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艺术家：乔伊·吉德里（Joy Guidry）
作品名称：《Five Prayers》（五首祷文）
发行年份：2025年
厂牌：JAID Records
音乐类型：爵士乐、氛围音乐
音质：FLAC（分轨）/ 24位-48千赫兹FLAC（分轨）
总时长：36分26秒
总大小：106 / 300兆字节
官网：专辑预览
曲目列表：
1. 《Convince Me To Stay》（说服我留下）（4分47秒）
2. 《You've Done What You Can》（你已竭尽所能）（6分56秒）
3. 《Hold and Be Held》（拥抱与被拥抱）（4分36秒）
4. 《Myles》（迈尔斯）（3分52秒）
5. 《I Know You're Here With Me》（我知道你与我同在）（16分19秒）
专辑介绍：
乔伊·吉德里（Joy Guidry）的新专辑《Five Prayers》是声音、精神与激进自我表达的直觉性融合。作为实验与先锋音乐领域备受尊敬的艺术家，吉德里在持续突破声音边界的同时，始终与黑人声音传统保持深刻联结。相较于以往的自由爵士风格，《Five Prayers》转向了更具沉浸感的氛围音乐场域。
这张专辑源于深度的内省——创作过程是自我探索与解放的具象化，与那些在音乐中寻求真实、脆弱性与超越性的听众产生强烈共鸣。正如音乐人凯欣德·阿隆格（Kehinde Alonge）所问：“祈祷的声音是什么？是匮乏感的回响密室，还是从今日悲痛的死寂中召唤深层自我的旋律圣歌？谁在聆听这氛围祷文的织锦，而它的声音又将如何改变承载者的境遇？”吉德里的第三张全长专辑以五首曲目潜入这些问题的听觉肌理，曲名与各异的冥想式声音地貌中，处处弥漫着巴松管祷文般平静而坚定的呼吸感。
在她充满生命力的声音宇宙中，听众能听见不同维度的“祈祷”：《Hold and Be Held》中竖琴拨弦与气息的耐心共舞，如波光粼粼的心灵对话；《Myles》以 euphoric（欣快）的快节奏贝斯敲击，化作跳动的祷词；长达16分钟的终曲《I Know You're Here With Me》则展开星际般的探索——合成器与电钢琴的行进中，潜伏着跨越维度的陪伴感。这些声音不仅是祷文的载体，更邀请听众成为祷文本身：短暂易逝，却因对“永恒庇护”的坚定渴求而获得.resolve（.resolve 在此兼具“决心”与“溶解”之意，可理解为“因坚持而弥合”）。
吉德里的创作突破体现在对乐器叙事性的重构：巴松管不再局限于传统爵士的即兴角色，而是成为“声音祭司”——其温润而略带沙哑的音色，在《You've Done What You Can》中如忏悔般蜿蜒，与氛围音效的低频嗡鸣形成精神性的对抗与共生。电子音效的运用亦非炫技，而是如《圣经》中的吗哪（manna），在《Convince Me To Stay》中以颗粒感的采样碎片，拼贴出挽留与告别的内心角力。
《Five Prayers》不仅是一张专辑，更是一场声音仪式——在黑人灵歌传统与当代氛围音乐的交汇处，吉德里用呼吸的韵律、乐器的震颤与静默的留白，编织出五座听觉祭坛。在这里，祈祷不再是单向的倾诉，而是声音与灵魂的共振，是在混沌中雕刻出的、属于每个人的精神庇护所。
Artist: Joy Guidry
Title: Five Prayers
Year Of Release: 2025
Label: JAID Records
Genre: Jazz, Ambient
Quality: FLAC (tracks) / 24bit-48kHz FLAC (tracks)
Total Time: 36:26
Total Size: 106 / 300 MB
WebSite: Album Preview
Tracklist:
1. Convince Me To Stay (4:47)
2. You've Done What You Can (6:56)
3. Hold and Be Held (4:36)
4. Myles (3:52)
5. I Know You're Here With Me (16:19)
Joy Guidry’s new album, 5 Prayers, is an intuitive convergence of sound, spirit, and radical self-expression. As a deeply respected artist in the experimental and avant-garde music spaces, Guidry continues to push sonic boundaries while remaining deeply connected to Black sonic traditions. Moving away from free-jazz, 5 Prayers moves towards an ambient space.
This album is informed by a deep introspective. The resulting work is a manifestation of self-exploration and liberation, resonating with audiences seeking authenticity, vulnerability, and transcendence in music.
From Kehinde Alonge:
What is the sound of prayer? Is it an echo chamber of reverberating lack? Or might it be a melodic chant summoning the intercession of a deeper self rummaged out of the deadness of today's sorrow? Who hears its tapestry of ambient appeals, and to what end might its sound change the circumstance of the bearer of its weight? Joy Guidry's third full-length album, Five Prayers, wades into the aural textures of these questions with five songs, whose titles and varying meditative sonic terrains fill one's ears with the calm yet firm breath of the bassoon's prayer. Held in the voluminous aliveness of her breath, whose sounds range from the patient and glistening dance between harp plucks and breath on songs like "Hold and Be Held" to the euphoric uptempo bass knocks in" Myles" to the interplanetary exploration of breath latent with synth-electric piano strides on "I Know You're Always With Me," the listener of these prayers can find the will to become a prayer itself—transient yet resolved by the strength of its insistence to demand the refuge of what could always be.
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发表于 2025-5-19 07:37:45