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艺术家：平克·弗洛伊德乐队
专辑名称：《庞贝古城的平克·弗洛伊德 - MCMLXXII（2025年混音版）》
发行年份：2025年
厂牌：遗产唱片公司
音乐类型：摇滚
音质：Mp3格式320千比特每秒 / E-AC-3 JOC杜比全景声 / FLAC格式（音轨） / FLAC格式（音轨+.cue文件、日志、封面） / 24位-96千赫兹FLAC格式（音轨）
总时长：01小时28分24秒
总大小：210兆字节 / 494兆字节 / 466兆字节 / 1.56吉字节
网站：专辑预览
曲目列表：
CD1
1. 庞贝古城 intro（3分31秒）
2. 回声 - 第一部分（11分55秒）
3. 小心那把斧头，尤金（6分38秒）
4. 一碟秘密（10分10秒）
5. 这些天中的一天（5分56秒）
6. 设定航向太阳之心（10分29秒）
7. 诺布斯小姐（1分50秒）
8. 回声 - 第二部分（13分24秒）
CD2
1. 小心那把斧头，尤金 - 替代版本（6分03秒）
2. 一碟秘密 - 未剪辑版（12分45秒）
3. 回声 - 第一部分 - 剪辑版（5分50秒）
《庞贝古城的平克·弗洛伊德 - MCMLXXII》是 Adrian Maben 1972年执导的突破性电影，现已由 Steven Wilson 进行数字重新母带处理和混音。这部独特的影片以意大利庞贝古城古罗马圆形剧场的绝美废墟为背景，记录了平克·弗洛伊德乐队的一场私密音乐会。此音频配套专辑收录了电影中的现场表演及两首额外曲目，包括此前未发行的《一碟秘密》延长版。
尼克·梅森（Nick Mason）表示：“《平克·弗洛伊德：庞贝现场》是乐队在《月之暗面》之前现场表演的罕见且独特的记录。”
这部电影从平克·弗洛伊德乐队档案中五个标签存疑的片罐里发现的原始35毫米剪辑负片，进行了逐帧精心修复。这一重大发现挖掘出了50多年前在庞贝废墟中那些炎热日子里拍摄的原始胶片。
在平克·弗洛伊德修复总监拉娜·托帕姆（Lana Topham）的带领下，团队致力于保留原始画面的完整性与美感。影片通过先进技术进行4K扫描，确保呈现最精细、锐利的细节。色彩得到增强，每一帧都经过精心审查和修复，在最小化颗粒调整的同时保持自然生动的视觉效果。
“自1994年以来，我一直在寻找难以捉摸的《庞贝古城的平克·弗洛伊德》电影原始素材，因此最近发现1972年原始35毫米剪辑负片是一个非常特殊的时刻。新修复的版本首次呈现完整的90分钟版本，将60分钟的表演原始剪辑与之后不久在艾比路录音棚拍摄的纪录片片段相结合。”——平克·弗洛伊德修复总监拉娜·托帕姆。
影片还采用了 Steven Wilson 全新制作的5.1声道和杜比全景声影院及家庭娱乐混音，提升了声音的深度和清晰度，同时保留了1972年原版的真实性和精神。Wilson 的目标是忠实还原乐队在1971年那个炎热夏日的现场音质。
“自从小时候父亲反复播放《月之暗面》给我‘洗脑’以来，平克·弗洛伊德一直是我最喜欢的乐队。他们是我的‘披头士’，深深融入了我的音乐基因。我第一次在当地电影院看到《庞贝古城》时，画面满是颗粒感，但四位音乐家展现出的无拘无束的探索性摇滚音乐，堪称‘知识分子酷感’的典范，给我留下了深刻印象。很荣幸能为拉娜·托帕姆对这部电影的精彩修复重新混音，修复后的画面看起来就像昨天刚拍摄的一样。”——Steven Wilson。
Artist: Pink Floyd
Title: Pink Floyd at Pompeii - MCMLXXII (2025 Mix)
Year Of Release: 2025
Label: Legacy Recordings
Genre: Rock
Quality: Mp3 320 kbps / E-AC-3 JOC Dolby Atmos / FLAC (tracks) / FLAC (tracks+.cue, log, artwork) / 24bit-96kHz FLAC (tracks)
Total Time: 01:28:24
Total Size: 210 / 494 / 466 MB / 1.56 GB
WebSite: Album Preview
Tracklist:
CD1
1. Pompeii Intro (3:31)
2. Echoes - Part 1 (11:55)
3. Careful with That Axe, Eugene (6:38)
4. A Saucerful of Secrets (10:10)
5. One of These Days (5:56)
6. Set the Controls for the Heart of the Sun (10:29)
7. Mademoiselle Nobs (1:50)
8. Echoes - Part 2 (13:24)
CD2
1. Careful with That Axe, Eugene - Alternate Take (6:03)
2. A Saucerful of Secrets - Unedited (12:45)
3. Echoes - Part 1 - Edit (5:50)
Pink Floyd at Pompeii – MCMLXXII, the groundbreaking 1972 film directed by Adrian Maben, has been digitally remastered and remixed by Steven Wilson. Set in the hauntingly beautiful ruins of the ancient Roman Amphitheatre in Pompeii, Italy, this unique film captures Pink Floyd performing an intimate concert. This audio companion contains the live performances from the film as well as two additional tracks, including a previously unreleased extended version of “A Saucerful Of Secrets”.
Nick Mason said “Pink Floyd: Live At Pompeii is a rare and unique document of the band performing live in the period prior to the The Dark Side Of The Moon.”
The film has been meticulously hand restored, frame-by-frame, from the original 35mm cut negative – discovered in five dubiously labelled cans within Pink Floyd’s own archives. This momentous breakthrough unearthed the very film that rolled through the cameras during those sweltering days amidst the ruins of Pompeii over 50 years ago.
Led by Lana Topham, Director of Restoration for Pink Floyd, the team’s mission was to preserve the integrity and beauty of the original picture. The film was scanned in 4K using advanced techniques to ensure the finest, sharpest detail. Colors were enhanced, and every frame was meticulously reviewed and repaired, maintaining a natural and vivid appearance with minimal grain adjustments.
“Since 1994, I have searched for the elusive film rushes of Pink Floyd At Pompeii, so the recent discovery of the 1972 original 35mm cut negative was a very special moment. The newly restored version presents the first full 90-minute cut, combining the 60-minute source edit of the performance with the additional Abbey Road Studios documentary segments filmed shortly after,” – Lana Topham, Director of Restoration for Pink Floyd.
The film also features stunning sound quality with a new theatrical and home entertainment mix by Steven Wilson in 5.1 and Dolby Atmos that enhances the film’s depth and clarity, preserving the authenticity and spirit of the original 1972 release. Wilson’s aim was to remain faithful to how the band would have sounded on that scorching hot day in 1971.
“Ever since my dad brainwashed me as a kid by playing The Dark Side of the Moon on repeat, Pink Floyd has been my favourite band. They are my “Beatles”, deeply ingrained in my musical DNA. I first saw Pompeii in a grainy print at a local cinema. It made an incredible impression on me with its untethered and exploratory rock music made by four musicians that seemed to epitomise the notion of intellectual cool. It was an honour to remix the soundtrack to accompany Lana Topham’s incredible restoration of the film, which looks like it could’ve been filmed yesterday.” – Steven Wilson.
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发表于 2025-5-28 07:30:04