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艺术家：佐福二重奏组合（ZOFO）
专辑名：《佐福二重奏演奏特里·赖利作品》
发行年份：2015年
厂牌：索诺卢米纳斯（Sono Luminus）
流派：古典音乐
音质：FLAC 24比特 - 192.0千赫兹 + 小册子
总时长：1小时07分40秒
总大小：1.88吉字节
网站：专辑预览
曲目列表
01. 《天堂阶梯，第五册》：第五首，《故国练习曲》
02. 《天堂阶梯，第五册》：第二首，《贾斯汀》
03. 《天堂阶梯，第五册》：第四首，《双重拉丁探戈》
04. 《半狼在月光下狂舞》（改编为四手联弹钢琴曲）
05. 《天堂阶梯，第七册》：第五首，《西蒙娜的摇篮曲》（改编为四手联弹钢琴曲）
06. 《G大调之歌》（改编为四手联弹钢琴曲）
07. 《螳螂拉格泰姆》
08. 《天堂阶梯，第五册》：第三首，《圣诞节圆舞曲》
09. 《天堂阶梯，第五册》：第一首，《五月五日节》
佐福二重奏组合再次出击，这次带来了一张全部为特里·赖利作品的专辑，其中包括原创作品、改编曲目以及由该二重奏组合特别委约创作的作品。
从这张专辑的音乐中可以明显看出，作曲家和演奏者都全身心地投入到了这个激动人心的项目中。从一开始，特里·赖利就在这张专辑的制作过程中与佐福二重奏组合展开了合作。赖利先生本人曾说：“没有什么能比得上听到一架钢琴完整的8个八度所发出的如管弦乐般丰富的声音。”
在原本为四手联弹钢琴而创作的作品中，他无疑充分利用了钢琴的音色，比如《天堂阶梯，第五册》中的《五月五日节》《贾斯汀》《圣诞节圆舞曲》《双重拉丁探戈》以及《故国练习曲》。
中越圭佑改编了原本为克罗诺斯四重奏创作的《G大调之歌》和《半狼在月光下狂舞》，伊娃则改编了原本为钢琴独奏而作的《西蒙娜的摇篮曲》。这些改编作品在创作过程中既充满挑战又趣味十足，但佐福二重奏组合成功地保留了赖利原作的透明感和韵味，同时展现了四手联弹钢琴的独特潜力。
《螳螂拉格泰姆》是专门为佐福二重奏组合创作的，生动地体现了他们作为二重奏组合充满活力的特质。
自2009年作为专业二重奏组合携手合作以来，国际知名的钢琴独奏家伊娃 - 玛丽亚·齐默尔曼和中越圭佑（佐福二重奏组合）以其令人眼花缭乱的艺术才华和别出心裁的四手联弹钢琴主题节目编排，从卡内基音乐厅到日本东京，征服了无数观众。
这个获得格莱美提名、屡获殊荣的施坦威艺术家组合（是全球仅有的几个专门致力于钢琴二重奏的组合之一），通过专注于20世纪和21世纪的曲目，并每年委约知名作曲家创作新作品，为四手联弹钢琴组合开辟了一条大胆的新道路。佐福二重奏组合总部位于加利福尼亚州旧金山。
作曲家兼演奏家特里·赖利于1935年6月24日出生在加利福尼亚州科尔法克斯，他是如今被称为音乐极简主义运动的创始人之一。凭借其具有开创性的作品《C调》（1964年），他开创了西方音乐形式的新概念，其基础是结构化的、相互交织的重复模式。这部作品的诞生对20世纪音乐的发展进程产生了影响并改变了其走向。
赖利那富有催眠效果、层次丰富、多节拍、配器绚丽且带有东方韵味的即兴创作和作品，对诸如史蒂夫·赖克、菲利普·格拉斯和约翰·亚当斯等杰出作曲家的作品，以及像谁人乐队、软机器乐队、橘梦乐队、弯曲空气乐队等众多摇滚乐队的音乐都产生了影响。他的作品为人们对新调性的普遍关注奠定了基础。
Artist: ZOFO
Title: ZOFO plays Terry Riley
Year Of Release: 2015
Label: Sono Luminus
Genre: Classical
Quality: flac 24bits - 192.0kHz +Booklet
Total Time: 01:07:40
Total Size: 1.88 gb
WebSite: Album Preview
Tracklist
01. The Heaven Ladder, Book 5: No. 5, Etude from the Old Country
02. The Heaven Ladder, Book 5: No. 2, Jaztine
03. The Heaven Ladder, Book 5: No. 4, Tango Doble Ladiado
04. Half-Wolf Dances Mad in Moonlight (Arr. for Piano 4 Hands)
05. The Heaven Ladder, Book 7: No. 5, Simone's Lullaby (Arr. for Piano 4 Hands)
06. G Song (Arr. for Piano 4 Hands)
07. Praying Mantis Rag
08. The Heaven Ladder, Book 5: No. 3, Waltz for Charismas
09. The Heaven Ladder, Book 5: No. 1, Cinco de Mayo
ZOFO is at it again, this time with an all Terry Riley album, which includes original compositions, arrangements and a special commission by the duet.
It is quite evident in this music that the composer and the performers were personally engaged in the making of this electrifying project. From the very beginning, Terry Riley worked in collaboration with ZOFO in the making of this album. Mr Riley himself said: “There is nothing quite like hearing the full 8 octaves of a piano sounding in all its orchestral richness.”
He certainly makes full use of the sounds of the piano in the pieces originally written for piano-four-hands, from 'The Heaven Ladder, Book 5' - 'Cinco de Mayo', 'Jaztine', 'Waltz for Charismas', 'Tango Doble Ladiado' and 'Etude From the Old Country'.
Keisuke arranged 'G Song' and 'Half-Wolf Dances Mad in Moonlight', which were originally composed for the Kronos Quartet, and Eva arranged 'Simone’s Lullaby', originally for solo piano. The arrangements were both challenging and fun to create, but ZOFO managed to keep the transparency and flavour of Riley’s originals while exemplifying the unique potential for four-hand piano.
The 'Praying Mantis Rag' was composed especially for ZOFO, and actively illustrates their vibrant character as a duet.
Since joining forces as a professional duo in 2009, internationally acclaimed solo pianists Eva-Maria Zimmermann and Keisuke Nakagoshi – ZOFO - have electrified audiences from Carnegie Hall to Tokyo, Japan with their dazzling artistry and outside-the-box thematic programming for piano-four-hands.
This Grammy-nominated, prize-winning Steinway Artist Ensemble – one of only a handful of duos worldwide devoted exclusively to piano duets – is blazing a bold new path for piano-four-hands groups by focusing on 20th and 21st century repertoire and by commissioning new works from noted composers each year. ZOFO is based in San Francisco, California.
Born June 24, 1935 in Colfax, California, composer and performer Terry Riley is one of the founders of what is now known as music’s Minimalist movement. With his seminal composition 'In C' (1964), he pioneered a new concept in Western musical form based on structured interlocking repetitive patterns. The composition’s creation was to impact and change the course of 20th century music.
The influence of Riley’s hypnotic, multi-layered, polymetric, brightly orchestrated eastern flavored improvisations and compositions can be heard in the works of prominent composers such as Steve Reich, Philip Glass and John Adams, and in the music of rock groups such as The Who, The Soft Machine, Tangerine Dream, Curved Air and many others. His compositions set the stage for the prevailing interest in a new tonality.
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