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艺术家：荷兰爱乐乐团
作品名称：《马勒：G大调第四交响曲》
发行年份：2015年
厂牌：五音唱片公司（PentaTone）
音乐类型：古典音乐
音质：无损FLAC格式 / 24比特-96.0千赫兹 + 小册子
总时长：00小时57分54秒
总大小：207兆字节 / 907兆字节
网站：专辑预览
曲目列表
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01. G大调第四交响曲：第一乐章 沉稳地，不要匆忙
02. G大调第四交响曲：第二乐章 以从容的速度，不慌不忙
03. G大调第四交响曲：第三乐章 宁静地，稍柔板
04. G大调第四交响曲：第四乐章 非常惬意地
马勒：《G大调第四交响曲》—— 伊丽莎白·瓦茨、荷兰爱乐乐团、马克·阿尔布雷希特
马勒的《G大调第四交响曲》展现了作曲家的另一面，与此前大众所熟知的形象有所不同。在这部作品中没有宏大的战斗场景；相反，它描绘了一种童真视角下的生活，以及对来世更美好世界的憧憬。
马勒的荷兰朋友兼同事阿尔方斯·迪彭布罗克对这部交响曲的本质及其在马勒作品体系中的地位，可能给出了最为恰当的描述：“……在他的《G大调第四交响曲》中，他从不同角度纯粹地赞颂了灵魂的感受，这种感受脱离了所有尘世的羁绊—— 有时表现为孩童般却又超凡脱俗的欢乐，有时则如同往昔神秘主义者在沉思神性时所达到的极致狂喜。
然而，人们不应在此作品中寻找讽刺意味。这部作品就像一个美丽的梦，是马勒九部交响曲系列中不可或缺的一环，这些交响曲已经充分地描绘了残酷的现实，而且据某些人所说，有朝一日它们将被视为当代具有里程碑意义的音乐作品。”
荷兰爱乐乐团不负其在马勒作品演奏方面的卓越声誉，在指挥马克·阿尔布雷希特的执棒下，他们的表现超越了所有人的预期。伊丽莎白·瓦茨在末乐章的演绎绝对不容错过。瓦茨与乐团之间的默契配合无处不在。国际唱片评论称她的嗓音“是英国一代人中最优美的嗓音之一”，当她为马勒这部阳光明媚、易于理解的交响曲画上句号时，听众们无不为之倾倒。
Artist: Nederlands Philharmonisch Orkest
Title: Mahler: Symphony No. 4 in G Major
Year Of Release: 2015
Label: PentaTone
Genre: Classical
Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
Total Time: 00:57:54
Total Size: 207 / 907 mb
WebSite: Album Preview
Tracklist
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01. Symphony No. 4 in G Major: I. Bedächtig, nicht eilen
02. Symphony No. 4 in G Major: II. In gemächlicher Bewegung, ohne Hast
03. Symphony No. 4 in G Major: III. Ruhevoll, poco adagio
04. Symphony No. 4 in G Major: IV. Sehr behaglich
Mahler: Symphony No. 4 – Elizabeth Watts, Netherlands Philharmonic Orchestra, Marc Albrecht
Symphony No. 4 by Mahler portrays another side of the composer, different to the one seen by the general public until then. No major battles are fought in this work; rather, it is a portrayal of a childlike vision of life and a better world in the Hereafter.
Mahler’s Dutch friend and colleague Alphons Diepenbrock may well have provided the most fitting description of the nature of this symphony and its position within Mahler’s œuvre: ‘[...] in his Symphony No. 4, he exclusively praises the sensations of the soul, severed from all earthly ties, from various angles – either as childish yet unearthly merriment, or as the highest ecstasy attained by mystics in bygone years during the contemplation of the divine.
However, one should not search for irony here. The work is like a beautiful dream, an indispensable link in the series of Mahler’s nine symphonies which speak sufficiently of harsh reality, and that, according to some, will one day be considered the monumental musical œuvre of the present day.’
The Netherlands Philharmonic Orchestra lives up to its reputation for its brilliant Mahler performances and surpasses all expectations under the baton of the conductor Marc Albrecht. Elizabeth Watts’s performance in the final movement is surely one not to be missed. The chemistry between Watts and the orchestra is utterly pervasive. Possessing a voice described by International Record Review as ‘one of the most beautiful Britain has produced in a generation’, Watts sweeps the listeners off their feet as she concludes this sunny, accessible symphony by Mahler.
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