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11-哭泣、叹息、呼喊……向约翰内斯·奥克冈的“金嗓子”致敬 2012 Hi-Res 24bits - 88.2kHz

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发表于 2025-5-17 07:43:48 | 显示全部楼层 |阅读模式
Diabolus in Musica, Antoine Guerber - Plorer, gemir, crier (2012).jpg Diabolus in Musica, Antoine Guerber - Plorer, gemir, crier (2012) back.jpg





艺术家:音乐中的魔鬼合唱团(Diabolus in Musica)、安托万·盖尔贝(Antoine Guerber)  
标题:哭泣、叹息、呼喊……向约翰内斯·奥克冈的“金嗓子”致敬  
发行年份:2012年  
厂牌:Aeon  
类型:古典音乐  
音质:FLAC无损 / 24位 - 88.2kHz + 小册子  
总时长:00:57:20  
总大小:273 / 937兆字节  
网站:专辑预览  

曲目列表  
01. 哭泣、叹息、呼喊 - 安魂曲  
02. 玫瑰带刺弥撒:垂怜经  
03. 玫瑰带刺弥撒:荣耀经  
04. 玫瑰带刺弥撒:信经  
05. 玫瑰带刺弥撒:圣哉经  
06. 玫瑰带刺弥撒:羔羊经  
07. 森林女神 - 安魂曲  
08. 在水风琴旁  
09. 因此沉默  

音乐中的魔鬼合唱团、安托万·盖尔贝 - 哭泣、叹息、呼喊……向约翰内斯·奥克冈的“金嗓子”致敬(2012年)[高解析度]  

约翰内斯·奥克冈的作品影响了——甚至直接启发了——大量与这位图尔大师同时代或紧随其后的音乐家。许多才华横溢的作曲家将他的作品视为典范,这充分证明了他们对他的敬仰。  

他们都曾拜访过他,并助力将他塑造为一个仁慈的“父亲形象”,成为这群卓越歌手和作曲家心中的标杆。  

奥克冈于1497年高龄逝世,这对正处于中世纪向文艺复兴过渡时期的杰出一代产生了深远影响,自然也催生了一些令人深感动容的音乐作品。四首风格多样的经文歌、一部完整的复调弥撒曲和一首非凡的挽歌,构成了他的同僚与友人对约翰内斯·奥克冈的动人致敬。  

这张CD中的作品代表了法兰德斯复调音乐的巅峰,展现了因这位大师的逝世而升华的崇高音乐如何见证了从中世纪到文艺复兴的微妙转变。这些作品在此以大教堂和学院教堂的传统方式演唱:无伴奏合唱,各声部按作品需求由一至两名歌手演唱。  

[FLAC专辑下载]

Artist: Diabolus in Musica, Antoine Guerber
Title: Plorer, gemir, crier... Hommage à la "voix d'or" de Johannes Ockeghem
Year Of Release: 2012
Label: Aeon
Genre: Classical
Quality: flac lossless / flac 24bits - 88.2kHz +Booklet
Total Time: 00:57:20
Total Size: 273 / 937 mb
WebSite: Album Preview

Tracklist

01. Plorer, gemir, crier-Requiem
02. Missa sicut rosa spinam: Kyrie
03. Missa sicut rosa spinam: Gloria
04. Missa sicut rosa spinam: Credo
05. Missa sicut rosa spinam: Sanctus
06. Missa sicut rosa spinam: Agnus Dei
07. Nymphes des bois-Requiem
08. In hydraulis
09. Ergone conticuit

Diabolus in Musica, Antoine Guerber - Plorer, gemir, crier... Hommage à la "voix d'or" de Johannes Ockeghem (2012) [Hi-Res]

The oeuvre of Johannes Ockeghem influenced, indeed directly inspired a considerable number of musicians who were contemporary with or came immediately after the Master of Tours. Many of these talented composers took one of his works as a model, thus bearing eloquent testimony to their admiration for him.

All of them visited him and helped to popularise the image of him as a benevolent ‘father figure’ to this amazing caste of singers and composers.

Ockeghem’s death at a ripe old age in 1497 greatly affected the brilliant generation that was in the process of making the transition between the Middle Ages and the Renaissance, and naturally led to the creation of some deeply moving music. Four motets covering a wide stylistic range, a complete polyphonic mass and an extraordinary poem of lamentation make up this touching tribute to Johannes Ockeghem from his colleagues and friends.

The works assembled on this CD represent the highpoint of Franco-Flemish counterpoint and illustrate the imperceptible shift from Middle Ages to Renaissance thanks to this sublime music sublimated by the death of the great master. They are sung here according to the tradition of the great cathedrals and collegiate churches: a cappella, with one or two singers to a part as the works require.

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