲（4分31秒）
12. 《E大调第二羽管键琴协奏曲》，BWV 1053：第三乐章：快板（6分55秒）
约翰·塞巴斯蒂安·巴赫现存的为一架羽管键琴与弦乐所作的协奏曲均创作于1738年之前，即便不是最早的，它们也堪称是最早一批键盘协奏曲——而键盘协奏曲这一体裁后来成为了古典音乐中最受欢迎的体裁之一。极有可能这些作品是巴赫为自己（或是他那些才华横溢的儿子们）创作的——或许是为了在莱比锡音乐社演奏，他于1729年开始担任该音乐社的指挥。这些协奏曲中所展现出的清新与活力，似乎反映出巴赫是多么享受与同行乐手们一同演奏的机会。但实际上，其中许多音乐并非新作——尽管这些协奏曲听起来是那么契合羽管键琴的特点，但可以肯定的是，巴赫的许多羽管键琴协奏曲几乎都是由早期为其他乐器所写的作品改编而来。其中一些原作已不复存在，但我们仍能追查到BWV 1052和BWV 1056的首尾乐章源自已失传的小提琴协奏曲，而BWV 1053则是对三首康塔塔乐章的重新编排，而这三首康塔塔乐章可能又源自一首已失传的管风琴协奏曲。BWV 1059也是类似的情况，我们仅能在巴赫的原始乐谱中看到它九小节的片段。不过，这首作品的早期版本——一首管风琴协奏曲——以康塔塔第35号《灵魂与精神陷入混乱》的三个乐章的形式留存了下来，而这也成为了铃木雅人重构此曲的基础，本专辑中收录的便是他重构后的版本。独奏部分由铃木雅人演奏，同时他还指挥日本巴赫学院的其他成员。
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发表于 2025-4-5 08:15:49