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艺术家：彼得·多诺霍、阿尔斯特管弦乐团、汤浅卓雄
作品名称：罗斯索恩：第一和第二钢琴协奏曲
发行年份：2003年
厂牌：拿索斯唱片公司
音乐类型：古典音乐
音质：FLAC无损格式 / FLAC 24比特 - 44.1千赫兹 + 小册子
总时长：56分07秒
总大小：225兆字节 / 478兆字节
网站：专辑预览
彼得·多诺霍、阿尔斯特管弦乐团、汤浅卓雄 - 罗斯索恩：第一和第二钢琴协奏曲（2003年）[高解析度音频]
曲目列表：
01. 第一钢琴协奏曲：第一乐章，随想曲：很快的快板（钢琴与管弦乐队版本）
02. 第一钢琴协奏曲：第二乐章，恰空舞曲：稍快的行板（钢琴与管弦乐队版本）
03. 第一钢琴协奏曲：第三乐章，塔兰泰拉舞曲。活泼地（钢琴与管弦乐队版本）
04. 基于康斯坦特·兰伯特主题的即兴曲：基于康斯坦特·兰伯特主题的即兴曲
05. 第二钢琴协奏曲：第一乐章，愉快的快板
06. 第二钢琴协奏曲：第二乐章，很快的快板
07. 第二钢琴协奏曲：第三乐章，间奏曲。朴素的柔板
08. 第二钢琴协奏曲：第四乐章，快板
罗斯索恩的《第一钢琴协奏曲》最初创作时的伴奏只有弦乐和打击乐，1942年，路易斯·肯特纳在逍遥音乐会上以其后来完整的管弦乐版本进行了介绍。《第二钢琴协奏曲》是由艺术委员会为1951年的英国艺术节委托创作的，并由克利福德·柯曾在当时新建的皇家节日音乐厅首演。后来，他与萨金特以及伦敦交响乐团合作，为迪卡唱片公司在一张10英寸的黑胶唱片上录制了这部作品。
《唱片指南》的评论提到了 “终曲中那具有即刻吸引力的户外风格旋律”，并认为这部作品将会获得 “它当之无愧的广泛欢迎”。可惜的是，这从未实现。彼得·多诺霍在演奏《第一钢琴协奏曲》时，触键轻盈且充满活力，突出了第一乐章中谐谑曲的元素。
汤浅卓雄为管弦乐部分增添了诙谐的细节——巴松管的演奏十分引人入胜——但同时也挖掘出了潜在的抒情忧郁之感。他以令人难以忘怀的方式开启了恰空舞曲，随后与钢琴的对话极具迷人的细腻感。
塔兰泰拉舞曲的终曲带来了富有感染力的活力和绝佳的节奏感。多诺霍精彩的独奏充满了你所能期望的所有光彩，而简短尾声中柔和的收尾也处理得十分巧妙。
在《第二钢琴协奏曲》中，多诺霍演奏的流畅性特别吸引人，整体的平衡感——尽管开头长笛的独奏可能稍显低调——大多值得称赞。
多诺霍和汤浅卓雄巧妙地处理了最初 “相当激烈” 的谐谑曲（作曲家本人的描述）中反复无常的情绪变化，并自然地过渡到了充满渴望的朴素柔板，其中怀旧的单簧管抒情旋律与钢琴的回应配合得极为美妙。
这些即兴曲是基于兰伯特最后一部芭蕾舞剧《提瑞西阿斯》中的一个七音主题创作的。它们在情绪和风格上变化多样，而且，尽管罗斯索恩在创作中尝试了序列主义，但这些变奏曲依然亲切易懂，始终能充分吸引听众的注意力。
当然，强烈推荐这张拿索斯唱片，尤其是给那些之前从未欣赏过罗斯索恩作品的人，他的音乐总是值得一听。
Artist: Peter Donohoe, Ulster Orchestra, Takuo Yuasa
Title: Rawsthorne: Piano Concertos Nos. 1 and 2
Year Of Release: 2003
Label: Naxos
Genre: Classical
Quality: flac lossless / flac 24bits - 44.1kHz +Booklet
Total Time: 00:56:07
Total Size: 225 / 478 mb
WebSite: Album Preview
Peter Donohoe, Ulster Orchestra, Takuo Yuasa - Rawsthorne: Piano Concertos Nos. 1 and 2 (2003) [Hi-Res]
Tracklist
01. Piano Concerto No. 1: I. Capriccio: Allegro molto (Version for piano and orchestra)
02. Piano Concerto No. 1: II. Chaconne: Andante con moto (Version for piano and orchestra)
03. Piano Concerto No. 1: III. Tarantella. Vivace (Version for piano and orchestra)
04. Improvisations on a Theme of Constant Lambert: Improvisations on a Theme by Constant Lambert
05. Piano Concerto No. 2: I. Allegro piacevole
06. Piano Concerto No. 2: II. Allegro molto
07. Piano Concerto No. 2: III. Intermezzo. Adagio semplice
08. Piano Concerto No. 2: IV. Allegro
Rawsthorne's First Piano Concerto, originally written with just strings and percussion accompaniment, was introduced in its later full orchestral form at a 1942 Promenade Concert by Louis Kentner. The Second was commissioned by the Arts Council for the 1951 Festival of Britain and premiered by Clifford Curzon in the then-new Royal Festival Hall. He later recorded it with Sargent and the LSO on a 10-inch LP for Decca.
The Record Guide's review commented on the 'open air tune in the finale with an instant appeal' and suggested the work would achieve the 'wide popularity it certainly deserves'. Alas that never came about. Peter Donohoe plays the First with an effervescent lightness of touch that emphasises the scherzando element of the first movement.
Yuasa provides witty orchestral detail – there's an engaging contribution from the bassoon – and yet still finds the underlying lyrical melancholy. He opens the Chaconne hauntingly, and the following dialogue with the piano has a compelling delicacy.
The Tarantella finale brings an infectious élan and splendid momentum. Donohoe's brilliant solo contribution has all the sparkle you could want, and the gentle pay-off of the brief coda is neatly managed.
In the Second Concerto the fluidity of Donohoe's playing is particularly appealing, and the overall balance – though the opening flute solo is perhaps a little recessive – is mostly admirable.
Donohoe and Yuasa deftly manage the quixotic changes of mood of the initally 'rather violent' Scherzo (the composer's description) and lead naturally into the wistful Adagio semplice, with its nostagic clarinet cantilena answered so exquisitely by the piano.
The Improvisations are based on a seven-note theme from Lambert's last ballet, Tiresias. They are widely varied in mood and style, and, even though Rawsthorne flirts with serialism, the variations are friendly and easy to follow, and the listener's attention is always fully engaged.
Certainly this Naxos disc can be strongly recommended, especially to those who have not yet before encountered Rawsthorne's always rewarding music.
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发表于 2025-4-9 07:48:01