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艺术家：阿拉米雷合唱团与大卫·斯金纳
作品名称：约翰·谢泼德：《生命于死亡中存在》
发行年份：2020年
厂牌：因温塔唱片公司
音乐类型：古典音乐
音质：无损FLAC格式 / 24比特-96.0千赫兹FLAC格式+小册子
总时长：00:16:26
总大小：77兆字节 / 300兆字节
网站：专辑预览
曲目列表
01. 《生命于死亡中存在》：第一部分 生命（开头）-《主啊，如今可照你的话，释放仆人安然去世》
02. 《生命于死亡中存在》：第二部分 生命于死亡中存在（应答圣歌）
03. 《生命于死亡中存在》：第三部分 不要丢弃我们（第一节）-圣哉，上帝
04. 《生命于死亡中存在》：第四部分 不要关闭（第二节）-圣哉，大能者
05. 《生命于死亡中存在》：第五部分 你知晓者（第三节）-圣哉，慈悲者
约翰·谢泼德（约1515年-1558年）的音乐具有一种宏大的感觉，在大型的音乐结构中，各个声部的间隔很大，几乎没有模仿或其他统一的元素。他最常被录制的作品之一是应答圣歌《生命于死亡中存在》，在这部作品中，他的音乐似乎在呼吸，并且扩展到了宏大的规模。现存的手稿在两个方面存在问题：它缺少一个男高音声部，这使得多种声部编排成为可能；并且它包含了一些关于重复段落的神秘指示。由12人组成的阿拉米雷声乐合唱团（此次每个声部安排两个具有挑战性的声部）的这一录音最显著的特点是，在指挥大卫·斯金纳以及相关研究人员的带领下，表演者重新解读了这些指示，创作出了一个时长16分钟的作品，而不是早期解读中25或30分钟的时长。所提供的论据并不能结束这场争论，但说实话，这样的时长比例感觉恰到好处，而且这张EP的商业成功（这些音乐录制于2012年，但曾被搁置，后作为这一低价小专辑重新推出）表明，许多听众也得出了相同的结论。斯金纳和阿拉米雷合唱团还选择了比通常更低的声部音域，营造出了宽广的声音空间，这不同寻常地生动展现了谢泼德音乐的精髓。演唱非常美妙，对于那些只想领略一下这位颇具难度的作曲家音乐的人来说，从这张专辑开始是个不错的选择。相关的问题在因温塔唱片公司网站上的详细小册子注释中有阐述，但这对于欣赏音乐来说并非必不可少。
Artist: Alamire & David Skinner
Title: John Sheppard: Media Vita in Morte Sumus
Year Of Release: 2020
Label: Inventa Records
Genre: Classical
Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
Total Time: 00:16:26
Total Size: 77 / 300 mb
WebSite: Album Preview
Tracklist
01. Media vita in morte sumus: I. Media vita (Incipit)-Nunc dimittis
02. Media vita in morte sumus: II. Media vita in morte sumus (Antiphona)
03. Media vita in morte sumus: III. Ne projicias nos (Versus I)-Sancte Deus
04. Media vita in morte sumus: IV. Noli claudere (Versus II)-Sancte fortis
05. Media vita in morte sumus: V. Qui cognoscis (Versus III)-Sancte et misericors
The music of John Sheppard (ca. 1515-1558) has a monumental feel, with widely spaced voices in large structures that have little imitation or other unifying material. One of his most often recorded works has been the antiphon Media vita in morte sumus, in which his music seems to breathe and to expand to monumental dimensions. The existing manuscript is problematic in two respects: it is missing a tenor, making several deployments of voices possible, and it contains enigmatic indications of repeated sections. The most distinctive feature of this recording by the 12-voice Alamire vocal consort (here deploying the difficult two voices per part) is that the performers, led by director David Skinner and associated researchers, have reinterpreted these indications, producing a work that is 16 minutes long rather than the 25 or 30 minutes of earlier readings. The arguments provided don't close the debate, but truth to tell, these proportions feel right, and the commercial success of this EP (the music was recorded in 2012 but fell through the cracks and was resuscitated as this little budget-priced item) suggests that many listeners have reached the same conclusion. Skinner and Alamire also select a lower set of voice ranges than usual, resulting in a wide sonic space that is an unusually vivid illustration of what Sheppard is all about. The singing is gorgeous, and those wanting just a taste of this rather difficult composer might well begin with this item. The issues involved are explicated in a detailed booklet note available on the Inventa label's website, but this is not essential to enjoyment.
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