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艺术家：利奥波德城国家爱乐乐团（NFM Leopoldinum Orchestra）、约瑟夫·斯温森（Joseph Swensen）
作品名称：德彪西与柴可夫斯基：弦乐作品
发行年份：2020年
厂牌：CD协和唱片公司（CD Accord）
音乐类型：古典音乐
音质：FLAC无损格式 / FLAC 24比特 - 96.0千赫兹 + 小册子
总时长：00:54:54
总大小：250 / 961兆字节
网站：专辑预览
曲目列表
01. G小调弦乐四重奏，作品10号，L. 85：第一乐章，活跃且果断
02. G小调弦乐四重奏，作品10号，L. 85：第二乐章，相当活泼且节奏鲜明
03. G小调弦乐四重奏，作品10号，L. 85：第三乐章，小行板，轻柔且富有表现力
04. G小调弦乐四重奏，作品10号，L. 85：第四乐章，中板
05. C大调弦乐小夜曲，作品48号，TH 48：第一乐章，小奏鸣曲形式的乐段。不过分的行板 - 有节制的快板
06. C大调弦乐小夜曲，作品48号，TH 48：第二乐章，圆舞曲。中板
07. C大调弦乐小夜曲，作品48号，TH 48：第三乐章，悲歌。悲歌性的小广板
08. C大调弦乐小夜曲，作品48号，TH 48：第四乐章，终曲。行板 - 富有精神的快板
德彪西和柴可夫斯基有着共同的核心本质，但却面向相反的方向。柴可夫斯基钟情于莫扎特和欧洲古典传统，而德彪西因喜爱巴厘岛音乐，指引我们走向一个更具包容性的人类大同境界。然而，他们所运用的基本音乐语言却非常相似，那就是旋律语言。在我看来，我的职责不仅是重现、升华并赋予作曲家的创作意图新的生命力，还在于以某种方式深入作曲家本人的思想和意识之中。这就如同一位伟大的演员必须在某种程度上化身为他所饰演的角色一样，我觉得指挥德彪西的作品时和指挥柴可夫斯基的作品时，自己完全是不同的两个人。用弦乐团来演奏德彪西具有开创性的弦乐四重奏，这或许是德彪西本人都认为不可能的事情。（大多数当代的管弦乐演奏者可能也会认同这一观点……但对我而言，对于这位具有革命性的作曲家的作品来说，这个有些大胆的想法是合适的，而且我坚信他会喜欢这样的演绎！《弦乐小夜曲》是音乐灵感的典范之作。柴可夫斯基对古老曲式的喜爱以及他对莫扎特的崇敬之情在此作品中显露无遗。当指挥柴可夫斯基的所有作品时，我的目标是体现柴可夫斯基将超凡的古典主义与他自身气质中感性和情感层面相融合的理念。
Artist: NFM Leopoldinum Orchestra, Joseph Swensen
Title: Debussy & Tchaikovsky: Works for Strings
Year Of Release: 2020
Label: CD Accord
Genre: Classical
Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
Total Time: 00:54:54
Total Size: 250 / 961 mb
WebSite: Album Preview
Tracklist
01. String Quartet in G Minor, Op. 10, L. 85: I. Animé et très décidé
02. String Quartet in G Minor, Op. 10, L. 85: II. Assez vif et bien rythmé
03. String Quartet in G Minor, Op. 10, L. 85: III. Andantino, doucement expressif
04. String Quartet in G Minor, Op. 10, L. 85 : IV. Très modéré
05. Serenade for Strings in C Major, Op. 48, TH 48: I. Pezzo in forma di sonatina. Andante non troppo - Allegro moderato
06. Serenade for Strings in C Major, Op. 48, TH 48: II. Valse. Moderato
07. Serenade for Strings in C Major, Op. 48, TH 48: III. Elegia. Larghetto elegiaco
08. Serenade for Strings in C Major, Op. 48, TH 48: IV. Finale. Andante - Allegro con spirito
Debussy and Tchaikovsky share a central essence yet face in opposite directions. Tchaikovsky is devoted to Mozart and European Classical traditions whilst Debussy with his love of the music of Bali, points us all towards a more inclusive human brotherhood. The essential musical language they speak however is very similar, the language of melody. My role as I see it, is not only to recreate, enhance and give new life to the composers intentions, it is also to somehow get inside of the mind and consciousness the composer himself. Not unlike how a great actor must somehow become the character he portrays, I feel like a completely different person conducting Debussy than I do conducting Tchaikovsky. Playing Debussys groundbreaking Quartet in the version for string orchestra is probably something which Debussy himself would have considered impossible. (Most contemporary orchestral players would probably agree with this asserton.. But for me, this somewhat radical idea is appropriate for a work by this revolutionary composer and I am convinced that he would have loved it! The Serenade for Strings is the epitome of musical inspiration. Tchaikovskys love for the old forms and his worship of Mozart are abundantly obvious here. Embodying Tchaikovskys ideal of integrating transcendent Classicism with the sensual and emotional aspects of his temperament is my goal when conducting all works by Tchaikovsky.
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发表于 2025-5-12 07:52:16