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艺术家：埃里克·博斯格拉夫（Erik Bosgraaf）
标题：泰勒曼：双簧管协奏曲集（含竖笛）
发行年份：2016年
厂牌：Brilliant Classics
类型：古典音乐
音质：FLAC无损 / 24位-48.0kHz FLAC + 小册子
总时长：01:03:10
总大小：331 / 634兆字节
网站：专辑预览
曲目列表
01. e小调竖笛与长笛协奏曲，TWV 52:e1：I. 广板
02. e小调竖笛与长笛协奏曲，TWV 52:e1：II. 快板
03. e小调竖笛与长笛协奏曲，TWV 52:e1：III. 广板
04. e小调竖笛与长笛协奏曲，TWV 52:e1：IV. 急板
05. a小调双竖笛协奏曲，TWV 52:a2：I. 庄严地
06. a小调双竖笛协奏曲，TWV 52:a2：II. 快速地
07. a小调双竖笛协奏曲，TWV 52:a2：III. 宽广地
08. a小调双竖笛协奏曲，TWV 52:a2：IV. 活泼地
09. F大调竖笛与巴松管协奏曲，TWV 52:F1：I. 广板
10. F大调竖笛与巴松管协奏曲，TWV 52:F1：II. 活泼地
11. F大调竖笛与巴松管协奏曲，TWV 52:F1：III. —
12. F大调竖笛与巴松管协奏曲，TWV 52:F1：IV. 快板
13. a小调竖笛与维奥尔琴协奏曲，TWV 52:a1：I. 庄重地
14. a小调竖笛与维奥尔琴协奏曲，TWV 52:a1：II. 快板
15. a小调竖笛与维奥尔琴协奏曲，TWV 52:a1：III. 甜美的
16. a小调竖笛与维奥尔琴协奏曲，TWV 52:a1：IV. 快板
17. 降B大调双竖笛协奏曲，TWV 52:B1：I. 庄重地
18. 降B大调双竖笛协奏曲，TWV 52:B1：II. 活泼地
19. 降B大调双竖笛协奏曲，TWV 52:B1：III. 温柔地
20. 降B大调双竖笛协奏曲，TWV 52:B1：IV. 欢快地
埃里克·博斯格拉夫 - 泰勒曼：双簧管协奏曲集（含竖笛）（2016年）[高解析度]
这是竖笛演奏家埃里克·博斯格拉夫为2017年泰勒曼周年纪念而准备的第三张泰勒曼作品新录音。专辑收录了泰勒曼的竖笛双协奏曲，包括双竖笛重奏，以及竖笛与长笛、巴松管或维奥尔琴的组合。泰勒曼本人是专业竖笛演奏家，这些协奏曲蕴含了他极具个人风格的音乐语言——惯有的华丽、巧思与精湛技巧，与深沉情感和忧郁段落交织。
作为当代最杰出的竖笛演奏家之一，博斯格拉夫在早期音乐与当代音乐领域均游刃有余，他不断拓展乐器的表现边界，实现了前所未有的情感跨度与音响效果。此前他为Brilliant Classics录制的从雅各布·范·埃克（《长笛的愉悦宫廷》）到皮埃尔·布列兹（《对话》）的作品已广受赞誉，而他的唱片目录中早有三张专注于泰勒曼的专辑——这位德国巴洛克作曲家将竖笛及其同类乐器提升至高雅艺术的地位，赋予其前所未有的表现力与技术精度。
继独奏幻想曲、伴奏奏鸣曲、组曲与协奏曲专辑之后，博斯格拉夫此次带来的是泰勒曼十八世纪头几十年创作的协奏曲选集，其中他与另一位独奏家（竖笛、巴松管或维奥尔琴）搭档。泰勒曼曾坦言其协奏曲“有法国气息”，这不仅体现在部分乐章的标题中，也见于庄严的附点节奏与慢乐章优雅的装饰音。然而，泰勒曼也在回旋曲段（尤其是独奏段落）中注入了强烈的节奏动力——主要源自波兰民间音乐，并通过短程与长程模仿的快速切换、出人意料的节奏型以及与乐团的俏皮互动，持续带给听众惊喜。这些协奏曲唯一保守的特征是其四乐章结构：慢—快—慢—快。
博斯格拉夫与他的Cordevento乐团合作，并邀请了来自英国、德国及荷兰的资深“本真派”演奏家加盟。这张专辑堪称2017年泰勒曼诞辰250周年音乐盛宴的理想前奏。
Artist: Erik Bosgraaf
Title: Telemann: The Double Concertos with Recorder
Year Of Release: 2016
Label: Brilliant Classics
Genre: Classical
Quality: flac lossless / flac 24bits - 48.0kHz +Booklet
Total Time: 01:03:10
Total Size: 331 / 634 mb
WebSite: Album Preview
Tracklist
01. Concerto for Recorder and Flute in E minor, TWV 52:e1: I. Largo
02. Concerto for Recorder and Flute in E minor, TWV 52:e1: II. Allegro
03. Concerto for Recorder and Flute in E minor, TWV 52:e1: III. Largo
04. Concerto for Recorder and Flute in E minor, TWV 52:e1: IV. Presto
05. Concerto for 2 Recorders in A minor, TWV 52:a2: I. Gravement
06. Concerto for 2 Recorders in A minor, TWV 52:a2: II. Vistement
07. Concerto for 2 Recorders in A minor, TWV 52:a2: III. Largement
08. Concerto for 2 Recorders in A minor, TWV 52:a2: IV. Vivement
09. Concerto for Recorder and Bassoon in F major, TWV 52:F1: I. Largo
10. Concerto for Recorder and Bassoon in F major, TWV 52:F1: II. Vivace
11. Concerto for Recorder and Bassoon in F major, TWV 52:F1: III. —
12. Concerto for Recorder and Bassoon in F major, TWV 52:F1: IV. Allegro
13. Concerto for Recorder and Viola da Gamba in A Minor ,TWV 52:a1: I. Grave
14. Concerto for Recorder and Viola da Gamba in A Minor ,TWV 52:a1: II. Allegro
15. Concerto for Recorder and Viola da Gamba in A Minor ,TWV 52:a1: III. Dolce
16. Concerto for Recorder and Viola da Gamba in A Minor ,TWV 52:a1: IV. Allegro
17. Concerto for 2 Recorders in B-Flat Major, TWV 52:B1: I. Grave
18. Concerto for 2 Recorders in B-Flat Major, TWV 52:B1: II. Vivace
19. Concerto for 2 Recorders in B-Flat Major, TWV 52B1: III. Tendrement
20. Concerto for 2 Recorders in B-Flat Major, TWV 52:B1: IV. Gayment
Erik Bosgraaf - Telemann: The Double Concertos with Recorder (2016) [Hi-Res]
The third new recording by recorder phenomenon Erik Bosgraaf of music by Georg Philipp Telemann, as a preparation for the Telemann-year 2017.
This recording contains the double concertos with recorder: for two recorders or in combination with traverso, bassoon or viola da gamba.
Telemann himself was a professional recorder player. These concertos contain some of his most personal music, his usual brilliance, wit and virtuosity alternate with passages of deep emotion and melancholy.
Erik Bosgraaf is one of the most remarkable recorder players of today.
Equally at home in early as well as contemporary music he extends the limits of his instrument, achieving an extreme range of expression and unheard-of effects.
Erik Bosgraaf has won international acclaim for his Brilliant Classics recordings of music from Jakob van Eyck (Der Fluyten Lust Hof) to Pierre Boulez (Dialogues). His discography includes no fewer than three previous albums dedicated to Georg Philipp Telemann, the composer who more than any other in the German Baroque elevated the recorder and its relatives to the status of a high-art instrument, capable of hitherto undreamt expressive range and technical refinement.
Following those albums of solo fantasias, accompanied sonatas, and suites and concertos, Bosgraaf now presents a selection of concertos, composed during the first decades of the eighteenth century, in which he is paired with a second soloist, be it another recorder, a bassoon or viola da gamba. Telemann himself confessed that his concertos ‘smell of France’, which may indeed be scented not only in some of their movement titles but in the stately dotted rhythms and graceful ornamentation of their slower movements.
However, Telemann also imbues ritornellos and especially solo episodes with great rhythmic drive, primarily derived from Polish folk music, and continually surprises the listener with rapid switches between short-range and long-range imitation, unpredictable rhythmic patterns and quickfire banter with the orchestra. The only conservative feature of these concertos is their four-movement form, slow–fast– slow–fast.
Bosgraaf is partnered by his own Ensemble Cordevento and joined by distinguished ‘period’-trained instrumentalists from the UK, Germany and his native Netherlands. The album makes an ideal taster to the musical banquet which will be laid on throughout 2017, in celebration of Telemann’s 250th birthday.
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发表于 2025-5-17 07:48:20