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艺术家：什洛莫·明茨（Shlomo Mintz）& 罗伯托·普罗塞达（Roberto Prosseda）
作品名称：什洛莫·明茨 门德尔松：小提琴奏鸣曲
发行年份：2020年
厂牌：意大利环球音乐（Universal Music Italia srL.）
流派：古典音乐
音质：FLAC（分轨）/24位-96kHz FLAC（分轨）
总时长：68分21秒
总大小：294兆字节 / 1.31千兆字节
网站：专辑预览
曲目列表
1. 费利克斯·门德尔松：F大调小提琴奏鸣曲，MWV Q7：第一乐章 快板（6:16）
2. 费利克斯·门德尔松：F大调小提琴奏鸣曲，MWV Q7：第二乐章 行板（6:12）
3. 费利克斯·门德尔松：F大调小提琴奏鸣曲，MWV Q7：第三乐章 急板（4:37）
4. 费利克斯·门德尔松：f小调小提琴奏鸣曲，作品4号，MWV Q12：第一乐章 柔板—中板快板（10:10）
5. 费利克斯·门德尔松：f小调小提琴奏鸣曲，作品4号，MWV Q12：第二乐章 稍柔板（7:25）
6. 费利克斯·门德尔松：f小调小提琴奏鸣曲，作品4号，MWV Q12：第三乐章 激动的快板（5:28）
7. 费利克斯·门德尔松：F大调小提琴奏鸣曲，MWV Q26：第一乐章 活泼的快板（12:49）
8. 费利克斯·门德尔松：F大调小提琴奏鸣曲，MWV Q26：第二乐章 柔板（8:31）
9. 费利克斯·门德尔松：F大调小提琴奏鸣曲，MWV Q26：第三乐章 十分活泼的（6:51）
专辑简介
门德尔松的《f小调小提琴奏鸣曲》深受贝多芬与莫扎特的影响，这或许符合人们对一位生活于19世纪20年代、十多岁作曲家的预期。但这部奏鸣曲绝非简单的模仿学徒之作：事实上，它展现了青年门德尔松以惊人的大胆与成熟进行创作的能力。前人影响清晰可辨，作曲家也未试图掩饰，但这些元素被充分吸收，并转化为一种具有鲜明个人特质的风格。明茨与奥斯特罗夫斯基显然对作品的品格与内涵怀以深切敬意，他们的演绎充满力量且严肃认真。在我看来，这场演奏堪称卓越——明茨不仅以极优美的音色与完美无瑕的技巧演奏，其敏感度与艺术修养更赋予音乐深刻的感染力，而奥斯特罗夫斯基的配合同样出色。
门德尔松29岁创作的晚期《F大调奏鸣曲》亦体现了同等水准的演绎。这部奏鸣曲直至1953年仍未出版，湮没无闻，直至耶胡迪·梅纽因爵士对其进行编订，为EMI录制黑胶唱片，并推动其出版。在此作中，门德尔松的成熟风格固然显著，但听众或许会感到，作曲家的灵感之火较15年前略有黯淡。然而，这仍是一部令人愉悦的作品，能拥有如此高水准的诠释实为幸事。录音品质异常温暖自然。（《留声机》乐评）
小提琴：什洛莫·明茨（Shlomo Mintz）
钢琴：保罗·奥斯特罗夫斯基（Paul Ostrovsky）
数字重制
Artist: Shlomo Mintz & Roberto Prosseda
Title: Mendelssohn: Violin Sonatas
Year Of Release: 2020
Label: Universal Music Italia srL.
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks)
Total Time: 68:21
Total Size: 294 MB / 1.31 GB
WebSite: Album Preview
Tracklist:
1. Felix Mendelssohn: Violin Sonata in F Major, MWV Q7: I. Allegro (6:16)
2. Felix Mendelssohn: Violin Sonata in F Major, MWV Q7: II. Andante (6:12)
3. Felix Mendelssohn: Violin Sonata in F Major, MWV Q7: III. Presto (4:37)
4. Felix Mendelssohn: Violin Sonata in F Minor, Op.4, MWV Q12: I. Adagio. Allegro moderato (10:10)
5. Felix Mendelssohn: Violin Sonata in F Minor, Op.4, MWV Q12: II. Poco Adagio (7:25)
6. Felix Mendelssohn: Violin Sonata in F Minor, Op.4, MWV Q12: III. Allegro agitato (5:28)
7. Felix Mendelssohn: Violin Sonata in F Major, MWV Q26: I. Allegro vivace (12:49)
8. Felix Mendelssohn: Violin Sonata in F Major, MWV Q26: II. Adagio (8:31)
9. Felix Mendelssohn: Violin Sonata in F Major, MWV Q26: III. Assai vivace (6:51)
Mendelssohn's F minor Violin Sonata bears the influence of Beethoven and Mozart, and this is perhaps what one would expect of a composer in his early teens writing during the 1820s. But the sonata is a great deal more than a derivative apprentice piece: in fact it shows the young Mendelssohn composing with an astonishing boldness and maturity. The influences are there, and no attempt is made to conceal them, but they are absorbed and translated into a style which has a distinct personality of its own. Mintz and Ostrovsky clearly have much respect for its character and substance, and theirs is a strong, serious approach. Indeed, their performance seems to me quite outstanding, for not only does Mintz play with the most beautiful quality of tone and an immaculate technique, but his sensitivity and artistry illuminate the music to great effect, while Ostrovsky's contribution is equally distinguished.
Similar qualities of performance inform the later F major Sonata, written when Mendelssohn was a mature young man of some 29 summers. This sonata lay in unpublished obscurity until 1953, when Sir Yehudi Menuhin edited the work, recorded it on LP for EMI, and caused it to be published. Here, Mendelssohn's mature style is of course evident, yet the listener may perhaps feel that the composer's fires of inspiration burned a little less brightly than they had 15 years earlier. Yet it's an enjoyable work, and good to have in such a high-class interpretation as this. The recording quality is outstandingly warm and natural. (Gramophone)
Shlomo Mintz, violin
Paul Ostrovsky, piano
Digitally remastered
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发表于 2025-5-18 08:19:42