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05-芝加哥交响乐团,里卡多·穆蒂 布鲁克纳:第九交响曲 (2017) Hi-Res

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发表于 2025-5-22 08:04:55 | 显示全部楼层 |阅读模式
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艺术家:芝加哥交响乐团,里卡多·穆蒂  
标题:芝加哥交响乐团,里卡多·穆蒂 布鲁克纳:第九交响曲  
发行年份:2017年  
厂牌:CSO Resound  
流派:古典音乐  
音质:24位-96千赫兹FLAC / FLAC(镜像文件+.cue,.log,扫描文件)  
总时长:62分20秒  
总大小:1.2吉字节 / 344兆字节  
网站:专辑预览  

曲目列表  
1.第一乐章 庄严地,神秘地  
2.第二乐章 谐谑曲 活跃地,生动地  
3.第三乐章 柔板 缓慢地,庄严地  

演奏者:  
芝加哥交响乐团  
里卡多·穆蒂,指挥  

在这张2017年发行的CSO Resound专辑中,里卡多·穆蒂与芝加哥交响乐团呈现了安东·布鲁克纳未完成的《D小调第九交响曲》。这场具有里程碑意义的演出以其如大理石般厚重的质感、深刻的抒情性和强烈的情感张力令人印象深刻。尽管穆蒂此前较少录制布鲁克纳作品,但他以一位资深布鲁克纳诠释者的热情与敏感度演绎了这部交响曲——或许正因未曾录制过,这场现场版的“第九”仿佛是对过往的弥补。穆蒂的激情投入与乐团的磅礴力量交织,造就了一场令人难忘的演绎,令人联想到冈特·旺德、欧根·约胡姆,尤其是卡洛·马里亚·朱利尼等大师的经典诠释(后者对“第九”的录音被公认为标杆之作)。  

虽然穆蒂仅演奏了三个已完成的乐章,并未尝试对现存终曲草稿进行任何重构,但演出却传递出一种真实的完整性。尤其是第三乐章柔板,其宏大与悲怆之感使其成为令人信服的“结尾”——尽管这并非作曲家本意。CSO Resound的录音音质卓越,接近最高发烧级标准。

Artist: Chicago Symphony Orchestra, Riccardo Muti
Title: Bruckner: Symphony No. 9
Year Of Release: 2017
Label: CSO Resound
Genre: Classical
Quality: FLAC 24bit-96kHz / FLAC (image+.cue,log,scans)
Total Time: 62:20
Total Size: 1.2 Gb / 344 Mb
WebSite: Album Preview

Tracklist:

1. I. Feierlich, misterioso
2. II. Scherzo. Bewegt, lebhaft
3. III. Adagio. Langsam, feierlich

Performers:
Chicago Symphony Orchestra
Riccardo Muti, conductor

For this 2017 CSO-Resound release, Riccardo Muti and the Chicago Symphony Orchestra present Anton Bruckner's unfinished Symphony No. 9 in D minor in a monumental performance that impresses with its marmoreal weight, poignant lyricism, and brutal volatility. Not widely known for his few Bruckner recordings, Muti nonetheless delivers this symphony with the passion and sensitivity of an experienced Brucknerian, and possibly because he hasn't recorded it before, this live rendition of the Ninth seems like an attempt to make up for lost time. Muti's intensity and the orchestra's ferocious power combine to make a memorable reading that may remind listeners of performances by such greats as Günter Wand, Eugen Jochum, and particularly Carlo Maria Giulini, whose recordings of the Ninth are recognized benchmarks. While Muti only performs the three completed movements, and eschews any attempted reconstructions of the surviving Finale sketches, the performance has a genuine feeling of wholeness, and the Adagio particularly has the grandeur and pathos that make it feel like a convincing ending, albeit one that the composer did not intend. CSO-Resound's recorded sound is superb and approaches the highest audiophile standards.

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