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艺术家：弗朗茨·西尔维斯特里
曲目：尚博尼埃：羽管键琴组曲
发行年份：2016年
厂牌：辉煌古典唱片公司
音乐类型：古典音乐
音质：无损FLAC格式/24比特-96.0千赫兹
总时长：1小时28分23秒
总大小：554兆字节/1.78吉字节
网站：专辑预览
曲目列表
01. C大调组曲：I. 阿勒曼德舞曲“勒穆捷”
02. C大调组曲：II. 阿勒曼德舞曲
03. C大调组曲：III. 库朗特舞曲
04. C大调组曲：IV. 另一首库朗特舞曲
05. C大调组曲：V. 萨拉班德舞曲
06. C大调组曲：VI. 吉格舞曲“拉沃丁盖特”
07. D大调组曲：I. 阿勒曼德舞曲“拉米尼翁”
08. D大调组曲：II. 库朗特舞曲
09. D大调组曲：III. 萨拉班德舞曲
10. D大调组曲：IV. 吉格舞曲
11. d小调组曲：I. 阿勒曼德舞曲
12. d小调组曲：II. 库朗特舞曲
13. d小调组曲：III. 萨拉班德舞曲
14. d小调组曲：IV. 帕凡舞曲
15. F大调组曲：I. 阿勒曼德舞曲
16. F大调组曲：II. 库朗特舞曲
17. F大调组曲：III. 萨拉班德舞曲
18. F大调组曲：IV. 恰空舞曲
19. F大调组曲：V. 布鲁斯克舞曲
20. G大调组曲：I. 阿勒曼德舞曲
21. G大调组曲：II. 库朗特舞曲
22. G大调组曲：III. 萨拉班德舞曲
23. G大调组曲：IV. 小步舞曲
24. G大调组曲：V. 恰空舞曲
25. g小调组曲：I. 阿勒曼德舞曲“苦恼者”
26. g小调组曲：II. 库朗特舞曲
27. g小调组曲：III. 萨拉班德舞曲
28. g小调组曲：IV. 帕凡舞曲“众神的对话”
29. g小调组曲：V. 吉格舞曲
30. 降B大调组曲：I. 阿勒曼德舞曲
31. 降B大调组曲：II. 库朗特舞曲
32. 降B大调组曲：III. 萨拉班德舞曲
33. 降B大调组曲：IV. 加亚尔德舞曲
34. a小调组曲：I. 阿勒曼德舞曲“稀有者”
35. a小调组曲：II. 库朗特舞曲
36. a小调组曲：III. 萨拉班德舞曲
37. a小调组曲：IV. 滑稽曲
38. a小调组曲：V. 吉格舞曲
专辑简介
雅克·尚博尼埃·德·尚博尼埃（Jacques Champion de Chambonnières，1601-1672）被称为法国羽管键琴学派之父。他身兼键盘演奏家、作曲家与舞蹈家，在法国宫廷担任宫廷作曲家这一显赫职位，声名远播欧洲。许多作曲家皆出自他的门下，如库普兰家族、当热贝、弗罗贝格尔等。作为职业舞蹈家，尚博尼埃创作大量舞曲组曲（如阿勒曼德、库朗特、萨拉班德、吉格）不足为奇，其作品风格精巧繁复，充分运用当时新发明的双键盘羽管键琴的性能。
生前即被视为法国最伟大羽管键琴家的尚博尼埃，十岁起继承父业成为宫廷专属羽管键琴家与作曲家。他慷慨扶持路易·库普兰等新兴作曲家，热衷推动羽管键琴技术革新，率先采用双键盘乐器并开创通奏低音风格。其音乐展现超越时代的先进技巧，明显受道兰等同时代作曲家启发，却未如弟子库普兰与当热贝般探索前奏曲形式。
意大利音乐家弗朗茨·西尔维斯特里使用安德烈·迪·马约仿制的1681年沃迪羽管键琴演奏，完美重现法国音乐黄金时代的璀璨声响。本专辑曾收录于近期发行的多碟套装《法国羽管键琴音乐》，是辉煌古典近年推出的系列羽管键琴专辑之一，为探索库普兰、当热贝之前的键盘音乐提供了理想切入点。
Artist: Franz Silvestri
Title: Chambonnières: Harpsichord Suites
Year Of Release: 2016
Label: Brilliant Classics
Genre: Classical
Quality: flac lossless / flac 24bits - 96.0kHz
Total Time: 01:28:23
Total Size: 554 mb / 1.78 gb
WebSite: Album Preview
Tracklist
01. Suite in C Major: I. Allemande "Le moutier"
02. Suite in C Major: II. Allemande
03. Suite in C Major: III. Courante
04. Suite in C Major: IV. Autre courante
05. Suite in C Major: V. Sarabande
06. Suite in C Major: VI. Gigue "La verdinguette"
07. Suite in D Major: I. Allemande "La mignonne"
08. Suite in D Major: II. Courante
09. Suite in D Major: III. Sarabande
10. Suite in D Major: IV. Gigue
11. Suite in D Minor: I. Allemande
12. Suite in D Minor: II. Courante
13. Suite in D Minor: III. Sarabande
14. Suite in D Minor: IV. Pavanne
15. Suite in F Major: I. Allemande
16. Suite in F Major: II. Courante
17. Suite in F Major: III. Sarabande
18. Suite in F Major: IV. Chaconne
19. Suite in F Major: V. Brusque
20. Suite in G Major: I. Allemande
21. Suite in G Major: II. Courante
22. Suite in G Major: III. Sarabande
23. Suite in G Major: IV. Menuet
24. Suite in G Major: V. Chaconne
25. Suite in G Minor: I. Allemande "L'affligée"
26. Suite in G Minor: II. Courante
27. Suite in G Minor: III. Sarabande
28. Suite in G Minor: IV. Pavanne "L'entretien des dieux"
29. Suite in G Minor: V. Gigue
30. Suite in B-Flat Major: I. Allemande
31. Suite in B-Flat Major: II. Courante
32. Suite in B-Flat Major: III. Sarabande
33. Suite in B-Flat Major: IV. Gaillarde
34. Suite in A Minor: I. Allemande "La rare"
35. Suite in A Minor: II. Courante
36. Suite in A Minor: III. Sarabande
37. Suite in A Minor: IV. Drollerie
38. Suite in A Minor: V. Gigue
Franz Silvestri - Chambonnières: Harpsichord Suites (2016) [Hi-Res]
Considered during his lifetime to be the greatest harpsichord player in France, Jacques Champion de Chambonnières followed in his father’s tradition to become the official harpsichordist and composer at the royal court, serving the King of France from the age of just 10. He was admired for his generosity in supporting budding composers (such as Louis Couperin), and was a keen advocate of innovation in harpsichord technology, acquiring a two-manual harpsichord as soon as they became available, and pioneering the new continuo style. Admired for his musicianship as much as his skills as a composer and performer, it is little wonder that he was also a prolific dancer – the Suites featured on this album follow the traditional structure of collections of dance movements, including lively gigues and slow sarabandes. His music reveals a very advanced technique for its time, with clear inspiration from contemporary composers such as Dowland, though Chambonnières never went on to explore the Prelude so popular of his protégés Louis Couperin and D’Anglebert.
This album – already released as part of the recent multi-CD boxset French Harpsichord Music – is one of a number of harpsichord music CDs released by Brilliant Classics over the past few years. Opening the door to the superb sounds of this golden age of French music-making, they represent an ideal opportunity to explore keyboard music from this time, discovering the talented musicians who preceded the greats of the next generation such as Couperin and D’Anglebert. Italian musician Franz Silvestri plays on a modern harpsichord by Andrea di Maio, carefully modelled after a Vaudy instrument from 1681.
Jacques Champion de Chambonnières (1601-1672) is called the father of the French harpsichord school. He was a keyboard player, composer and dancer, and held the prestigious post of Court Composer at the court of the King of France. His fame spread all over Europe, and he counted many composers as his pupils: the Couperin family, D’Angelbert, Froberger and many others. Being a professional dancer it is no wonder Chambonnières composed many suites of dance forms, such as the Allemande, Courante, Sarabande and Gigue, brilliantly written in elaborate style, making full use of the possibilities of the then newly invented 2-manual harpsichord. Played by Franz Silvestri plays a magnificent copy of a 1681 Vaudy harpsichord.
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发表于 2025-5-22 08:01:44