04-克里斯蒂娜·布拉加 桑巴、爵士与爱 (2013) [Hi-Res]

厚道大哥

艺术家：克里斯蒂娜·布拉加（Cristina Braga）  
标题：克里斯蒂娜·布拉加 桑巴、爵士与爱  
发行年份：2013年  
厂牌：ENJA唱片  
流派：世界音乐、巴萨诺瓦、人声爵士  
音质：flac无损格式 / 24位-96.0千赫兹  
总时长：00:49:27  
总大小：257 / 962兆字节  
网站：专辑预览  

曲目列表  
---------  
01. 完美的爱（Love Parfait）  
02. 小船（O Barquinho）  
03. 桑巴与爱（Samba e Amor）  
04. 走调（Desafinado）  
05. 天堂里约（Rio Paraiso）  
06. 谁的悲伤（Triste de Quem）  
07. 只跳桑巴（Só Danço Samba）  
08. 寻找自我（Preciso Me Encontrar）  
09. 继续歌唱（Canta Mais）  
10. 玫瑰丛下的雨（Chovendo na Roseira）  
11. 桑巴本色（Desde Que o Samba É Samba）  

“若我当选教皇或总统，定要推动这股力量——让桑巴成为全球爱的舞蹈。”ENJA厂牌出品必属音乐精品，克里斯蒂娜·布拉加的第二张专辑亦不例外。如同巴西各地音乐风格的多元纷呈，《桑巴、爵士与爱》也以丰富的艺术感染力令人沉醉。  

布拉加的魔幻嗓音萦绕于小号、柔音号、颤音琴之上，搭配鼓与打击乐的精准点缀，将原本可能流于普通的桑巴风格专辑推向了连她自己都未曾预见的高度。她对竖琴的运用与巴西一众极具影响力的作曲家的作品相得益彰。这是巴西音乐的融合之作，音乐与嗓音的多元性及精湛技艺时而浑然一体，既私密又充满力量。微妙的节奏脉动融入西方“室内爵士”的层次感，情感自然流露，却又不失张力与动感。和声的流转间，她始终坚守抒情的脉络与情感的张力，堪称美妙。  

专辑选曲匠心独运，奇科·布阿尔克、罗伯托·梅内斯卡尔、汤姆·若宾等作曲家的作品在这场精彩演绎中纷纷亮相。所有 vocals 均为葡萄牙语——即便如我这般除了几句能用来“勾搭女士或挨耳光”的意大利语外不通外语之人，也深感语言从不是障碍。  

如贝蒂·卡特（Betty Carter）般深沉的民谣、若宾《继续歌唱》中的竖琴 virtuoso 演奏，以及《寻找自我》中非洲巴西风格与迷人旋律的交织，共同成就了这张情感动人、看似简约却暗藏复杂巧思的唱片。


Artist: Cristina Braga
Title: Samba, Jazz And Love
Year Of Release: 2013
Label: ENJA Records
Genre: World, Bossa Nova, Vocal Jazz
Quality: flac lossless / flac 24bits - 96.0kHz
Total Time: 00:49:27
Total Size: 257 / 962 mb
WebSite: Album Preview

Tracklist

01. Love Parfait
02. O Barquinho
03. Samba e Amor
04. Desafinado
05. Rio Paraiso
06. Triste de Quem
07. Só Danço Samba
08. Preciso Me Encontrar
09. Canta Mais
10. Chovendo na Roseira
11. Desde Que o Samba É Samba

When I am elected Pope or President, the powers here are a push, then the samba will be the global dance of love. Anything on the Enja label is a musical 'gimme' with the second release from Cristina Braga no exception. As much diversity as one will find in Brazilian music depending on which part of the country you happen to be staying in, it is the same diversity that makes Samba Jazz and Love such an artistic delight.

Braga surrounds her magical voice with trumpet, flugelhorn, vibraphonist and the spot on nuances of drums and percussion that take what could have been considered an ordinary samba influenced record and instead pushed the project perhaps heights that Braga herself never knew were possible. The use of the harp by Braga fits in well with the compositions by some of Brazils most influential composers. This is Brazilian fusion, the use of such a wide variety and virtuosity of both music and voice occasionally the collective sounds as one. Intimate yet powerful. A subtle rhythmic pulse lends itself to a layer of what is referred to as chamber jazz in the west, emotional and organic yet powerful and dynamic. The shifting harmonics without every losing her lyrical path or intensity is a thing of beauty.

A great deal of thought went into the tunes from such composers as Chico Buarque, Roberto Menescal and Tom Jobim are but a few names to be dropped in this stunning outing. All of the vocals are in Portuguese. I speak no foreign languages with the exception of enough Italian to either get my face slapped or successful purchase a drink for a lady at the bar. Language is no barrier, especially here.

Dark Betty Carter like ballads, virtuoso harp playing on Jobim's Canta Mais and the Afro Brazilian style with the captivating melodu of Preciso Me all contribute to the success of an emotionally touching and deceptively complex recording.

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