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艺术家：宇宙之耳（Cosmic Ear）
专辑名称：《TRACES》
发行年份：2025年
厂牌：We Jazz Records
音乐类型：爵士乐、自由爵士
音质：FLAC格式（音轨）/24位-48千赫兹FLAC格式（音轨）
总时长：48分57秒
总大小：257兆字节/536兆字节
网站：专辑预览
曲目列表：
01. 《父与子》（6分37秒）
02. 《糙米的痕迹》（4分41秒）
03. 《爱的列车》（9分16秒）
04. 《此时此地》（10分57秒）
05. 《再做一次——致索菲亚·耶恩伯格》（10:00）
06. 《科多纳与马里的痕迹》（7分26秒）
宇宙之耳乐队由克里斯特·博特恩（Christer Bothén）、 Mats Gustafsson、Goran Kajfeš、Kansan Zetterberg 和 Juan Romero 组成。他们的首张专辑《Traces》于2025年5月23日由We Jazz Records发行。这张包含6首深度创作的专辑中，宇宙之耳在追溯传奇音乐家唐·切里（Don Cherry）遗产“痕迹”的同时，也在当代创意音乐表达中开辟了属于自己的道路。克里斯特·博特恩曾在20世纪70年代唐·切里旅居瑞典期间与其合作，为乐队注入了深厚的历史底蕴，而他的乐队成员均是斯堪的纳维亚爵士乐界的顶尖人物。他们的音乐兼具冥想性与深邃感，强烈推荐给唐·切里、艾丽斯·科尔特兰（Alice Coltrane）和法老·桑德斯（Pharoah Sanders）的乐迷。不过，听众需以开放和好奇的心态聆听宇宙之耳，抛开既定的风格界限——正是乐队的自然流动与默契协作，将音乐带入了一片全新的领域。
正如约翰·科贝特（John Corbett）在专辑内页文字中所写：“宇宙之耳，五个灵魂（有时是六个）走在同一条路上，循着切里先生的风笛手之路。克里斯特·博特恩，切里在瑞典时期的主要合作者之一，也是全球最出色的低音单簧管演奏家之一，与次世代萨克斯手 Mats Gustafsson（曾在切里的音乐传承中肩负诸多使命），以及瑞典年轻一代明星——小号手 Goran Kajfes、贝斯手 Kansan Zetterberg 和打击乐手 Juan Romero 携手。他们共同设定节奏，规划路径：既有全球韵律（巴西贝林巴乌琴、几内亚金属刮奏器、西非敦索恩戈尼琴），也有外星般的电子律动（合成器、现场电子音效、滑音长笛）。地球如同一副手套，一只由外星力量辐射温暖的护手器，将手指带回银河系中心；切里的音乐之路则如同一剂香膏，为向宇宙吹回生命的嘴唇恢复 essential moisture（本质的润泽，保留英文原文以呼应原文诗意表达）。让我们赞美温暖的手指与湿润的嘴唇。”
Artist: Cosmic Ear
Title: TRACES
Year Of Release: 2025
Label: We Jazz Records
Genre: Jazz, Free Jazz
Quality: FLAC (tracks) / FLAC (tracks) 24bit-48kHz
Total Time: 48:57
Total Size: 257 / 536 Mb
WebSite: Album Preview
Tracklist:
01. Father and Son (6:37)
02. TRACES of Brown Rice (4:41)
03. Love Train (9:16)
04. Right Here Right Now (10:57)
05. Do It (Again) - For Sofia Jernberg (10:00)
06. TRACES of Codona and Mali (7:26)
Cosmic Ear is a new group bringing together Christer Bothén, Mats Gustafsson, Goran Kajfeš, Kansan Zetterberg and Juan Romero. Their debut album Traces is released by We Jazz Records on 23rd of May, 2025. Including 6 deep cuts, Traces is an album that sees Cosmic Ear tracking down the "traces" of the legendary Don Cherry's legacy while paving their own way in contemporary creative music expression. Christer Bothén, a collaborator with Don Cherry during his Swedish period in the 1970s, brings depth to the history of the band, while his bandmates each belong at the top of the game in Scandinavian jazz. Their music is meditative and deep, much recommended for fans of the likes of Don Cherry, Alice Coltrane, and Pharoah. That being said, listeners should approach Cosmic Ear only with openness and curiosity, without set stylistic boundaries, as it's the group's natural flow and togetherness that brings their music into a fresh territory of their own.
As John Corbett writes in his liner notes: "The Cosmic Ear. Five souls, sometimes six, on the same road. The pied piper path of Mr. Cherry. Christer Bothén, one of Cherry’s main collaborators in his Swedish period and one of the most beautiful bass clarinetists on planet earth, together with next-gen saxophonist Mats Gustafsson, who has carried so many torches in Cherry’s procession, and younger Swedish stars trumpeter Goran Kajfes, bassist Kansan Zetterberg, and percussionist Juan Romero. Together a tempo is set, a path is charted. There are global grooves. A berimbau, a karignan (metal scraper from Guinea), donso n’goni. There are ET grooves. Synth, live-electronics, slide flute. The globe is a glove, a hand warmer that radiates with extraterrestrial power, returning the fingers to their place at the center of the galaxy; the Cherry path is a balm that restores essential moisture to the lips that blow life back into the megacosm. Let us all praise warm fingers and moist mouths."
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发表于 2025-5-28 07:47:49