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艺术家：拉格希尔德·赫姆辛（Ragnhild Hemsing）、托尔·埃斯彭·阿斯帕斯（Tor Espen Aspaas）
曲目：《贝多芬1802年的“遗嘱”》（Beethoven's Testaments of 1802）
发行年份：2020年
厂牌：2L
音乐类型：古典音乐
音质：FLAC无损格式 / FLAC 24比特 - 44.1千赫兹 / FLAC 24比特 - 176.4千赫兹 / DSD64格式 + 小册子
总时长：00:59:30
总大小：283兆字节 / 574兆字节 / 1.6GB / 4.7GB
网站：专辑预览
曲目列表
01. G大调第八小提琴奏鸣曲，作品30之3：第一乐章. 很快的快板
02. G大调第八小提琴奏鸣曲，作品30之3：第二乐章. 小步舞曲速度，但非常中庸且优雅
03. G大调第八小提琴奏鸣曲，作品30之3：第三乐章. 活泼的快板
04. A大调第九小提琴奏鸣曲，作品47：第一乐章. 绵延的柔板 – 急板（《克莱采奏鸣曲》）
05. A大调第九小提琴奏鸣曲，作品47：第二乐章. 有变奏的行板（《克莱采奏鸣曲》）
06. A大调第九小提琴奏鸣曲，作品47：第三乐章. 急板（《克莱采奏鸣曲》）
拉格希尔德·赫姆辛与托尔·埃斯彭·阿斯帕斯——《贝多芬1802年的“遗嘱”》（2020年）[DSD及高解析度格式]
1802年是贝多芬的危机之年，在这一年，作为艺术家的贝多芬向命运低头—— 并由此成就了不朽。他被接踵而至的问题所困扰：逐渐加重的失聪，强烈的疏离感，以及确信自己正被维也纳的社交圈和官场排斥在外。1802年夏秋之际，他在海利根施塔特居住期间，用文字和音乐写下了 “遗嘱”，这些 “遗嘱” 展现了他走向创作中期（常被称为 “英雄时期”）的道路。他的《第九小提琴与钢琴奏鸣曲》，即《克莱采奏鸣曲》，是1802年以及贝多芬英雄风格的标志性作品。与之形成鲜明对比的是欢快的《第八小提琴奏鸣曲》，但这两首奏鸣曲放在一起—— 尤其是结合所谓的《海利根施塔特遗嘱》来考量时—— 揭示出了他在创作和生存层面所经历的挣扎。1802年：贝多芬成为 “真正的贝多芬” 的一年。
Artist: Ragnhild Hemsing, Tor Espen Aspaas
Title: Beethoven's Testaments of 1802
Year Of Release: 2020
Label: 2L
Genre: Classical
Quality: flac lossless / flac 24bits - 44.1kHz / flac 24bits - 176.4kHz / DSD64 +booklet
Total Time: 00:59:30
Total Size: 283 / 574 mb / 1.6 / 4.7 gb
WebSite: Album Preview
Tracklist
01. Violin Sonata No.8 in G Major, Op. 30 No. 3: I. Allegro assai
02. Violin Sonata No.8 in G Major, Op. 30 No. 3: II. Tempo di Minuetto, ma molto moderato e grazioso
03. Violin Sonata No.8 in G Major, Op. 30 No. 3: III. Allegro vivace
04. Violin Sonata No. 9 in A Major, Op. 47: I. Adagio sostenuto – Presto (Kreutzer Sonata)
05. Violin Sonata No. 9 in A Major, Op. 47: II. Andante con Variazioni (Kreutzer Sonata)
06. Violin Sonata No. 9 in A Major, Op. 47: III. Presto (Kreutzer Sonata)
Ragnhild Hemsing & Tor Espen Aspaas - Beethoven's Testaments of 1802 (2020) [DSD & Hi-Res]
1802 was the crisis year in which Beethoven the artist committed Beethoven the man to fate – and became immortal. He was beset with mounting problems: progressive deafness, strong feelings of alienation and the conviction that he was being excluded from social and official life in Vienna. During his stay at Heiligenstadt in the summer and autumn of 1802 he writes testaments in words and in music that show his path ahead to his middle period, often called "the heroic". His Sonata no. 9 for violin and piano, the Kreutzer, is a defining work for the year 1802 and for Beethoven's heroic style. In sharp contrast is the high-spirited Sonata no. 8, but together – and particularly when considered in light of the so-called Heiligenstadt Testament – these two sonatas reveal something of the creative and existential struggle he was enduring. 1802: the year when Beethoven became Beethoven.
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发表于 2025-4-30 08:39:21