08-柏林交响乐团 - 《贝多芬第三交响曲“英雄”》（2020年）Hi-Res

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艺术家：京特·赫尔比希（Günther Herbig）与柏林交响乐团（Berliner Sinfonie-Orchester）
作品名称：《贝多芬：第三交响曲“英雄”》（重新混音版）（Beethoven: Symphony No. 3 " Eroica" (Remastered)）
发行年份：2020年
厂牌：埃特娜唱片公司（Eterna）
音乐类型：古典音乐
音质：24比特 - 88.2千赫兹FLAC（分轨）
总时长：49分29秒
总大小：854兆字节
网站：专辑预览

曲目列表
1. 降E大调第三交响曲，作品55号：第一乐章. 有活力的快板（15分19秒）
2. 降E大调第三交响曲，作品55号：第二乐章. 葬礼进行曲. 极柔板（15分37秒）
3. 降E大调第三交响曲，作品55号：第三乐章. 谐谑曲. 活泼的快板（5分52秒）
4. 降E大调第三交响曲，作品55号：第四乐章. 终曲. 很快的快板（12分42秒）

“赫尔比希曾在1994年与皇家爱乐乐团在录音室里录制过《英雄》交响曲，收录于短暂存在的皇家爱乐乐团作品集，由特林廉价唱片公司发行。可惜的是，这部作品在唱片目录中存在的时间并不长，因为我很喜欢那次的演奏。所以，当这张更早的录音出现时，我很高兴。然而，有趣的是，赫尔比希似乎打破了一个古老的定论，即随着指挥家年龄的增长，演奏速度会变慢。总体而言，这张1982年录制的《英雄》交响曲比他12年后录制的版本慢了两分多钟，但这并没有让它失色。这也代表了我们仍可能称之为‘大型乐团演绎的贝多芬’风格，所以赫尔比希没有采用任何近期流行的本真演绎手法。但如果你认为末乐章会缺乏方向感，会以某种方式变得散漫并失去其本质的活力和幽默，那你就错了。你听到的演奏保持了前面乐章的情绪，同时实现了贝多芬显然想要在结尾传达的从悲剧中转变的意图。从开头开始，就像在后来皇家爱乐乐团的录音中那样‘紧接’演奏，赫尔比希成功地以一种优雅的平衡感和风格演绎了普罗米修斯变奏曲。幽默或许不是他演绎的重点，但他确实充分地缓和了情绪，以传达这部非凡作品的整体效果。由圆号主导的主题在后期的演绎中展现出了庄严的气势，尾声也很出色。这张录音室录制的唱片给人的感觉就像是一场‘现场’演出，它会像带给我一样给你带来很多愉悦。这是一位被忽视的大师所带来的丰富而充满活力的演奏。生日快乐，京特·赫尔比希。”（托尼·达根，国际音乐网）

柏林交响乐团
京特·赫尔比希，指挥

数字重新混音

Artist: Günther Herbig & Berliner Sinfonie-Orchester
Title: Beethoven: Symphony No. 3 " Eroica" (Remastered)
Year Of Release: 2020
Label: Eterna
Genre: Classical
Quality: 24bit-88.2kHz FLAC (tracks)
Total Time: 49:29
Total Size: 854 MB
WebSite: Album Preview

Tracklist:

1. Symphony No. 3 in E-Flat Major, Op. 55: I. Allegro con brio (15:19)
2. Symphony No. 3 in E-Flat Major, Op. 55: II. Marcia funebre. Adagio assai (15:37)
3. Symphony No. 3 in E-Flat Major, Op. 55: III. Scherzo. Allegro vivace (5:52)
4. Symphony No. 3 in E-Flat Major, Op. 55: IV. Finale. Allegro molto (12:42)

"Herbig would record the "Eroica" again in the studio in 1994 with the Royal Philharmonic for their short-lived Royal Philharmonic Collection on the Tring bargain label. That was not in the catalogue long which was a pity because it was a performance I liked. I was pleased, therefore, when this earlier recording arrived. What is interesting, however, is the fact that Herbig seems to have confounded an old dictum that as conductors get older tempi get slower. Overall this 1982 recording of the "Eroica" is over two minutes slower than the one he made twelve years later and is none the worse for that. This does also represent what we might still refer to as "big band Beethoven", so not for Herbig any of the recent authentic practice touches. But if you expect the last movement to lack any sense of direction, to meander and dissipate its essential energy and humour in any way, then you would be mistaken. What you get maintains the mood of the previous movements and yet fulfils the device of transformation out of tragedy Beethoven clearly meant to convey by the end. From the opening, played "attacca", as it would be in the later RPO recording, Herbig manages to move through the Prometheus variations with a lovely sense of poise and style. Humour may not be high on his menu but he certainly has lightened the mood sufficiently to convey the overall effect of this remarkable work. The late, horn-led delivery of the theme has fine grandeur and the coda is winning. Rounding off a studio performance that gives every impression of being a "live" one and which will give you much pleasure as it did me. A rich, vibrant performance by a neglected craftsman. Happy birthday, Günther Herbig." (Tony Duggan, MusicWeb International)

Berliner Sinfonie-Orchester
Günther Herbig, conductor

Digitally remastered

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