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艺术家:汉斯-于尔格·施特鲁布(Hans-Jürg Strub)
作品名称:《舒伯特:钢琴奏鸣曲,D. 959与D. 960》(Schubert: Piano Sonatas, D. 959 & D. 960)
发行年份:2020年
厂牌:阿尔斯制作公司(Ars Produktion)
音乐类型:古典音乐
音质:FLAC(分轨)/ 24比特 - 48千赫兹及96千赫兹 FLAC(分轨+小册子)
总时长:01:24:25
总大小:247兆字节 / 715兆字节
网站:专辑预览
曲目列表:
01. 降B大调钢琴奏鸣曲,D. 960:第一乐章 十分中板(21分27秒)
02. A大调钢琴奏鸣曲,D. 959:第一乐章 快板(16分46秒)
03. 降B大调钢琴奏鸣曲,D. 960:第二乐章 绵延的行板(9分38秒)
04. A大调钢琴奏鸣曲,D. 959:第二乐章 小行板(6分53秒)
05. 降B大调钢琴奏鸣曲,D. 960:第三乐章 谐谑曲。活泼且细腻的快板(3分49秒)
06. A大调钢琴奏鸣曲,D. 959:第三乐章 谐谑曲。活泼的快板(5分12秒)
07. 降B大调钢琴奏鸣曲,D. 960:第四乐章 不过分的快板(8分45秒)
08. A大调钢琴奏鸣曲,D. 959:第四乐章 回旋曲。小快板(11分55秒)
在1828年11月舒伯特去世前的几周里,他创作了最后两首钢琴奏鸣曲,A大调的D. 959和降B大调的D. 960,这两首奏鸣曲与C小调奏鸣曲D. 958共同构成了“奏鸣曲三联曲”,这或许可被称为他钢琴作品的巅峰之作。舒伯特的初稿显示出这位31岁的作曲家是同时创作这些作品的;此外,将降B大调奏鸣曲计为第三号也是舒伯特本人的意思。因此,这些奏鸣曲是由作曲家按套曲形式编排的,并且在创作上有许多相似之处。舒伯特将这组三联曲献给了他那个时代著名的钢琴演奏家、莫扎特的学生约翰·内波穆克·胡梅尔。然而,直到1839年,也就是舒伯特去世11年后,这组奏鸣曲才得以出版,那时胡梅尔也已离世,所以出版商迪亚贝利公司将献词转给了罗伯特·舒曼。尽管《即兴曲》和《音乐瞬间》一直广受欢迎,但这些奏鸣曲在很长一段时间里却鲜为人知。在这两首奏鸣曲中,我们能感受到丰富多样的音乐性格和对比鲜明的情感。紧张感的弧线从最明亮的情绪延伸到最深沉的黑暗,从A大调奏鸣曲快板中的强烈活力和半音的动荡,到降B大调中十分中板的如歌沉浸与温柔。在慢乐章中——A大调的F小调小行板以及降B大调的升C小调绵延的行板——一种震撼人心的悲伤笼罩着我们,实际上,我们体验到了最深切的顺从和精神上的深渊。漂泊者舒伯特被引向了那深邃的境地。
Artist: Hans-Jürg Strub
Title: Schubert: Piano Sonatas, D. 959 & D. 960
Year Of Release: 2020
Label: Ars Produktion
Genre: Classical
Quality: FLAC (tracks) / 24bit-48 & 96kHz FLAC (tracks+booklet)
Total Time: 01:24:25
Total Size: 247 / 715 MB
WebSite: Album Preview
Tracklist:
01. Piano Sonata in B-Flat Major, D. 960: I. Molto moderato (21:27)
02. Piano Sonata in A Major, D. 959: I. Allegro (16:46)
03. Piano Sonata in B-Flat Major, D. 960: II. Andante sostenuto (9:38)
04. Piano Sonata in A Major, D. 959: II. Andantino (6:53)
05. Piano Sonata in B-Flat Major, D. 960: III. Scherzo. Allegro vivace con delicatessa (3:49)
06. Piano Sonata in A Major, D. 959: III. Scherzo. Allegro vivace (5:12)
07. Piano Sonata in B-Flat Major, D. 960: IV. Allegro ma non troppo (8:45)
08. Piano Sonata in A Major, D. 959: IV. Rondo. Allegretto (11:55)
A few weeks before Schubert's death in November 1828, the last two piano sonatas, A major D 959 and B flat major D 960, were written, which together with the C minor Sonata D 958 belong to the ""Sonata Triad"" - which can probably be called the crowning achievement of his piano work. Schubert's first draft shows how the thirty-one-year-old worked on these works simultaneously; also, the counting of B flat major as Sonata No. 3 is by Schubert's hand. The sonatas are thus cyclically arranged by the composer and have many compositional similarities. Schubert dedicated this triad to his famous contemporary, the virtuoso pianist and Mozart student Johann Nepomuk Hummel. However, it was not published until 1839 - 11 years after Schubert's death, by which time Hummel had already passed away, and so the dedication was transferred to Robert Schumann by the publisher Diabelli & Co. While the Impromptus or Moments musicaux were always very popular, the sonatas led a shadowy existence for a long time. In both sonatas we experience a wealth of different characters and contrasting emotions. The arc of tension leads from the greatest brightness to the deepest darkness, from powerful verve and chromatic turmoil in the Allegro of the A major Sonata to cantabile immersion and tenderness in the Molto moderato of B flat major. In the slow movements - the F minor Andantino in A major as well as the Andante sostenuto in C sharp minor in B flat major - a shattering sadness seizes us - indeed we experience deepest resignation and mental abyss. The wanderer Schubert is drawn to the abysmal.
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