02-迪斯坎图斯女声合唱团 国王的音乐：温彻斯特礼仪圣歌集 2014 Hi-Res 24bits - 88.2kHz

史前青蛙

艺术家：迪斯坎图斯女声合唱团（Discantus）、布里吉特·莱斯内（Brigitte Lesne）  
标题：迪斯坎图斯女声合唱团 国王的音乐：温彻斯特礼仪圣歌集  
发行年份：2014年  
厂牌：Aeon  
类型：古典音乐  
音质：24位-88.2kHz FLAC + 小册子  
总时长：01:02:59  
总大小：1.03千兆字节  
网站：专辑预览  

曲目列表  
01. 哈利路亚（附加段：我们的逾越节-让我们享受）  
02. 赞美、荣耀、权能（逾越节圣体共融附加段）  
03. 哦，你以永恒的理性统治世界  
04. 坚固你的手（游行圣歌）  
05. 道成肉身之后（复活节进堂咏附加段）  
06. 荣耀归于你们（荣耀经）  
07. 看哪，我有翅膀如鹰  
08. 哈利路亚（永恒之王-继叙咏）  
09. 纯洁的众民，请唱出赞美诗（散文圣歌）  
10. 哦，至高救赎主，求垂听（赞美诗）  
11. 主啊，求你怜悯（附加段垂怜经）  
12. 基督得胜，基督作王，基督掌权（皇家赞美诗）  

迪斯坎图斯女声合唱团、布里吉特·莱斯内 - 国王的音乐：温彻斯特礼仪圣歌集（2014年）[高解析度]  

1043年复活节，忏悔者爱德华国王在温彻斯特大教堂加冕。近十个世纪后，迪斯坎图斯合唱团的六位女声重新唤醒了英格兰当时新兴的复调音乐：在格里高利圣咏与有组织的二声部作品之间，我们得以见证对位法与迪斯坎图斯（高音部旋律）实践的起源。这些作品选自《温彻斯特礼仪圣歌集》——那个时代最珍贵的音乐文献之一，所选曲目大多围绕复活节周期展开。  

宛如嵌在罗马式石墙上的两扇闪耀彩窗，专辑中特别插入了两首当代作品，由合唱团委约创作，歌词节选自波爱修斯的《哲学的慰藉》（约524年）。这两部作品分别出自两位青年作曲家之手——法国人皮埃尔·谢佩洛夫（生于1979年）与英国人乔尔·拉斯特（生于1989年）——延续了中世纪时期大不列颠岛与欧洲大陆之间的音乐交流传统。

Artist: Discantus, Brigitte Lesne
Title: Music for a King. The Winchester Troper
Year Of Release: 2014
Label: Aeon
Genre: Classical
Quality: flac 24bits - 88.2kHz +Booklet
Total Time: 01:02:59
Total Size: 1.03 gb
WebSite: Album Preview

Tracklist

01. Alleluia (Versets: Pascha nostrum-Epulemur)
02. Laus, honor, virtus (Trope communion pascha nostrum)
03. O qui perpetua mundum ratione gubernas
04. Firmetur manus tua (Antienne de procession)
05. Postquam factus homo (Trope introït resurrexi)
06. Doxa en ipsistis (Gloria)
07. Sunt etenim pennae volucres mihi
08. Alleluia (Rex in æternum-Séquence)
09. Prome casta contio carmina (Prose)
10. O Redemptor summe carmes (Hymne)
11. Miserere dominum (Kyrie tropé)
12. Christus vincit, Christus regnat, Christus imperat (Laudes royales)

Discantus, Brigitte Lesne - Music for a King. The Winchester Troper (2014) [Hi-Res]

On Easter Day in the year 1043, King Edward the Confessor was crowned in Winchester Cathedral. Nearly 10 centuries later, the six women's voices of Discantus bring back to life the nascent polyphonies that were being written at the time in England: between Gregorian chant and organized two-part pieces, here we are at the beginnings of counterpoint and the practice of discantus (descant). These compositions are drawn from the Winchester Tropary, one of the most fabulous musical testimonies of the era, with most of the pieces selected centred on the Paschal period.

In mirror are inserted, like two shimmering stained-glass windows framed in the Romanesque stone, two compositions from today, commissioned by the ensemble on texts excerpted from Boethius's Consolation of Philosophy (c.524). These works, by two young composers – a Frenchman (Pierre Chépélov, born 1979) and a Briton (Joel Rust, born 1989) –, extend the musical exchanges that existed between the great island and the continent throughout the Middle Ages.

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