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艺术家：马丁·诺伊、奥菲西乌姆合唱团（ensemble officium）及威尔弗里德·龙巴赫
作品名称：《蒂恩托斯与格洛萨斯（黄金时代的伊比利亚管风琴与合唱音乐）》
发行年份：2015年
厂牌：奥迪特音乐制作公司（audite Musikproduktion）
音乐类型：古典音乐
音质：无损FLAC格式 / 24比特 - 48.0千赫兹FLAC格式 + 小册子
总时长：0小时54分46秒
总大小：263兆字节 / 550兆字节
网站：专辑预览
马丁·诺伊 - 《蒂恩托斯与格洛萨斯（黄金时代的伊比利亚管风琴与合唱音乐）》（2015年）[高解析度]
曲目列表
01. 《第二调式完整蒂恩托斯曲》
02. 《第一调式的五段“垂怜经”诗句》
03. 《第八调式双低音声部中声部的蒂恩托斯曲与论述》
04. 《大海星辰的圣母》
05. 《第八调式高音声部中声部的蒂恩托斯曲》
06. 《关于圣母无原罪始胎素歌的三首格洛萨斯曲》
07. 《第四调式的第三首蒂恩托斯曲》
08. 《基于莫拉莱斯“战斗”第一部分的第六调式第三首蒂恩托斯曲》
马丁·诺伊在科尔多瓦的圣伊波利托教堂的管风琴上，让科雷亚·德·阿劳霍、科埃略和哈拉瓦的作品焕发生机。管风琴的声音在教堂内部清晰地回荡；高贵、温暖的主音栓和长笛音栓，以及各种独具特色的簧管音栓，赋予了这件乐器极大的音响威严感。与奥菲西乌姆合唱团的对唱式合唱声音相结合，这张唱片展现了这一音乐时代多面的优雅气质。
西班牙的黄金时代（Siglo de oro）始于皇帝查理五世统治时期（1516 - 1556年）。西班牙的政治和经济实力也带来了艺术和文化的繁荣。这一时期最重要的音乐家包括弗朗西斯科·科雷亚·德·阿劳霍和曼努埃尔·罗德里格斯·科埃略。在这个时期，键盘音乐中最重要的体裁是蒂恩托斯曲。它最初是一种模仿形式，在科雷亚·德·阿劳霍的手中，由于他在和声、节奏运用以及装饰音艺术方面的创造力，成为了巴洛克风格自由的象征。科雷亚也令人赞叹地展示了对作品进行“缩减”（格洛萨斯曲）的艺术——即将作品分解为更小的音符时值。
科尔多瓦圣伊波利托教堂的管风琴由约瑟夫·科尔查多于1735年建造。几个世纪以来，这架管风琴经历了多次改动，但在其结构和配置上没有进行根本性的改变。2006年，整架乐器进行了全面修复。这次精心修复的主要关注点是保留这件独特乐器的特色和美学风格，并恢复其最初的调音和律制。因此，这里录制的作品是在一架尽可能接近其创作时期音响美学的管风琴上演奏的。交替的合唱演唱与管风琴的声音交织在一起，展现了那个时代声乐写作风格的特点。
马丁·诺伊，管风琴演奏（科尔多瓦圣伊波利托教堂管风琴）
奥菲西乌姆合唱团
威尔弗里德·龙巴赫，指挥
Artist: Martin Neu, ensemble officium & Wilfried Rombach
Title: Tientos y Glosas (Iberian Organ and Choral Music from the Golden Age)
Year Of Release: 2015
Label: audite Musikproduktion
Genre: Classical
Quality: flac lossless / flac 24bits - 48.0kHz +Booklet
Total Time: 00:54:46
Total Size: 263 / 550 mb
WebSite: Album Preview
Martin Neu - Tientos y Glosas (Iberian Organ and Choral Music from the Golden Age) (2015) [Hi-Res]
Tracklist
01. Tiento Lleno Segundo Tono
02. 5 Versos de Kyrie do 1. Tom
03. Tiento y Discurso de Medio Registro de Dos Baxones de Octavo Tono
04. Ave Maris Stella
05. Tiento de Medio Registro de Tiple de Octavo Tono
06. Siguense Tres Glosas Sobre el Canto Llano de la Immaculada Concepción
07. Tercero Tiento de Quarto Tono
08. Tiento Tercero de Sexto Tono Sobre la Primera Parte de la Batalla de Morales
Martin Neu brings works by Correa de Arauxo, Coelho and Xaraba to life in their Spanish homeland at the organ of San Hipólito in Córdoba. The sound of the organ unfolds transparently within the church interior; noble, warm prinicipals and flute stops as well as a variety of characteristic reed stops lend great sonic dignity to the instrument. Together with the antiphonal choral sound of the ensemble officium, the recording reveals the multi-facetted elegance of this musical epoch.
The Golden Age (Siglo de oro) of Spain began during the rule of Emperor Charles V (1516-1556). Spain's political and economic power also led to an artistic and cultural heyday. The most important musicians of this period included Francisco Correa de Arauxo and Manuel Rodrigues Coelho. During this period, the most important genre in keyboard music was the Tiento. Originally an imitative form, it became a symbol of baroque freedom in the hands of Correa de Arauxo, thanks to his creativity in the use of harmony, rhythm and the art of ornamentation. The art of diminution of a work (Glosas) - the dissolution of the composition in smaller note values - is impressively shown by Correa, too.
The organ of San Hipólito Church in Córdoba was built by Joseph Corchado in 1735. Over the course of the centuries, the organ was subjected to various alterations, but no fundamental changes were made in its structure and disposition. In 2006 the entire instrument was subjected to a complete restoration. The main concern of this careful restoration was to preserve the character and aesthetic of this unique instrument and to restore its originally tuning and temperament. The works recorded here are thus played on an organ that comes as close as possible to the sound aesthetics of the period during which they were composed. The alternating choral singing is interwoven with the sound of the organ, revealing aspects of the vocal writing style of the epoch.
Martin Neu, organ (of San Hipólito Church, Córdoba)
Ensemble officium
Wilfried Rombach, conductor
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发表于 2025-4-12 08:29:21